malignantly useless

ry • he • 27

[theweirdwideweb]

[jareckiworld]

Younguk Yi — Wise Attitude for Dealing with Fools; A Protruding Gaze and Image Distorted by Anxiety (acrylic on linen, 2024)

[jareckiworld]

Chris Millar — “Loom beneath the Loam” (acrylic paint, resin, brass and steel, 2026)

[cosmicanger]

Jen DeLuna, Hounding, 2024

Oil on canvas

36 × 36 inches

[jareckiworld]

David Kanietakeron Fadden — Onkwehonwe Gothic (acrylic on canvas, 2016)

[mementomoriiv]

Aleksandra Waliszewska

[weepingwidar]

Laura Benson (US-American, 1997) - In the State of My Decay (2024)

[sandmandaddy69]

[weepingwidar]

Dittmar Viane (Belgian, 1998) - Betrayal (2023)

[7incnssntly]

[milksockets]

'screen print leaflets for "the second celebrator of the four," 1977' in h.r. giger's film design - morpheus international (1996)

[charnel-grounds]

“Within the wall’s structure there appeared multi-clawed abominations.”

Allen Koszowski, illustration to “Unnamed” by Trevor Donohue and Paul Collins

Fantasy Tales Vol. 13 #7, Winter 1991 — source

[arthuntblog]

Kumi Sugaï [Japan] (1919-1996) — ‘Untitled, Abstract in Grey & Black’, 1964. Lithograph (76.2 × 56 cm).

[aviel]

Kumi Sugaï - Paroles Peintes II (1965)

[theegoist]

Kumi Sugaï (Japanese, 1919-1996) - KO-ONI, oil on canvas, 123.9 x 97.2 cm (1956)

[theegoist]

Kumi Sugaï (Japanese, 1919-1996) - Natsu (Summer), oil on canvas, 145.50 x 113.50 cm (1959)

[weepingwidar]

Mikalojus Konstantinas Čiurlionis (Lithuanian, 1875-1911) - The Thought (1904)