Coimbra, Portugal
hello vonnie
trying on a metaphor

@theartofmadeline
Peter Solarz
Misplaced Lens Cap
Lint Roller? I Barely Know Her
AnasAbdin
Mike Driver
DEAR READER

No title available

JBB: An Artblog!
d e v o n
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JVL

Love Begins
we're not kids anymore.
cherry valley forever

roma★
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ellievsbear
seen from China

seen from Portugal
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seen from T1
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seen from Malaysia

seen from United Kingdom
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seen from United States
seen from Malaysia

seen from United States

seen from Singapore

seen from Germany
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seen from United States
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seen from Netherlands
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seen from United States
@funkyddo
Coimbra, Portugal
gentleness and softness and sweetness
(voice of someone about to turn 30) it’s nice making friends. It’s nice to play together and have fun. It’s nice to hang out
Incredibly violent take of mine but I actually don’t think you need to relate to a story in any way to enjoy it. You can enjoy a story even if you can’t point at a character and insert some aspect of your personality or identity into them. In fact I would argue the need for a character like that to be present in every single story you experience is a sign of stunted growth.
Virginia Woolf, Orlando: A Biography
Casa Pere Brias en BARCELONA
This compilation showcases wrought iron doorway designs by architect Ernest Blerot, created around 1900 in Brussels. Flowing lines, organic forms, and meticulous craftsmanship define these entrances, each one blurring the boundary between architecture and sculpture.
Blerot’s work reflects the height of Art Nouveau, a moment when even functional elements like doors were treated as opportunities for beauty and imagination.
Edward Hopper, Night windows
audiences have no idea how to be uncomfortable anymore
watch movies that make you uncomfortable read books that make you uncomfortable go to plays that make you uncomfortable watch tv that makes you uncomfortable look at paintings and sculpture and artwork that makes you uncomfortable. it is spiritually and morally and ethically and artistically really really good for you. think about why you are uncomfortable. what biases do you bring to art? what biases does the art bring to you? how do you reconcile this? how does your worldview grow and expand and change? all this and more will be answered and available to you if you just engage with art that does not coddle you and treats you like an intelligent human being that can sit through discomfort
—Anaïs Nin, "The Diary of Anaïs Nin, Vol. 1: 1931-1934"
The inconvenient thing about life is that half of it is all about listening to your body and letting yourself rest, and the other half is accepting that life will be uncomfortable and inconvenient sometimes and you've just go to make yourself push through your brain going Do Not Want and get the discomfort out of the way, and you never know which one it is.
Lovers’ Bridge on the Canal du Vasse, Annecy, Haute-Savoie, 1992. Photo by Jean Gaumy.
No, I would not steal a car. However, if I had the ability to create a copy of someone's car that I could have for free while the other person retained their original car, I would definitely do that.