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Bach, Goldberg Variations, aria.

in Hannibal 3.13 “The Wrath of the Lamb”

[The interpretation used in this episode was very loose, and I don’t know who plays, so I chose another loose interpretation by John Lewis]

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(1978) Arturo Benedetti Michelangeli - Préludes - Book 1 - 8. La fille aux cheveux de lin [Préludes - Heft 1]

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In Hannibal 3.11 “… And the Beast from the Sea”

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Michel Béroff Debussy: Deux Arabesques No. 1 (3:27)

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in Hannibal 3.10 “… And the Woman Clothed in Sun”

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Chopin, Prélude op. 28 No. 2

Rafal Blechacz, piano

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In Hannibal 2.12 “Tome-Wan” - Will Graham cooking

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& Hannibal 3.09 “...And the Woman Clothed with the Sun“ - Hannibal cooking

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W.A. Mozart, “Alleluja” from Exsultate, Jubilate, K. 165, Kiri Te Kanawa, sop., London Symphony Orchestra, Colin Davis, cond.

Update: This is the work in full.

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in Hannibal 3.08 “The Great Red Dragon”

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Tchaikovsky, Symphony No.5 in E minor, Op.64 - Andante cantabile

in Hannibal 3.07 “Digestivo” - Surgery

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Composer: WA Mozart Music: Piano Concerto #21 In C,, “Elvira Madigan” - 2. Andante Performer: Murray Perahia: Chamber Orchestra Of Europe  Image: Japanese American field worker, Ontario, Oregon, c. 1942.

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in Hannibal 3.07 “Digestivo” - Dinner with Verger

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So apparently this is not on any recording, but you can hear it in this video of the unveiling of Marton Varo’s the “Annunciation” sculpture.

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Brian Reitzell, Bloodfest

in Hannibal 2.13 “Mizumono” - Last scene

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and 3.06 “Dolce” - Reunion (at the Uffizi)

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Franz Schubert - Adagio in E flat, D. 897 ‘Notturno’

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in Hannibal 3.06 “Dolce” - Cordell’s tasting presentation

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Rossini, La gazza ladra (1817), Overture Royal Philharmonic Orchestra • Colin Davis (1961) Les métamorphoses du jour (illus. J.J. Grandville) [x]

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in Hannibal 3.05 “Contorno” - Reunions

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Mozart, Sonata No. 13 in B-flat major - III. Allegretto grazioso

Maria João Pires, piano.

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Dr. Lecter looks at the instrument, opening and closing his hands. He approaches his newly acquired harpsichord as he might approach an attractive stranger via an interesting light remark—he plays an air written by Henry VIII, “Green Grows the Holly.” Encouraged, he essays upon Mozart’s “Sonata in B Flat Major.” He and the harpsichord are not yet intimate, but its responses to his hands tell him they will come together soon. The breeze rises and the candles flare, but Dr. Lecter’s eyes are closed to the light, his face is lifted and he is playing.

Thomas Harris, Hannibal.

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Hannibal’s music : show only | extrapolated

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In Hannibal 3.05 “Contorno” - Hannibal playing the piano

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Peer Gynt Suite No.1, Op.46 - 05 - Åse's Death - Edvard Grieg

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in Hannibal 3.04 “Aperitivo”

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Satie, Fantaisie ~ Valse

Performed by  Jean-Pierre Armengaud

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in Hannibal 3.03 “Secondo” - Hannibal playing the piano

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Donizetti, Don Pasquale - Tornami a dir che m’ami

Petre Munteanu, Bruna Rizzoli

Francesco Molinari’Pradelli, Orchestra del Teatro di San Carlo Napoli

Tornami a dir che m'ami, dimmi che mia/mio tu sei; quando tuo ben mi chiami la vita addoppi in me. La voce tua sì cara rinfranca il core oppresso: sicuro/sicura a te dappresso, tremo lontan da te.

Turn to me and tell me you love me Tell me that you are mine When you call me your beloved Life redoubles in me.

Your voice, so dear, Revives the opressed heart: Safe while close to you, I tremble when far from you.

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in Hannibal 3.03 “Secondo” - Dinner with the Albizzis

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Mendelssohn | Symphony n°3 in A minor “Scottish”, Andante con moto - Allegro un poco agitato

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in Hannibal 3.03 “Secondo” - Cooking for the Albizzis

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Beethoven, Piano Concerto No. 2 in B-flat major, II. Adagio  

François-Frédéric Guy, piano Philippe Jordan, Orchestre Philharmonique de Radio France

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in Hannibal 3.03 “Secondo” - Dinner with Sogliato