Dandenong Ranges National Park, Australia
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Show & Tell

Andulka
Lint Roller? I Barely Know Her
TVSTRANGERTHINGS
todays bird
let's talk about Bridgerton tea, my ask is open

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ
Sade Olutola
will byers stan first human second
Alisa U Zemlji Chuda
trying on a metaphor
Monterey Bay Aquarium

Janaina Medeiros
No title available
PUT YOUR BEARD IN MY MOUTH
Cosmic Funnies
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@theartofmadeline

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@floodgates
Dandenong Ranges National Park, Australia
Instagram | Tumblr | Website | Shop | Etsy
High-rise giants | Photographer | CV
Two against one
Grégory Chiha (French, b. Algeria, based Lascabanes, France) - Women- Landscape from Fantômes (Ghosts) series, 2010 Paintings
Zonsopkomst Tusveld (2013) by l-vandervegt on Flickr.
Oil spill, California Coastline
THIS IS THE BEST VINE I’VE SEEN
“As in all Scorsese films, the camera—its movements, the swift and powerful swing of its address—is also Scorsese’s preoccupation. The director’s concern above all is the plastic element of art, both with regard to painting, the film’s ostensible material, and to cinema, Scorsese’s lifelong project.
As a filmmaker, Scorsese leans in—his stories are grandly operatic and his fingerprint insistent. Rather than presenting a frame that compels an audience to find the action (as in the deliberate panoramas of Antonioni, for example), Scorsese allows the audience to see only what the filmmaker chooses to display in bold, kinetic flourishes. And because Scorsese’s knowledge of film is encyclopedic, he can employ all of cinema’s tools when he is inspired.”
—Karina Wolf (Bright Wall/Dark Room, Issue #24, May 2015)
If you're going to try to complain to me about cultural appropriation while you wear spacers, I'm going to ignore most of the things you say.
16 months down, 24 to go. via Instagram http://ift.tt/1zE2dpL
Lissa Bockrath