Not with your eyes. With theirs.
WICKED (2024) x WICKED: FOR GOOD (2025)
2025 on Tumblr: Trends That Defined the Year

Kaledo Art
$LAYYYTER
i don't do bad sauce passes
sheepfilms
Show & Tell
dirt enthusiast
we're not kids anymore.

shark vs the universe
d e v o n

Product Placement
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KIROKAZE
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wallacepolsom
trying on a metaphor
occasionally subtle

pixel skylines
styofa doing anything
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@futuresarcastic
Not with your eyes. With theirs.
WICKED (2024) x WICKED: FOR GOOD (2025)
haha. You did irreparable damage btw
I broke into a million pieces, and I can't go back But now I'm seeing all the beauty in the broken glass The scars are part of me, darkness and harmony My voice without the lies, this is what it sounds like
L Jinu moment
HUNTR/X 💥
#girlboss
i think i'm in love with her
SQUID GAME (2021–2025)
S03E02: The Starry Night
I can't lie this did nake me laugh 🤣
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What the fuck
This is absolutely fascinating. I've now been looking at Alex Colville's paintings and trying to work out what it is about them that makes them look like CGI and how/why he did that in a world where CGI didn't exist yet. Here's what I've got so far:
- Total lack of atmospheric perspective (things don't fade into the distance)
- Very realistic shading but no or only very faint shadows cast by ambient light.
- Limited interaction between objects and environment (shadows, ripples etc)
- Flat textures and consistent lighting used for backgrounds that would usually show a lot of variation in lighting, colour and texture
- Bodies apparently modelled piece by piece rather than drawn from life, and in a very stiff way so that the bodies show the pose but don't communicate the body language that would usually go with it. They look like dolls.
- Odd composition that cuts off parts that would usually be considered important (like the person's head in the snowy driving scene)
- Very precise drawing of structures and perspective combined with all the simplistic elements I've already listed. In other words, details in the "wrong" places.
What's fascinating about this is that in early or bad CGI, these things come from the fact that the machine is modelling very precisely the shapes and perspectives and colours, but missing out on some parts that are difficult to render (shadows, atmospheric perspective) and being completely unable to pose bodies in such a way as to convey emotion or body language.
But Colville wasn't a computer, so he did these same things *on purpose*. For some reason he was *aiming* for that precise-but-all-wrong look. I mean, mission accomplished! The question in my mind is, did he do this because he was trying to make the pictures unsettling and alienating, or because in some way, this was how he actually saw the world?
omf i never thought i'd find posts about alex colville on tumblr, but! he's a local artist where i'm from & i work at a library/archives and have processed a lot of documents related to his art. just wanted to give my two cents!
my impression is that colville did see the world as an unsettling place and a lot of his work was fueled by this general ~malaise?? but in a lot of cases, he was trying to express particular fears or traumas. for instance, this painting (horse and train) was apparently inspired by a really tragic experience his wife had:
iirc she was in a horrible automobile crash, as the car she was in collided with a train. i find it genuinely horrifying to look at, knowing the context, but a lot of colville's work is like that? idk he just seems to capture the feeling you get in nightmares where everything is treacle-ish and slow and inevitable.
Things I hate drawing: hands and eyes
Things I chose to draw for some unknown reason: hands and eyes
Anyway I call this one "Sienna never having any fucking idea what to do with her hands and the reason(s) why."
look idk if shaunahat is the official shauna x melissa ship name but like i'm obsessed with it thanks
https://www.instagram.com/lil_wlw_comics
back on my little comics vibe
“write what you know” is boring. i write what haunts me at 3am.
i dont think i ever posted this here but i adore the idea of splicing together bumper stickers
Quietly losing my mind over the fact that Elon Musk has straight up orchestrated a coup of our executive branch and like....I don't even know what, if any, system we have in place to fix this. Like... He's just taken control of the money and locked out the actual appointed officials. What the fuck.
Nazis are taking over my government, and like, not even just the Nazis we fucking elected! And I'm...making hamburgers? Because somebody has to make dinner? I just feel completely unhinged.
I think that's how random civillians generally feel in these situations. Someone's gotta make dinner.
If you're wondering, there is plenty to be done about it, and plenty being done about it already, even if it's not happening instantly in a way you can perceive.
Yes. Let me break it down for you.
Reblogging because this is an excellent article that both tells you about some of what's being done and breaks it down in a way that will help you understand and think about future action. Please read!
maybe this time picking at Textures on my skin will lead to being silky smooth
bleeding