hello! iām el @bladeandwound & this is my writing archive.
publications
image description in alt text and/or in reblogs.
NASA
let's talk about Bridgerton tea, my ask is open

#extradirty
TVSTRANGERTHINGS
noise dept.
Mike Driver
I'd rather be in outer space šø
ojovivo
Cosimo Galluzzi
Monterey Bay Aquarium

Janaina Medeiros
$LAYYYTER
Cosmic Funnies

ē„ę„ / Permanent Vacation

Andulka
PUT YOUR BEARD IN MY MOUTH

No title available
almost home

Product Placement
todays bird
seen from United States

seen from Germany
seen from United States

seen from Canada

seen from Switzerland

seen from Israel

seen from India

seen from United States

seen from United States
seen from United States

seen from Germany

seen from Spain

seen from Greece

seen from United States
seen from Israel

seen from Brazil

seen from Türkiye
seen from United States
seen from United States

seen from United Kingdom
@grocerystoretrip
hello! iām el @bladeandwound & this is my writing archive.
publications
image description in alt text and/or in reblogs.
on (language around) transfeminine bodies as sites of social-reproductive labor
so i went to the barber
a different version titled barber on [] island published in the dawn review & now nominated for best of the net 2024 !
so i went to the barber
i've been dabbling in flash lately. this was published in the november 2022 issue of erato magazine.
THE STATE
collapse, now published in the greenhouse issue of pink plastic house
Hey You, Sir, Should Be Coming Out in INKSOUNDS
my own private nonexistence
WHEN WE SLUR OUR OWN WATERS, found poem from Page 55 of Bestiary (2020) by K-Ming Chang
[ID: Blackout poem on white background, with a significant portion of the text āblacked outā in dark red. The visible parts read: āour shoulder blades knotted up to rub flint side by side, skin wrestling each other to history, fuck/marry/kill to kill all who ate bread and butter for breakfast. I related to gravity, the way blades belonged inside black bows in my hair. and She looked at every I, tearing out a river from her mouth: on her, pretending to drown, I plated my teeth to her pulse. she pronounced us raw, never properly cooked inside mothers. Our god of language, who taught us our arms, wrote in red on our question: Why is water our dialect?ā /end ID]
in angel rust magazine :)
pluto probably has a hole in his heart and we will never know
short new thing now out in miniMAG!
Disappointing Prior Walter the Thirty-Fourth for Mister Magazine
WHEN THE WRITER TRIES TO MAKE NUMBNESS HUMANE, for Tigers Zine
[ID: Black text in Georgia font on white background that reads: āWhen poets crawl out of dead-white paper to remind me Iām an alive thing;/ When in the darkness I mouth my own fist as though it were something/ More authoritative, like God maybe, or even a loaf of bread not too dry/ For this blood-softened and bite-prone delicacy; when I am reduced to begging/ To an unknown thing, like a cicada out of season and reduced to dust, in hope/ Their cries are cries of tears, and not a necessity, like breathing; when/ Terribly alone in my hope I weep, unaware that hope itself is a product/ Of a life, small but here inside of me, like some sort of extraordinary stream,/ Like blood or more ā I am then an unconditional human. Yet I must step out/ Of this room where I create monsters only to weep on their shoulders, to face/ The more human things, like light and water, and sweet-eyed June, and/ Spiders asleep amongst their poison.ā /end ID]
now rehoused in five south journal :)
WHEN THE WRITER TRIES TO MAKE NUMBNESS HUMANE, for Tigers Zine
[ID: Black text in Georgia font on white background that reads: āWhen poets crawl out of dead-white paper to remind me Iām an alive thing;/ When in the darkness I mouth my own fist as though it were something/ More authoritative, like God maybe, or even a loaf of bread not too dry/ For this blood-softened and bite-prone delicacy; when I am reduced to begging/ To an unknown thing, like a cicada out of season and reduced to dust, in hope/ Their cries are cries of tears, and not a necessity, like breathing; when/ Terribly alone in my hope I weep, unaware that hope itself is a product/ Of a life, small but here inside of me, like some sort of extraordinary stream,/ Like blood or more ā I am then an unconditional human. Yet I must step out/ Of this room where I create monsters only to weep on their shoulders, to face/ The more human things, like light and water, and sweet-eyed June, and/ Spiders asleep amongst their poison.ā /end ID]
WHEN WE SLUR OUR OWN WATERS, found poem from Page 55 of Bestiary (2020) by K-Ming Chang
[ID: Blackout poem on white background, with a significant portion of the text āblacked outā in dark red. The visible parts read: āour shoulder blades knotted up to rub flint side by side, skin wrestling each other to history, fuck/marry/kill to kill all who ate bread and butter for breakfast. I related to gravity, the way blades belonged inside black bows in my hair. and She looked at every I, tearing out a river from her mouth: on her, pretending to drown, I plated my teeth to her pulse. she pronounced us raw, never properly cooked inside mothers. Our god of language, who taught us our arms, wrote in red on our question: Why is water our dialect?ā /end ID]
our zine is FINALLY DONE !!! and can be found FREE on gumroad !!!
iād like to thank the following contributors (who participated via tumblr): @eveesque @stone-butch-blue @hee-blee-art @morgutio & @igbygoesdown ! check out their work in this issue, it wouldnāt have been made without them!! š