other drivers would acknowledge a bricker
Misplaced Lens Cap
he wasn't even looking at me and he found me

❣ Chile in a Photography ❣
almost home
occasionally subtle
"I'm Dorothy Gale from Kansas"
d e v o n

#extradirty

PR's Tumblrdome
we're not kids anymore.
PUT YOUR BEARD IN MY MOUTH
DEAR READER
dirt enthusiast

Love Begins

roma★
Peter Solarz
Acquired Stardust

oozey mess
TVSTRANGERTHINGS
Claire Keane

seen from Türkiye
seen from Malaysia

seen from Brazil

seen from United Kingdom
seen from United States

seen from United Kingdom
seen from Germany
seen from Slovenia

seen from Canada
seen from Brazil
seen from United States

seen from Ireland
seen from China

seen from Spain

seen from Malaysia

seen from Spain

seen from Malaysia

seen from Lithuania
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@fineasfeathers
other drivers would acknowledge a bricker
i love saving images onto my cell phone. it’s like picking berries
🎬 To Wong Foo, Thanks for Everything! Julie Newmar (1995)
NEW VIDEO
Hey all, while we're busy normalizing women with hairy legs, hairy armpits and bushy pubes, let's also normalize women with hairy upper lips, hairy chins, hairy side burns, hairy chests, and all the other places where women are supposedly magically hair-free.
affirmations for my printer:
you are not out of paper
you have so much paper
it’s okay to function as intended
you are not out of ink
i just refilled that cartridge last month
you can connect to that computer you’re supposed to connect to
you’re allowed to print things
i’m not going to call myself “the friend who’s too woke” or hedge around my opinion because this is my deeply considered belief: horror literature is the theater of disgust, and the disgust that drives the vast, vast majority of classic horror media from the 1890s-1940s—dracula, jekyll and hyde, king kong, nosferatu, the mummy, universal frankenstein, the wolf man, cthulhu, and more—is the exact disgust that drove the worldwide tide of violence in the 1930s and 40s, a tide that has never fully receded, and you have NO business adapting a piece of classic horror media if you aren’t willing to put in the work to identify what is portrayed as disgusting in that property and enter into some form of dialogue with it. if you don’t want your movie to be “about” race or class or gender or sexuality or ability, you’re free to choose a source material that isn’t already about that, but unluckily for you giant hypersexual apes do not exist in a vacuum
I enjoyed Frank Laundry's video essay on this topic from a few year's ago
To Wong Foo, Thanks for Everything! Julie Newmar (1995) dir. Beeban Kidron
Perfect score means perfect spy. She is their pride and joy, she is literally their poster child. Yes, well their poster child doesn’t know it yet, but she’s into me.
Jordana Brewster and Sara Foster as Lucy Diamond and Amy Bradshaw in D.E.B.S (2004) dir. Angela Robinson
pizzas by markmakespizza (2)
you can explain the material things that could be done to make trans women's lives easier, and someone who thinks misandry is real will show up like "that pales in effectiveness to my strategy, abolishing gender". and then they wont abolish gender
they only ever want to abolish trans women's gender
a lot of people say "abolish" when they mean "re-naturalize." they don't want to make sexgender systems more visible and work collectively to dismantle them. they want to make them invisible and insist there is nothing there to dismantle.
there should be a pill you can take one time that will shrivel up your uterus and abort it through one last horrible period
Art from mx_scratch_ on IG
daughter (non-practicing)
sister (deadbeat)