to justify the ways of god to men

25

[ryebreadgf]

oh okay. moaning

[formlab]

Kirill Semenovich

[catdr3am]

No to anxiety ✩ Yes to epic life

[alicedotcom-deactivated20260225]

[nobrashfestivity]

Hiroshi Sugimoto Ionian Sea I, Santa Cesarea gelatin silver print

Mark Rothko, Untitled, 1969 Oil on canvas

[nyc-looks]

Eight, 25

“I’m wearing a Diesel hat, Free People top, thrifted shorts, New Rocks shoes, and Balenciaga City bag. The people in my life, the music I listen to, and wanting to live in the duality of the feminine and masculine inspire me.”

Apr 24, 2026 ∙ East Village

[bobdylanyaoi]

well i’ll be damned here comes your ghost again

[holdoncallfailed]

richard hell's apartment (via)

[roseillest]

鉄男 // TETSUO (1989) dir. SHINYA TSUKAMOTO

[jareckiworld]

Francine Van Hove (1942-2025) — The Sphinxes and the Dictionary [oil on canvas, 1985]

[weepingwidar]

Liu Yin (Chinese, 1984) - This Green Onion (2025)

[enchanted-keys]

Vadim Muntagirov and Akane Takada in Mayerling (Royal Ballet 2026)

photos by Rachel Hollings

[eithernich]

p.s., dennis cooper / crash, j.g. ballard

[lacma]

The Search for an Authentic Zoot Suit

For more than a decade, curators in the department of Costume and Textiles had been in search of an authentic 1930s–‘40s-era zoot suit. Flamboyant in style and exaggerated in proportion, the zoot suit is linked to a relatively small subculture, yet it represents a significant moment in the history of menswear. 

Find out more on how we acquired this rare piece of fashion, on Unframed: http://bit.ly/1orbJZm

[Zoot Suit, 1940–1942, Los Angeles County Museum of Art, purchased with funds provided by Ellen A. Michelson; De Luxe Hollyvogue (Lundahl Clothing Co.), Necktie (Belly-warmer), c. 1945, Los Angeles County Museum of Art, gift of Stephen J. and Sandra Sotnick; The Guarantee, Shoes (Spectators), 1935–42, Los Angeles County Museum of Art, gift of Mrs. Carl W. Barrow, photo © Museum Associates/LACMA]

This series examines highlights from our upcoming exhibition “Reigning Men:  Fashion in Menswear, 1715–2015″ on view at LACMA April 10–August 21, 2016. Follow #ReigningMen on Tumblr for upcoming posts.

[euphorictruths]

The Lovers, The Lovers Return- Parker Parrella; 2024, 2025

[loss-aversion-deactivated202604]

Frank O'Hara

[wutheringdyke]

this screenshot I have saved on my phone is sacred to me