@foveri-omorfia - Tumblr Blog

midnightinshadow

rivermotifs

Violet Lucca, from “David Cronenberg: Clinical Trials”

alltheprettyancientthings

Remains of a coffered ceiling, Vila Adriana.

etherealacademia

photos from my visit to Peleș castle in România

babyfreesoul

dailyromeoandjuliet

Olivia Hussey as Juliet Capulet

random-brushstrokes

Antoine Wiertz - Two Young Girls or the Beautiful Rosine (1847)

hairtusk

Rebecca Horn, Cockatoo Mask, 1973 (stills from Cockfeather Mask Perfomance II)

Horn described using this mask in a performance exploring ideas of sexual availability and intimacy: ‘My face is covered by two intertwined, closed feather wings. The person standing before me touches the feathers delicately, then separates and opens the wings. The spread wings stretch like long bird wings, and softly enclose around [both] our heads. The feather-enclosure isolates our heads from the surrounding environment, and forces us to remain intimately alone, together.’ The use of the mask is deliberately ambiguous and the performance implies a tension between tenderness and aggression. (Text Via)

luxe-calme-et-volupte

Coco Rocha by Annie Leibovitz for Vogue US (December 2008).

msvhs-deactivated20251231

The Color of Pomegranates (Նռան գույնը), dir. Sergei Parajanov (1969)

theconstantnymph

La Femme infidèle, 1969

mostbeautifulgirlscaps

kuutamosonaatti

Excalibur (1981) | dir. John Boorman

normajeanebaker

Glorifying the American Girl (1929) dir. Millard Webb

sforzesco

When Philoctetes, son of Poeas and Demonassa, was on the island of Lemnos, a snake struck his foot. Juno had sent it, angry with him because he alone rather than the others had dared to build the funeral pyre of Hercules when his human body was consumed and he was raised to immortality.

Hyginus, Fabulae, 102

the repeating cycles of it all, and also the. the everything about Sophokles' Philoctetes. wounds. abandonment. the fucking isolation and misery of it all.