CATHERINE O'HARA 80s polaroids

Kiana Khansmith
Game of Thrones Daily

izzy's playlists!

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NASA

blake kathryn
todays bird

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Misplaced Lens Cap
Cosimo Galluzzi
trying on a metaphor

tannertan36
Sweet Seals For You, Always

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JVL
let's talk about Bridgerton tea, my ask is open
Show & Tell
PUT YOUR BEARD IN MY MOUTH
will byers stan first human second

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@graceydagood
CATHERINE O'HARA 80s polaroids
If I catch you on Tatooine looking like this I’m fucking robbing you
Lucy Liu as O-REN ISHII
Kill Bill: Vol. 1 (2003) dir. Quentin Tarantino
These are suggested for serving to recovering alcoholics, but I think they’re just fun and cool anyway? I like a fancy beverage, it doesn’t have to have booze. That cucumber Collins sounds refreshing AF
And children! Children love a fancy drink! Let them be included!
Stardew Valley Nintendo Switch Dock made by FluffyForestDesign
SLEEPING BEAUTY (1959) dir. Clyde Geronimi
This movie is a piece of art.
So another interesting thing about Jane Eyre is its take on relationship inequality.
Like, Jane is 18 at the beginning of the story and Rochester is said to be something like 35-38. And it's not casually brushed aside like that was normal back in the day. It wasn't. Concerns about the age gap are raised within the text. But the story emphasizes that Jane feels comfortable accepting Rochester's proposal, despite the age difference, the class difference, and him being her boss, because Jane feels that Rochester regards her as an equal. When they converse, Jane doesn't feel any tension, like she has to impress him or try to read his mind and say whatever he wants to hear. She feels that he respects her and values her thoughts and isn't compelled to use his power against her if she says something to displease him. Around the midpoint of the story, Jane believes that Rochester is going to marry another woman, and resolves to leave because she's heartbroken, believing that because she is poor and plain Rochester can't possibly be as hurt by their parting as she is, and he'll forget her and move on long before she does. But it turns out to be the opposite. After finding out about Bertha, Rochester begs Jane to stay and insists he'll be miserable forever without her, while Jane, still thinking she's too poor and plain to ever attract someone like him again, resists all temptation and leaves him. And she does this specifically because she feels that if she were to compromise her morals and self-respect to be Mr. Rochester's mistress, then he would lose respect for her and the relationship would fall apart. It was only by maintaining her integrity that the relationship could stay in-tact when the reconciled at the end.
St. John Rivers on the other hand, I don't think is given a definite age, but I think he's intended to be a much younger man, probably in his early 20s. He is poor and without relations aside from his sisters or any other connections, just as Jane. Jane finds out they're actually cousins at the same time she learns she's come into a vast fortune that was willed to her rather than the Rivers, but decides to share her fortune equally with them. So she arguably had more social capital, even though she made an effort to put St. John on equal footing with her, because the money was hers by right and she could've presumably cut him off at any time, just as easily as Rochester could've terminated Jane from her job.
And yet, Jane's relationship with St. John is vastly more unequal than her relationship with Rochester. Even though Jane practically worshiped Rochester but only cares for St. John as a brother and is acutely aware of his faults, she still finds herself desperately craving his approval in a way she never did with Rochester. And St. John is willing to exploit that intentionally. He asks her to do things she doesn't want to and make sacrifices for him just because he knows she'll do anything to please him, and that's why he thinks she's the perfect wife for him. Where Rochester tries to explain himself and persuade Jane not to leave him by addressing her concerns, St. John basically tries to command Jane to marry him and refuses to accept her "no" as final. He withholds affection from Jane as a tactic to get her to compromise in order to reconcile with him when he's the one who should be apologizing to her and considering her needs and not just his own. Jane knows that she can't ever be happy with him because he doesn't respect her and his lack of respect only makes her want to seek his approval, which he is all too happy to exploit for his own benefit.
But Jane ultimately stays firm and rejects St. John's proposal of a loveless marriage, just as she rejected Rochester's proposal of an unlawful marriage, because both situations were doomed to fail if she didn't put her own self-respect first.
So this novel from 1847 was really saying that power dynamics aren't pure black and white. Age and class and wealth and status can be a factor in making a relationship unequal, but you can also be equal on pretty much all social axis and still have inequality in a relationship. What's really important is that there's mutual respect.
the thing is with rochester and jane is that they're insane best friends. like it's easy to call rochester weird but you cannot make an adaptation of jane eyre where you don't establish the fact the reason rochester falls for jane in the first place and why they bridge that huge gap they have in terms of age and experience is that she's the only one out there that's as weird and offputting as he is. that's literally mr and mrs bozo
peeta mellark really was that bitch, pulling that “if it weren’t for the baby” line out of nowhere, oh he knew
if peeta mellark was in the game of thrones universe, he would have won the throne in 2 seasons max
#president snow aiming to kill them without making it a public spectacle #peeta; about to invent a pregnancy: oh haven’t you heard?
Peeta whenever a mic is shoved under his nose
grunge gifs
Lee Ufan: Marking Infinity (2012)
*writes two paragraphs after months of literally nothing and it took three hours*
i have had enough of this day.
god forbid a girl is fucking stupid