ZENDAYA via @ luxurylaw on Instagram
No title available
I'd rather be in outer space 🛸

izzy's playlists!
Mike Driver
let's talk about Bridgerton tea, my ask is open
Claire Keane

if i look back, i am lost
Xuebing Du

Origami Around

PR's Tumblrdome
Noah Kahan

JVL

⁂
Lint Roller? I Barely Know Her
Peter Solarz
TVSTRANGERTHINGS

❣ Chile in a Photography ❣

Product Placement

Kiana Khansmith

#extradirty
seen from Netherlands
seen from United States

seen from Belgium
seen from United States

seen from United States
seen from Malaysia

seen from United States
seen from Russia

seen from China

seen from Canada
seen from United States
seen from Netherlands

seen from Malaysia

seen from Malaysia

seen from United Kingdom

seen from United States

seen from Malaysia
seen from Saudi Arabia
seen from Saudi Arabia
seen from United States
@handsomecleverandrich
ZENDAYA via @ luxurylaw on Instagram
Huishan Zhang 2012 Collection
not to be a nerd but it’s so crazy how he (Bernini) really did that from cold hard stone……. truly a spectacle, truly breathtaking, an honor to behold
I think you should know he was 23 when he finished this and the ass gets a lot of attention but the hand on Persepina’s side/tummy is also exquisite
before i saw the caption I knew that HAD to be bernini.
I try not to make sweeping statements but I think there’s a case to be made for bernini as the greater sculptor there’s ever been.
here’s his bust of costanza bonarelli
here’s apollo and daphne from the front, where she’s mostly human
from the back, where she’s mostly tree
and details
this is the one art form I genuinely just cannot get my brain to accept as real. I’ve watched sped-up videos of it being done, read about it, seen in-progress marble statues and I still just can’t get it to sink in or stick. My mind doesn’t want to believe that any person has ever been able to start with a big block and break little bits off of it until it looks like a finely detailed person. At some point it has no recognizable shape and they still know where and how deep they should take a chip out of it that’ll still be the right decision 50,000 fucking chips later?!?
LUPITA NYONG'O Glamour Magazine, June 2024
they should give you the option to unblock in these circumstances. just to see the drama unfold
HELLO ! have you thought about Van Gogh’s First Steps today ?
Here you go. This world is beautiful. Humans are beautiful. I love you
I understand the urge to comment on recent trends in which people seem to want increasingly sanitized media compared to the recent past, but when you say things like "people used to just shrug and move on when there were books and movies that made them uncomfortable" it's like...well. actually people used to convict artists of obscenity in a court of law.
how some of you on here genuinely sound to me
This needs to be said.
So many people seem to be loudly subscribing to this tribalistic "us vs them" version of identity politics that has them projecting a whole lot of their own issues onto media. There's an awareness of how political TV shows are despite the fact that media literacy is at an all time low. So many people are assigning moral value onto media works and so many people have been conditioned into thinking that portrayal somehow equals endorsement.
And because portrayal equals endorsement to certain types of people, portrayal always ends up getting the short end of the stick, whether or not its endorsement. You know, censorship, moralism, fascist thinking and all that stuff.
So yeah, I expected the backlash because this is the bullshit one always has to deal with if you like your shows with a bit of complexity to them.
But it pisses me off that the Claudia seance is being cheapened into another political soundbite about how "the writers just wanted an excuse to be racist."
Do I think people are allowed to be hurt by portrayals of racism in a show? Of course I do. I've been hurt by it since I was old enough to understand what race was. I'll probably be hurt by it until the day I die. It's valid to be upset by something and never want to watch it again. There are plenty of shows I haven't finished because they were too triggering for me.
Do I think that being upset by something gives me the right to assign values onto writers I know nothing about for simply doing their jobs and telling a story? No, the fuck I don't.
Writing about racism doesn't make you racist any more than writing about murder makes you killer. And the fact that lately, so many people can't grasp that is scary to me.
You tell a story about race, you tell a story about racism. Because racism is alive and well. And even if we manage to create a post-racism society, racism will have been alive and well. They're a package deal.
I want people to be able to tell stories about race. I want every kind of depiction about race there is. The good, the bad and the messy. We've been invisible for too long.
And if you think thoughtful media portrayals of racism are just a writer's excuse to be racist and not a portrayal of issues and inequalities that can and have played out in the real world because of the systems of oppression that underpin them, you're clearly unable to separate a fictional story from your own personal baggage and I have nothing to say to you.
These terrible takes about Claudia are extra irritating to me as someone from an African country, who grew up on multiracial and multicultural shows and studied post-apartheid and postcolonial literature at university, media that had racism as a recurring theme, because the narratives, like IWTV and TVL, were about racist structures and the people who lived in them.
It's so fucking painful to realize that the majority of these would be lumped under "generic racist propaganda" on this stupid US-centric website because for some reason people think that a piece of media having racism in it makes it politically incorrect propaganda, unfit to be enjoyed, studied or consumed. Without realizing what an oppressive, imperialistic, white standard that is.
"I'm a good person who only consumes media that is 100% non-racist, non-sexist and politically correct."
