this is a dan and phil hate blog now
taylor price

❣ Chile in a Photography ❣
sheepfilms
dirt enthusiast
Sweet Seals For You, Always

JBB: An Artblog!
noise dept.
Claire Keane
NASA
"I'm Dorothy Gale from Kansas"
Monterey Bay Aquarium
ojovivo
KIROKAZE
almost home
No title available
Misplaced Lens Cap

titsay

izzy's playlists!
Cosmic Funnies
No title available

seen from T1
seen from United States

seen from United States
seen from United States

seen from United States

seen from Singapore
seen from United States
seen from United States
seen from United States

seen from Malaysia

seen from China

seen from Malaysia
seen from United Kingdom
seen from South Africa
seen from Türkiye
seen from United States
seen from United Kingdom
seen from United States
seen from Türkiye
seen from United States
@fridayyy-13th
this is a dan and phil hate blog now
Personally I do think that sometimes non-hockey fans can end up mischaracterizing Shane and Ilya because they don't know enough about hockey/hockey playstyles
The Ilya we see in Heated rivalry would not be throwing the first punch, he's not an enforcer. Ilya is a star center and a Pest. He wouldn't be doing his job correctly if he was punching players every other game, it would end up with not enough ice time to let him be the playmaker he's paid to be.
But being a pest can be playmaking! Find a player to bait, emotionally push them just enough that they try to fight you, and then get the fuck out of there before the ref gives you both penalties. This gets your team the power play. There is probably someone on Ilya's line dedicated to helping him get out of the fights he starts, and finishing them for him!
I also think this is also something that Shane would respect. Ilya is good at it and it's a good strategy for his team. I don't think Shane would see it as some dirty tactic, because Shane probably thinks everyone with a brain can see it for what it is! He probably thinks everyone should be able to see that being an asshole is a tactic for Ilya, that it's something to ignore and not fall for, that it's a strategy and not personal beef.
I think Shane's more disappointed when a Metro falls for it. Shane sees it as Ilya set up a Looney Toons ass obvious trap and one of his teammates ran into it. Why be mad at Bugs Bunny when you can be mad at your defenceman for falling for a fucking Bugs Bunny trap.
When I said I was going to watch Megamind last night, my roommate told me about how the surround sound in the theater where they saw it was so good, they thought the random citizen was in the audience behind them
and so they got
very scared when Metro Man responded
i gave someone else advice the other day and i haven't been able to stop thinking about it since. might help someone here so im sharing it.
"you can be trans without dysphoria. the way i see it, gender dysphoria is about being miserable in the body or gender you have. but being trans is about knowing you'd be happier as another gender or in another body."
I’ve always said that gender euphoria is such an important part of being trans, and something that gets overlooked in certain (transmed) spaces where misery has become the main identifier of whether or not someone is trans. I hate that young trans people are being told that they need to feel constantly miserable to be trans “enough” when in reality, the happiness they feel as another (or multiple or no) gender should really be what matters the most!
i feel like youre faking being trans and are actually a cis girl
??? ive posted my penis?
I DID NOT PLAGIARIZE MY PENIS????
miss megurine luka
just because someone can articulate their point better doesn’t make them right, it makes them articulated.
and you aren’t stupid for having trouble articulating yourself.
we don't credit rebecca sugar enough for making the episode with the first gay wedding in a kids show extremely plot relevant so it could not be skipped or cut.
#rebecca sugar has gone on record saying that they knew from the beginning they wanted ruby and sapphire and they put every inch of planning#in to make sure that the studio could not take them out. sugar has said they’d compromised on hundreds of things they’d wanted for steven#so that they had the bargaining power specifically to keep ruby and sapphire’s relationship#and a number of ‘filler’ episodes were created just to establish counter-arguments that might come up when they pitched the wedding episode#the one that comes to mind is the episode about steven and connie getting lost in rose’s room steven’s central conflict about liking their#fave book series’ romantic ending was later weaponised when producer’s were like ‘oh but steven’s a boy he won’t be too interested in them#getting married’ sugar was able to be like ‘no. in this episode it’s established he loves romance and specifically weddings. and in these#episodes it’s shown how much steven cares about ruby and sapphire and their relationship and happiness. you cannot convince me this is not#good and necessary plot development#and they wrapped it up in the season finale and the big climactic point of the diamonds finally coming to attack earth to make the#episode integral to the series no skipping it without confusion. and had ruby wear a wedding dress because international censors took#advantage of her design to give her a masculine va#and sugar made certain that everybody knew This was a queer love story that an entire town supported and admired and that any child watchin#it at home would know they are not alone and that that support is waiting for them out there somewhere#sugar sacrificed the wider story they wanted to tell for that and it was a horrible decision to be given but they made the right choice
listen to me. if youre aro you have to be louder about it. i dont care how loud about it you are already you have to be louder. if we have to be surrounded knee deep by amatonormativity all the time every day its good for the soul to be loud and annoying about your aromanticism
