Oh goody!
Noah Kahan
Mike Driver
Not today Justin

bliss lane

❣ Chile in a Photography ❣
Stranger Things
Cosimo Galluzzi
Keni
PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me
Xuebing Du
art blog(derogatory)

roma★

Jar Jar Binks Fan Club
No title available
Sweet Seals For You, Always
untitled
Misplaced Lens Cap
h
No title available
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States

seen from Italy
seen from Costa Rica

seen from Spain

seen from United States

seen from United States
seen from Chile
seen from Malaysia
seen from Vietnam

seen from Lithuania

seen from United States
seen from United States
seen from United States
@globstermobileart
Oh goody!
Their names are Harriet and Henrietta and they like antiquing
I really really like your work but sometimes I feel like 90% of the jokes go over my head. Can you recommend me anything to read/watch/experience to better understand your comics?
Of course. One of my biggest influences is the cartoonist B.Kliban. While best known for his distinctive cat drawings, most of his cartooning output was single-panel work.
Much of it is easily understandable language or visual puns, but many of his funny works are just unusual situations, with no obvious meaning:
(I think that "Household Hint" could be considered a spiritual forerunner of Tiktok ragebait food videos.)
In his 1975 collection titled "Cat," among many funny cat comics, there are several pages which are just drawings of his beloved cats.
I feel a strong connection to Kliban's approach: Direct contour-line drawing, mostly anonymous characters in novel situations, and few traditional long-term narrative stories. And yet, there are recurring visual trends. (Have you noticed that he only draws one kind of cat?)
It is said that we train our audiences, in form or content. Over time, the reader knows what to expect from an author.
I think that a lesson can be derived from this graphic design manual.
(from Notes on Graphic Design And Visual Communication by Gregg Berryman, 1979.)
I believe we can draw a correlation between broadly-defined "art" (comics, painting, drawing, sculpture, video, etc.) and logo design:
With low "abstraction" (depending upon references that many people will get, explaining things in extremely explicit terms), material will be readily understood, but it is hard to separate this material from other stuff out there. It's harder to have your individual voice known.
With high "abstraction" (sharing weird comics, but consistently over a long period of time with many people,) an artist can have their message understood- or at least received enthusiastically- even if they're weird.
I drew this yesterday. It is probably understandable as both a humorous criticism of gamer-centric marketing and also as a visual-verbal pun to most English speakers under 40. I'm not sure if "Gamer Butter" would be accepted readily without people being familiar with other drawings I've made which lampoon consumerism and gadget culture.
B.Kliban and I have had the good fortune to share our works widely enough to have such a special relationship of artist and viewer, who accept the less understandable material alongside the more easily digestible. Thank you for the kind comment and question.
never cry wolf
Thinking about Opahs
It's so awesome cool and progressive that the second result of looking up a trans woman on this site is a dedicated hate blog that specifically states "DNI if you defend this trans woman"
But it's okay guys, they put a sign saying "don't harass the tranny! Just let me collect all the reasons that she is unforgivable in one place :)"
It is incredibly telling that there isnt a massive anti-oneyplays fandom despite Smiling Friends being an equally popular show among tumblr queers and those guys actually doing everything gooseworx has been accused of and more "She joked about being the next Shadman!" wow that's crazy. Chris O'Neil housed Shadman and actively defended all the vile shit he did on twitter, including lolicon of real actual children. Why is nobody talking about this. Where is the anti oneyplays fan club. Or anti GameGrumps. Or (and this is a hot one) anti Dropout. Why is there only a hate club for the tranny. Why are the hate clubs only ever for the trannies? But of course, "DNI if you make it about her being trans, thats totally not why she became our target"
I would appreciate it if people reblogged this version that specifically calls out that none of the cis men in the same industry are held to the same standard even when they've done worse, continue to do worse and have not shown any sign of changing or regretting their past actions besides "I stopped saying the n word because people would get mad at me" and not because it's racist.
For god's sake the same people that deride Gooseworx on every social media site will sometimes straight up have Max "hotdiggitydemon" "Steven Jewniverse" "Steven N***averse" "Sans from Undertale calls Papyrus the nword" "Still actively racist" Gilardy profile pics with zero self reflection. And I'm supposed to take anything ever said about "holding trans women accountable " seriously? Gimme a break
haven't drawn P-kitty in awhile
Watching Beastmaster 2: Through the Portal of Time
world of ultimate gaming
word on the street is if you suffer in just the right way for just long enough youll be rewarded
worm on the street is dried out in the sun and crispy
watering him (it)
woostock is cuted
Hard to tell beginning from end
thing for art fight, you can draw this in july for free!
With Pride Month underway, it’s time for another Share Your Pride photo drive. As is now tradition, we’re offering up some cash prizes as a
With Pride Month underway, it’s time for another Share Your Pride photo drive. As is now tradition, we’re offering up some cash prizes as a bonus. The funding for the prizes are proudly powered by Queeromattic, the collection of queers within Automattic.
Blazed🔥From Worpress
I sat on my BALLS and INJURED THEM. REAL
I come from a generation that wasn't afraid to crush our own balls. Wild concept, I know. Snowflakes don't know about this. They haven't even HEARD of testicles.
Listen here, cumslut. I put in my 10,000 hours filming safe-for-work clothes-on videos of me hitting my own balls with a mallet, until they were flat. Like two dimes in a sock, I tell ya. But you young people were too busy watching The Backrooms to watch my (FULLY SFW!) videos of it all. I've been banned from YouTube. I've been banned from Tumblr. I've been banned from BestGore. But I can never, ever be banned from MidJourney.
Soon I will flood the Internet with millions of CBT images. Triggered much? Well I don't care.
Powerline. Acrylic and traffic marking paint on wood panel with soldered frame
Guys if you want queer shit written by queers on our own terms you're going to have to start seeking out weird independent media. I'm sorry that's the only place you can regularly find it idk what to tell you, we can't keep acting like there's nothing if we're not getting blockbusters and triple A titles or whatever it is we're waiting around for. The thing you keep saying you want is already being offered for free by one person making a passion project on the internet and you would both benefit enormously if you interacted with it instead of lamenting that the only options we have for representation are pandering afterthoughts from corporate shit
I say this with so, so much care: Real queer shit written by real queers can and will sometimes make you uncomfortable. That's one of the defining features of weird, independent queer media. And weird independent media more broadly. Art that comes from true individual passion and authenticity has edges and bite to it that mass market corporate products intentionally do not. Has a rawness that can offend.
You are allowed to feel uncomfortable about it. But don't ask for queers to self censor for your comfort.