Congratulations. I can't go a week without experiencing some form of oppression, from other marginalized people even, because internalized marginalization is a thing and my parents and grandparents grew up in systems where racism was valued. In fact, racism is valued to this day in certain places, but I'm overjoyed to hear that I'd get punished by Western audiences if I were to write about it. I'd be nothing without your erasure.
The scene where Claudia finally gave Louis a piece of her mind could've been a wonderful opportunity for the fandom to talk about how racism is a structural context that marginalized people cannot separate themselves from or how traumatized people can and do weaponize each others' internalized racism against each other.
It could've been a wonderful opportunity to discuss how Claudia was misrepresented because of Louis' guilt and love for her or how female characters, black women in particular, are rarely allowed to show their ugly sides in media, especially when the narrative is told through a male lens. A male lens that's been well established as someone who puts himself and the people he loves on pedestals and continues to view her through rose-colored glasses to this day.
It could've been a wonderful opportunity to talk about the myth of the perfect victim or how her being trapped in a young girl's body means people have "no idea of her strength."
It could've been a wonderful opportunity to discuss how much of that scene was Claudia finally being honest and letting out all that pent up resentment she never got to share with Louis while losing him was at stake (but now she has nothing to lose) or how much was cruel lies motivated by the pain of being ripped from her resting place, seeing Louis and Lestat there together (Louis choosing Lestat over her AGAIN) while she's stuck having to exist without Madeleine.
Some people did speak about that which is awesome. Thank you for existing.
But mostly, it became all about "My morals have been violated" (fine, don't watch it then) and "what Claudia said was inexcusable, how dare she" (you're policing a traumatized black female character, EXCUSE YOU) and "the writers are such racist and sexist meanies for no longer portraying Claudia as Louis' most special manic pixie throw pillow" (??? make it make sense ???). It mostly boiled down to the fact that Claudia was cruel to Louis out of anger.
"This isn't Claudia."
There's literally an episode titled "The Ruthless Pursuit of Blood with All a Child's Demanding". Describing Claudia. From Louis' perspective. The person who has an admittedly rosy view of her.
She's ruthless. She's bloodthirsty. She's cruel.
She's every bit as ruthless as Lestat, whose blood flows through her veins. She's every bit as bloodthirsty as the coven that took her out. That's why they had to team up in order to do it. And she's every bit as cruel as Louis, who we've seen do this type of thing to multiple characters at multiple times. Lestat taught her how to hunt, but if there's one thing Claudia would have learned from Louis, it would be being cruel to people out of anger.
Racism is one of Louis' core wounds and triggers. We see it throughout season 1. Lestat uses the racially neutral term "fledgling" to address him, and he assigns racial meaning onto it, after which Lestat never uses the term again. Claudia uses "slaves" as a buzzword to manipulate him. Daniel uses racial terminology to get him to open up in the interviews. His favorite human meal is Jim Crow racists. Every time he acts on impulse, it's triggered by someone else's racism or perceived racism. It's a core wound so it's the best way to be cruel to Louis. Claudia is a predator and she went straight for the jugular.
Did you expect her not to?
Claudia was summoned to once again assuage the guilt of the two people who were complicit in both her deaths. She was immediately confronted with the image of the two of them together again after decades of searching for and not finding her companion, Madeleine.
Before she died she literally called them out for the self-absorbed bastards that they were, the fact that they constantly used her as a pawn in their drama and the fact that her being made a vampire was never about her, but about them.
She died because Louis refused to listen to her warnings about Armand. And then Louis still stayed with Armand for years after that, the very years she was stuck in purgatory without Madeleine, showed her private diaries to everyone, because her words were published in a fucking international bestseller, read out her most vulnerable thoughts about getting assaulted to her abuser to fuel his own sanctimonious hero complex and then paid a sex worker to act like her.
Of course, she's harder on Louis and easier on Lestat. Louis was supposed to be better than this. As unfair as it is, she always held him to a higher standard. Lestat was always the scumbag she detested (and father she loved in secret) and she never let him forget that. Louis was the father she was open about loving (and scumbag she detested in secret, because she could not afford to push him away when he always had one foot out the door anyways). Louis was the person she had the most faith in and trusted not to fail and betray her. And then he went and did all that. Lestat was just acting like Lestat, but Louis broke her heart.
She is allowed to be pissed and to say whatever the fuck she wants to in order to get that message across. She is allowed to say things that she knows will hurt them, Louis in particular, whether or not those things are true. She's allowed to be in enough anguish to lash out about it where it'll hurt most. Because they'll always have each other anyways.
If your compassion for Claudia stops when she's no longer fitting your standards of behavior, then you're the one discriminating and you're the one with the damn problem. Black women (and men for that matter) should be able to show their ugly sides in media, just like white men without everybody freaking out whenever it happens. Characters should be allowed to be human beings, not paragons of virtue.
Evening Dress
c. 1921
by Callot Soeurs
Chicago Historical Society
RACHEL ZEGLER for the 79th Annual Tony Awards (June 07, 2026)
Zendaya at the New York premiere of The Odyssey 🪽
Zendaya at the New York premiere of The Odyssey 🪽
ZENDAYA attends the New York premiere of The Odyssey — July 14, 2026