fathead asleep on my foot well i can’t go anywhere now. cancel all plans
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sheepfilms
Claire Keane

titsay

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Sade Olutola
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Discoholic 🪩
hello vonnie

★
The Bowery Presents

oozey mess
taylor price
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roma★
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let's talk about Bridgerton tea, my ask is open

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@greenfinches
fathead asleep on my foot well i can’t go anywhere now. cancel all plans
beautiful interaction i saw on the internet today
Just got beast-mode activated off the smell of bergamot
cat in a cherry tree
i just wanna do nothinggggg 😭😭😭😭😭 which is like what im already doing but i wanna do it in a way that doesnt actively ruin my life 😭😭😭😭😭😭😭😭😭😭
the problem is i really do love staying up until one billion o'clock. it just cant be helped
Evgeny Erokhin
photography by quazar
“Ocean Bird (Washup)” (1974) by Ana Mendieta ∿ Earth-body silhouettes carved in sand and flowers
130 favorite horror movies: (109/130)
"well... how do you think you know that person you were a second ago is the same person you are now? a continuous stream of memories. given only that, we all create illusions within ourselves, saying that we each have only one fixed persona."
-perfect blue (1997) dir. satoshi kon
What? WHAT? It's morning! I lost time, things got a little heated—With a boy. Things got HEATED with a BOY! I was at home picking lint off the sofa. I said to join us. The night's gone, the room's soiled and once again, I'm here, with mop and mindlessness to clean it up! So the room got dirty. So what? I'll clean it up—NO! I clean it up! YOU make the mess, and I clean it up. Mark it on the calendar, align it with Ursa Major; Louis' tri-annual FUCK OFF AND FIND ME with apologies to follow. I'm sorry. To seek comfort in the arms of lowlifes, and unfortunates, and broken children, fine—Oh, "fine." Fine. That doesn't sound like fine—BUT REVEALING OUR NATURE TO A REPORTER you met at a bar 10 hours ago! What if it was published? I was having some fun! We don't have enough to fear from Paris? I was in the middle of ending things when you—No, you'd have passed out on the floor next to him, Louis. Out on your feet from the drugs you stuffed him with! Oh, this is boring! You're boring! YOU ARE SO BORING! And here come the drugs; COLORLESS! Up the fangs, FLAVORLESS! Down the throat, Dull. Into the heart, Dull. And off the fingers, feet, and wallowing brain! Dull nights, dull weeks, dull months, dull as FUCK! Suffocation! By the world's softest, BEIGEST pillow. The 10 hours I spent with that boy were more EXCITING, more FASCINATING, than DECADES with YOU! Oh, there it is. The half-blank, half-apocalyptic look, but what does it mean tonight? Huh? Does he wanna lick my boots, or chop my hands off? Is it the gremlin or the good nurse tonight? Huh? Okay. Okay, perhaps. But am I as BORING as the BLATHER committed onto the FERRIC TAPES of your FASCINATING boy? "Oh! It's so—it's so hard to be me!" "Picking LINT off the SOFA?" "It's so hard to kill humans! I can feel their feelings as I drain them, Louis de Pointe du Lac—" There he goes again, coming home. "It's so hard being me!" You sat on your hands, and put your ears to the wind. "Everyone I know wrongs me!" Okay, okay, let's wake the boy up and let's try you. "I'm the vampire Armand and my daddy vampire groomed me into a little BITCH!" "My brother, he tossed himself off a roof. MY SISTER! She buried me alive!" "But the vampires that murdered my daddy made me pretend I didn't have a DICK for 240 years!" "My daughter was my sister was my throw pillow, when he wouldn't look at me kindly. Lestat, Lestat, Lestat, Lestat, Lestat, Lestat, Lestat, Lestat, Lestat, Lestat, Lestat, Lestat, Lestat, Lestat, Lestat, Lestat—" I talked shit about him the whole time! So what—THE NAME! THE NAME; UNUTTERED IN OUR HOME FOR 23 YEARS SAID OVER AND OVER AGAIN UNTIL IT WAS POUNDING IN MY BRAIN LIKE A HAMMER. Our problems aren't about HIM! And you threw HER name around just for cover but it always circled back to him. I loved her—BUT SHE DIDN'T LOVE YOU. Not like he did, not like I have. I know. I KNOW! Yes! I know! Thank you for saying it. It's all creeping back. Paris... And the, uh, what, what, what? What the—it's—all of it, coming back. There's, uh, Paris. Paris—hey, can you hear that? Can you hear that, hm? Can you hear her? Is she calling me?
Betty Blayton, Consciousness Traveling, 2012, 59.5″ acrylic on canvas
the tulip collection
Point Reyes, CA
February 2016
oh goodness! oh dear!! oh no!!!
can i come over and touch your things and belongings