If my only purpose is to make you cry over Tragic Danish Boyfriends, then so be it

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@hamlet-shit-posts
If my only purpose is to make you cry over Tragic Danish Boyfriends, then so be it
Shakespeare as TMA content warning parody
1920 hamlet is so cuteđĽšâŚâŚ
Hamlet (Acts 1 - 3.2): I can't kill Claudius without proof, because it would surely damn me to kill an innocent man. also definitely can't kill him while he's praying.
Hamlet (Act 3 Scene 3): I Think I Will Stab Whoever Is Behind This Curtain
Ideas for my next staging of Hamlet, Polonius Edition
Every time he enters the scene, a sign lights up asking for applause, sitcom style. Only Polonius is aware of this fact and he seems embarrassed by it.
Everyone sincerely likes Polonius, and even Hamlet's messing with him is clearly more like a kid trying to play with their uncle. He is entirely unaware of this fact and deeply insecure.
King Hamlet and Claudius love to be cast as the same actor, but what about King Hamlet and Polonius? Something something kings change but institutions endure something something constant accusation in the face of the man closest to he whom you murdered?
Polonius is clearly talking the entire time, and those closest to the stage can hear he's actually continuing to pontificate on every topic at hand at all times. His microphone only switches on during his scripted lines. (Only for a large theater)
Total crack option: the architect of disaster. After the closet scene and the ensuing capture of Hamlet, Polonius steps out from where he was stashed and winks at the audience. Later, upon Ophelia's burial, the scene is cleared and Polonius comes and gets her from the grave. Maybe we end up getting Laertes in on this too, but tbh heck that guy. Interscene silent meeting between Polonius and Norway. We see an advisor who's dramatic ironically obviously Polonius handing the king the poison. Polonius is there to receive Fortinbras at the end, and instantly steps back into his role. Bonus points if this is all plainly because of his clear loyalty to King Hamlet.
Every scene, Polonius is messing with and moving behind curtains. Cats love a good box, Polonius loves a good arras. Before the curtain opens, even, he walks onto stage (possibly declaiming one line or another), looks out at the audience and realizes he's out too soon, and conceals himself behind the curtain, shoes clearly sticking out [bonus bonus points if costuming magic means that when the curtain opens, the shoes are still there, but it's Barnardo in them. OR, and this won't be easy to show visually, they're actually Gertie's shoes (with which she followed King Hamlet, like Niobe, all tears).
(Yeah, some of these only work if Polonius has been working with the royal house since before the succession. So what?)
Hello friends and foes!
Welcome to the 2024! I think itâs time to share the link to the good âol Hamlet Discord Server (which is really just a general Shakespeare server at this pointâŚ) for any new Shakespeare fans looking for somewhere to hang out!
We (sometimes) do readings, frequently chat about the plays (and relevant content), and are (slowlyyy) working on producing our own audiobook version of Hamlet!
Come join us and have a Shakespeare-filled 2024!
Check out the hamlet, prince of denmark community on Discord - hang out with 106 other members and enjoy free voice and text chat.
not sure whether you put tactile function in motor vehicles on the correct blog. if you did feel free to ignore this ask
no đ i see a hamlet post and go "ohoho i have a Blog for this!" and change the blog the post reblogs to. and then forget that by the time i reblog another post
Look when I say Prince Hamlet this is who I'm talking about. this exact terrible life-ruiner piece of crap (affectionate
the highest honor has been bestowed upon him.....
sorry for worst quality that has ever been next time will be more acceptable
wrong blog bestie
i realized đ
Shakespeare: I will create two teenage characters who are explicitly proto-postmodern examinations of the nature of character and fate within fictional narrative. I am their creator and - like their parents within the narrative - I exercise complete control over their fates, no matter how much they struggle against it. They are born like Athena from my mind and doomed to die by my pen, by my complicity in the narrative negligence of them, by my own actions and wishes-
Actor: cool, what's their names?
Shakespeare, father of twins named Judith and Hamnet: uhhâŚ. Juliet and Hamlet.
#obsessed with the Juliet/Hamlet parallels #And how theyâre victims of narrative #these plays are not Shakespeareâs therapy sessions nosiree #dealing with the grief of a childâs death by writing stories where teenagers die because of their parentsâ lack of careâŚ. heartbreaking ngl. #the guilt and anguish and horror is just leaking out of the page
accursed self promo time
I havenât been back on here in a while (posting, Iâve been lurking for a couple of months) but uhhhh I wrote a queer magical hamlet reimagining and itâs called SMILE AND BE A VILLAIN and itâs been pretty well reviewed so far?
It came out in April and people seem to be enjoying it. itâs set in the 1530s and I did a lot of research for it. itâs a prequel so you get to see wittenberg university!
mild spoilers below in terms of rep:
aroace ophelia
bisexual hamlet
queer jewish horatio
transmasc rosencrantz
gay Black guildenstern
gay fortinbras
ophelia has magic lesbian aunts
thereâs a bunch of other stuff too like exploring religion during the reformation and the place of women within society. I think itâs neat! itâs also sometimes funny and then the ending punches you in the face over and over again, if you like that kind of thing. and itâs got a sequel coming early next year!
so yeah if you want to support a queer indie authorâs debut that would be super great. you can go look at the reviews on goodreads/storygraph; I take a look every now and again to make sure I havenât been put on blast by homophobes, and reviews are super positive.
thanks!!!
HEY HAMLET FANS!
I absolutely love this book and it's lush religiopolitical and magical take on the world of Hamlet! full review below the cut but you guys should go get this book and read it if you like the sound of:
-a queer cast -a morally grey magic system -just a little bit of gore, as a treat -QPR between ophelia and hamlet (implied cuz it's historical) -well-researched historical contexts -everything yves said above (especially QUEER JEWISH HORATIO PLZ)
Possible settings for rosencrantz and guildenstern are dead:
An empty theatre/stage (classic)
A set previously used for or evocative of Hamlet
Backstage of a theatre
An elevator
Any âliminalâ space (airport, train station, hallway)
A dennys parking lot (ros & guil must be stoners)
Tom stoppardâs actual house
Random warehouse
A dive bar (bartender is either ros and guil themselves OR Shakespeare OR Tom Stoppard)
House of mirrors
The set of waiting for Godot
A graveyard
IKEA
My proposal for a terrible and inconvenient piece of dual theatre
Basically when the pieces interact, the curtains open and the two plays become one. This would be awful to time and would probably suck mad shit, however I think I should be allowed to try and make it anyway
This would
A) Be a nightmare for stage manager trying to sync the transitions
B) Tech and effects would be crying pissing themselves trying to run two shows at once.
C) Adaptation. Rosencrantz and Guildenstern is about 2:30 hours and Hamlet in full is 4 hours but is usually abridged down to about 3. There are also lengthening and shortenings of scenes in Hamlet in R&G. Off-stage scenes need to be synced with on stage appearances.
Iâm also legally unsure of how this would work??? To get this produced youâd probably have to prioritize Stoppard text at the expense of Shakespeare
I also agree that this is terrible idea that must be done
did you let me die in your arms in the timeloop
I keep thinking about this post. Did you let me? As in did you not save me? and Did you let me? as in did you allow me the comfort of your embrace at the expense of your own pain, knowing tomorrow I would be back and fine but youâd still be feeling my blood against your skin?
Did you let me die in your arms?
"This story is a tragedy because it didn't have to end this way."
vs
"This story is a tragedy because it was always going to end this way."
#a REALLY good tragedy is locked in quantum uncertainty between these two states