hey white people . if u dont know how to pronounce an ethnic persons name *google it* or if its someone ur talking directly to *ask them*. dont fucking do that "erm i dont know how to pronounce but __" or "im gonna butcher this haha" or "im not even gonna bother trying" . ur not funny. do u know what poc think when they hear u saying that ? u sound like a loser asshole and we dont want to spend time with u . im so fucking tired of watching youtube videos about media from my country and hearing those phrases. im tired of people saying that to my face . i respect someone who clearly looked it up and is tryong but says my name wrong over someone who just goes with whatever bad first guess they had without trying. u have too many resources at ur disposal to keep doing this. for the love of god just Fucking Try. if ur confused Just Try.
I highly recommend Forvo.com, the website where native speakers of a language contribute their time and voices to read words and names in their own language. It is a fantastic way to expand your world, open up your ears, and it's way more likely to nab a hit than just googling.
wow , I didn't know this existed, thanks so much for sharing the resource !! I will absolutely be using it now too 🖤
hello / goodbye
There is an odd thing I see in books sometimes where a character who is defined by their steadfast loyalty to a person or organization is presented with one (1) piece of evidence against them and immediately changes their mind.
I was just reading a book where a character is deeply loyal to the royal family despite being their literal whipping girl, but she immediately decides that the king must be a bad ruler the first time she sees poverty exists. And he is--but it's weird that the 15 years of being whipped didn't convince her but the existence of poor people did.
It often reads like a plot-convenient way of having a character change their mind without having to do any of the actual work or spend any actual time on what it means for them to change their mind. But it also often rings false--we know for a fact that people with deeply held beliefs are often not convinced no matter how much evidence they see to the contrary, much less because one piece of evidence was presented to them.
Writing partner and I were recently working on a piece that involved a character escaping brainwashing like that and we had a convo about this exact thing. Because I thought the character need more than one thing to break the brainwashing, and partner, who has actual experience escaping a cult she grew up in, said something very interesting. 'Not if there were cracks.'
She went on to explain how for her, there had always been little things about the cult that bothered her, but she excused them, pushed them aside, papered them over in her own mind. And then one thing happened. One very specific thing that went directly contrary to all the things the cult taught her.
And that one thing put enough pressure on her belief that all those cracks... exploded and she lost faith in the cult practically overnight. And the thing is, from my outsider perspective, it was like one day I talked with her and she was true believer, and the next time religion came up she was an ex- and talking about how she'd just recognized this thing about how harmful her former religion was.
I knew another man, briefly, who grew up evangelical protestant, spent more than half his life living and proselytizing as a true believer, then one day just... stopped. He said that he had always had doubts, never really believed, but he pushed all those doubts and disbeliefs down and acted all the more fervent to prove to himself that he was a good Christian. Until one day he realized what he was doing and... was done.
Now, with writing, we truly hope an author is good enough to convey this kind of internal conflict, but when someone spends half their life suppressing these kinds of things, it can be very hard to see even from the 'inside', because hiding it from themselves is the whole point. And when aren't talking about a PoV character or are in a real world situation...
Not long ago, i would have agreed with you. Now I can say that actually, sometimes I can be 'just one thing' -- or at least look that way because all the little things that came before are so small they're invisible.
God, I didn't even need to reblog with ny addition; you absolutely had it covered. Screenshotting and putting it here so they can be together.
I also want to say that this doesn't mean, to me, that we shouldn't take this note as writers. If fiction were completely realistic, there would have been a lot more bathroom breaks in Homer's Odyssey, but we take liberties to get to emotional truths rather than things that absolutely totally could have happened that way. Loved reading both the original post and your addition.
This is absolutely how it happened to me, too. It wasn't even in the moment--I was just in my car at work, making deliveries, and my brain was turning something over and over in the back of my mind. All of a sudden, things just... fell apart, and I wasn't even fully able to identify where that last straw came from. I went out on that delivery a believer, and I got back to the store afterward feeling lighter and happier than I had in a very long time.
Of course, if you want that to be seen in a work of fiction it's important to have that set up and payoff, but there's nothing wrong with wanting to experiment with how you do it. Is there a way to make that single sudden change of mind feel satisfying? Is there a good way to express to the outside people the changes that are happening subtly? Maybe the logic of it doesn't even need to be expressed--the most important thing might be simply hammering in the profound and sudden feeling of understanding. It all depends on your story and character.
Conservative beauty standards are back with a vengeance which means it's especially important to go out this summer with bellies out and bodies unshaved. Also be unapologetically disabled with mobility aids and wearable medical devices and stim toys and ear defenders and all that stuff. You need it. People need to see it. Everyone needs to be reminded that life is unquestioningly more enjoyable when you're not living inside an arbitrary set of rules created by people who are offended by all the wrong things.
yes & no by natalie wee
Los Angeles, 1996. Photo by Nancy Palmieri.