character design comm!! a cute bo-peep inspired saytr! (plus initial concept sketches!)
taylor price
Xuebing Du

titsay

#extradirty
RMH

gracie abrams

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Game of Thrones Daily
PUT YOUR BEARD IN MY MOUTH
trying on a metaphor
Jules of Nature
cherry valley forever
d e v o n
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will byers stan first human second
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ

bliss lane
almost home
EXPECTATIONS
seen from Türkiye
seen from Ecuador
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seen from United Kingdom

seen from Ecuador

seen from United States

seen from United Kingdom
seen from United Kingdom
seen from United States
seen from United States
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seen from Laos

seen from Netherlands
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@glamygdala
character design comm!! a cute bo-peep inspired saytr! (plus initial concept sketches!)
Cut to the core
OBSESSION (2026) dir. Curry Barker
born from a wish
it’s not darkness. no sweetie, darkness is a color. there’s just nothing
"girl dinner" "boy kibble" can y'all just eat a meal gender neutrally
gender neutrients
The Kansas Industrialist, Manhattan, July 18, 1917
seeing wildflowers and birds and critters and sunsets really can keep you going
thinking more. he likes chasing deserters around and plucking them to death to then drag them back to the rezzer
we need to kill this guy
artfight attack for @ritasanderson who makes some of the sickest shit ive seen seen.
apparently i’m a millennial woman
I mean, yeah, valid! but but but I also want to add on the fact that lotr AGGRESSIVELY rejects the “grimdark” and “gritty” settings that is so prevalent in fantasy (and also in general) right now, because I physically can not shut up about it
It is hope and love and compassion that saves each character individually, and because of that, the world. Frodo fails in the end, but his acts of compassion from earlier in the story save the day. And even as the world is saved, it is acknowledged that Frodo failed—without judgement, without blame. He fails, and he is still loved.
And like what can happen in the real world, he is still irrevocably changed by his trauma. But there is still hope—he has to leave, but he leaves with the promise of healing, and the promise that his ever-faithful Sam will follow.
Aragorn, Boromir, Frodo, Sam; each and every one of the characters are driven by their love of the people around them and their hope for the future. They cling to that love and hope throughout their trials, and that bears them through.
Of course people are watching it for comfort!!!! Lotr is eternally consistent in its promise, which Sam articulates so clearly in The Two Towers: “Even darkness must pass. A new day will come. And when the sun shines, it’ll shine out the clearer.”
Things are dark and awful and terrible, but it will not be that way forever. That is the promise of LOTR. A promise of hope, and the reminder that it is love and compassion—for our friends, for our families, for the strangers we’ve never even met—that will save us in the end.
I just want to add, it’s not just that The Lord of the Rings rejects grimdark and gritty fantasy - The Lord of the Rings is the original. Grimdark is what you get when you reject the bright half of the eucatastrophe.
divingbelles are mermaids in the selkie family who use humanoid skins to house aquatic forms instead of the other way around.
as this lovely lady demonstrates, some of the more delicate divingbelles that take after jellyfish or molluscs hold onto their skins kind of like snail shells. they dislocate the pieces to unfurl from the spaces between when under water, and pull the bits back together when they want to hide or walk around.
"here's my original character, Man Who Sucks But Loves His Daughter Very Much" and it's a guy who worships at the altar of patriarchal violence and the woman he uses as an excuse and an effigy to absolve him
I Burn For You
gouache on heart-shaped wood panel, ~5x8"
prints: https://www.inprnt.com/gallery/mxmorgan/i-burn-for-you/
alt prints: https://www.inprnt.com/gallery/mxmorgan/i-burn-for-you-alt-ver/