hello! i’m el @bladeandwound & this is my writing archive.
publications
image description in alt text and/or in reblogs.
Sweet Seals For You, Always
Claire Keane
Keni
Monterey Bay Aquarium
almost home
macklin celebrini has autism

oozey mess
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Cosimo Galluzzi

Kiana Khansmith
Lint Roller? I Barely Know Her
No title available
Doug Jones
KIROKAZE
One Nice Bug Per Day
taylor price
Fai_Ryy
official daine visual archive
No title available
let's talk about Bridgerton tea, my ask is open
seen from United States

seen from Malaysia

seen from India
seen from Türkiye
seen from United States

seen from United States

seen from India

seen from Honduras
seen from United Kingdom
seen from Brazil
seen from Kenya
seen from Singapore
seen from Ecuador
seen from Uzbekistan
seen from Netherlands

seen from Thailand
seen from Singapore
seen from Singapore
seen from United Kingdom
seen from United States
@grocerystoretrip
hello! i’m el @bladeandwound & this is my writing archive.
publications
image description in alt text and/or in reblogs.
on (language around) transfeminine bodies as sites of social-reproductive labor
so i went to the barber
a different version titled barber on [] island published in the dawn review & now nominated for best of the net 2024 !
so i went to the barber
i've been dabbling in flash lately. this was published in the november 2022 issue of erato magazine.
THE STATE
collapse, now published in the greenhouse issue of pink plastic house
Hey You, Sir, Should Be Coming Out in INKSOUNDS
my own private nonexistence
WHEN WE SLUR OUR OWN WATERS, found poem from Page 55 of Bestiary (2020) by K-Ming Chang
[ID: Blackout poem on white background, with a significant portion of the text ‘blacked out’ in dark red. The visible parts read: “our shoulder blades knotted up to rub flint side by side, skin wrestling each other to history, fuck/marry/kill to kill all who ate bread and butter for breakfast. I related to gravity, the way blades belonged inside black bows in my hair. and She looked at every I, tearing out a river from her mouth: on her, pretending to drown, I plated my teeth to her pulse. she pronounced us raw, never properly cooked inside mothers. Our god of language, who taught us our arms, wrote in red on our question: Why is water our dialect?” /end ID]
in angel rust magazine :)
pluto probably has a hole in his heart and we will never know
short new thing now out in miniMAG!
Disappointing Prior Walter the Thirty-Fourth for Mister Magazine
WHEN THE WRITER TRIES TO MAKE NUMBNESS HUMANE, for Tigers Zine
[ID: Black text in Georgia font on white background that reads: “When poets crawl out of dead-white paper to remind me I’m an alive thing;/ When in the darkness I mouth my own fist as though it were something/ More authoritative, like God maybe, or even a loaf of bread not too dry/ For this blood-softened and bite-prone delicacy; when I am reduced to begging/ To an unknown thing, like a cicada out of season and reduced to dust, in hope/ Their cries are cries of tears, and not a necessity, like breathing; when/ Terribly alone in my hope I weep, unaware that hope itself is a product/ Of a life, small but here inside of me, like some sort of extraordinary stream,/ Like blood or more – I am then an unconditional human. Yet I must step out/ Of this room where I create monsters only to weep on their shoulders, to face/ The more human things, like light and water, and sweet-eyed June, and/ Spiders asleep amongst their poison.” /end ID]
now rehoused in five south journal :)
WHEN THE WRITER TRIES TO MAKE NUMBNESS HUMANE, for Tigers Zine
[ID: Black text in Georgia font on white background that reads: “When poets crawl out of dead-white paper to remind me I’m an alive thing;/ When in the darkness I mouth my own fist as though it were something/ More authoritative, like God maybe, or even a loaf of bread not too dry/ For this blood-softened and bite-prone delicacy; when I am reduced to begging/ To an unknown thing, like a cicada out of season and reduced to dust, in hope/ Their cries are cries of tears, and not a necessity, like breathing; when/ Terribly alone in my hope I weep, unaware that hope itself is a product/ Of a life, small but here inside of me, like some sort of extraordinary stream,/ Like blood or more – I am then an unconditional human. Yet I must step out/ Of this room where I create monsters only to weep on their shoulders, to face/ The more human things, like light and water, and sweet-eyed June, and/ Spiders asleep amongst their poison.” /end ID]
WHEN WE SLUR OUR OWN WATERS, found poem from Page 55 of Bestiary (2020) by K-Ming Chang
[ID: Blackout poem on white background, with a significant portion of the text ‘blacked out’ in dark red. The visible parts read: “our shoulder blades knotted up to rub flint side by side, skin wrestling each other to history, fuck/marry/kill to kill all who ate bread and butter for breakfast. I related to gravity, the way blades belonged inside black bows in my hair. and She looked at every I, tearing out a river from her mouth: on her, pretending to drown, I plated my teeth to her pulse. she pronounced us raw, never properly cooked inside mothers. Our god of language, who taught us our arms, wrote in red on our question: Why is water our dialect?” /end ID]
our zine is FINALLY DONE !!! and can be found FREE on gumroad !!!
i’d like to thank the following contributors (who participated via tumblr): @eveesque @stone-butch-blue @hee-blee-art @morgutio & @igbygoesdown ! check out their work in this issue, it wouldn’t have been made without them!! 💚