the free way

wild woman of the west

[transistoradio]

Photos by Lawrence Sackman for “Get Thee Behind Me, Satin,” Esquire, May, 1974.

[inspirationpainting]

Joaquín Sorolla y Bastida «Strolling along the Seashore», 1909

[rhera]

"Nicki. The time has come. I am waiting for you. You must follow my voice. Nothing can keep you from me."

The Return of the Vampire (1943) dir. Lew Landers

[ancoraunpianobi]

Irina Ionesco ph.

[lamignonette]

[gacougnol]

Lucien Clergue (French, 1934 - 2014)

Nu de la mer 1970

[dailyclassicart]

Robert Spear Dunning - "Cherries" (1871)

[scarletafterglow]

The Cleveland Press — September 14, 1961

[iamheavymeta-lll]

[worldsandemanations]

Hilma af Klint (1862-1944) Untitled 1922

[teddypng]

Joan Baez at Newport Folk Festival, 1963. Photos by David Gahr.

[jelectraheart]

[indianartwhimsy]

Oh to lounge bejewelled and naked with my handmaidens on the marble floor of an open terrace, moonlight and fragrant breeze, as I await my lover #arthistory #ancientart #miniaturepainting #indianart #arthoe #artappreciation #nayika #royalwomen #princesses #indianaesthetic

[ortut]

Richard Killeen - Plainne (UV inkjet on plywood), 2015

[historicalbookimages]

🧜‍♀️ The hall of shells;. New York, D. Appleton and company, 1897.. Original source Image description: Illustration titled “The comb of pearl” from 1897, depicting a mermaid with long flowing hair and a shell necklace, holding a large spiked seashell above the water. The mermaid’s upper body is detailed, with soft facial features, while her fish tail fades into the background. The prominent seashell, intricately drawn with sharp spines and a textured surface, dominates the lower part of the image. The scene has a soft, ethereal quality, blending the mermaid and the shell with gentle shading and delicate lines, evoking a mystical oceanic atmosphere.

[internationalemeteorologie]

Tamara de Lempicka

Tête de femme. 1924

[389]

Evariste Vital Luminais - Les énervés de Jumièges, 1880

[lovew4r]

I Love You