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he wasn't even looking at me and he found me

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Today's Document
Game of Thrones Daily

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Stranger Things
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KANGMIN UNDERCOVER
HEESEUNG 2022 GGU GGU PACKAGE SPOT PREVIEW
he’s a pretty boy, he’s stunning ♡
20/11/17 ✧ Yongseung ✧ My Face
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YONGSEUNG + GET AWAY – for @talkingtomp3
i could stare at him all day…
DONGHEON UNDERCOVER (2022)
220424 ateez_official_ Instagram update:
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5 Ways to Develop a Convincing Character
For a lot of writers, creating a character is a huge process. Some can find themselves halfway through writing their novel and find that they don’t know their character. And if the writer doesn’t, bad news, the readers won’t either. So what do you do? (Video version here.)
Make a character profile. Questions spark development and add personality to your character. Pull a list like this one offline and get going! Answer them as if your character is in an interview and is being 100% honest. This will be hard for some of them.
Start with a base. This may sound like cheating, but if you do it right, your character will be completely different by the end. Base them off of an archetype, a person, or bits and pieces of both. Once you have a base, you can build your character from Frankenstein’s-monster-esque to novel ready.
Imagine they’re real. If they were right next to you, what would they be doing? If they went through your day how would they react differently? How would they respond to current events? Curl up into a ball and cry? Flee the country?
Find your connection. For me, this step is huge. My characters are like locked houses that I can only study from the outside looking in. That is until I find a connection and the door clicks open. This connection is generally raw, like depression, loss, love, or hardship. Make pain your gain.
Take quizzes/tests for your character. There are stupid ones like everything by Buzzfeed (love ya Buzzfeed) or you can take the Myers Briggs Personality Test. You can spend days reading up on the results and they are very revealing. Many times the information looks very similar to your existing character notes.
Watch the video version here.
Chapter One / Website / YouTube / Facebook / Patreon
Sorry to be a bother but do you have any prompts themed around bad first impressions? (I tried searching but nothing specific came up but that may be my fault 😔)
Themed Prompts: Bad First Impressions
1. Character A spills something on Character B.
2. Character A walks in on Character B doing something disgusting.
3. Character A walks into the room and all theirs things fall out of their hands.
4. Character A walks in on Character B screaming obscenities.
5. Character A hears Character B saying horrible things and doesn’t realize they are practicing lines.
6. Really awkward wrong number experience.
7. Mistaking Character A for someone else, Character B runs to them and hugs them out of nowhere.
8. …or worse, punches them.
9. Character A acusses Character B of a crime.
10. Characters meet at a costume party and one of them is wearing something embarrassing.
11. Character accidentally injures Character B.
12. Character A first hears about Character B as someone their friend/a family member doesn’t like.
13. Character A is famous. Character B accidentally comes across as an overeager fan.
14. …or has never heard of them.
15. Character A witnesses a conflict between Character B and someone else and misunderstands it.
Death Scenes that Pack a Punch
So you’re killing your character but you’re not sure how to make it MATTER. How do you make it affect your readers?
- Make them fight their death. If the character still has a will to live, their death is that much more painful. The longer the fight, the worse the readers feel.
- Don’t make their death natural. A natural death can still be sad (we’ll get to that in just a minute), but it will pack more of a punch if it’s a debilitating sickness or an unexpected/violent death, because it will feel like their life was chopped off or cut short.
- If you make the death natural, either make the character’s arc incomplete or their goal(s) unaccomplished. A natural death is more upsetting if the character wasn’t quite ready to die yet.
- Make your character’s death a sacrifice (if it lines up with the plot). If your character didn’t die by his own mistake but did it deliberately to save something/someone else, it will be that much more of a loss.
- Other character’s reactions make the death scene. All the other suggestions are just icing on the cake – the only thing you REALLY have to do is make your other characters react to the death going on/just past. For example (HARRY POTTER SPOILERS AHEAD), it wasn’t Sirius’s death itself that hit me in Harry Potter and the Order of the Phoenix – it was Harry’s reaction to it, both immediately afterwards and then in Dumbledore’s office. If the dying character means the world to your protagonist, let your protagonist show it. Since the dying character can’t put across how sad his death is by himself (due to time constraints or physical/mental disabilities or anything else), let the reactions of the other characters speak for him.
- Also, to inspire anger in the audience, have your antagonists rub your character’s death in the protagonist’s face – really rub salt in the wound.
Hope this helps! - @authors-haven
Best Friends Forever: Writing Close Friendships
Nearly every book I’ve read has a protagonist. And all of those protagonists were surrounded by several, if not a great many, friends. Within my own stories, my protagonists have quite a few friends. Among those friends, there are usually one or two, maybe three, friends that the protagonist is especially close to. One of my all time favorite series, Vampire Academy by Richelle Mead, follows best friends Lissa and Rose, who act like sisters most of the time. While reading, it’s clear that the two have known each other for a long while, see each other as their closest allies, and see their lives as them against the world. It’s obvious that they’re very close. The question is how does Mead accomplish this? How does any author establish these types of close friendships between characters without blatantly telling the reader?
If you think of your own close friendships, or your best friends, you’ll probably recognize five or more of the following in your relationship with these particular friends –
Understand without speaking.
When you’ve known someone a really long time, or have spent so much time together, you get to know the person so well that you pick up on their habits and quirks and body language. When they bite their lip, you know it’s not that they’re confused, but that the water works are about to begin and it’s time to get them out of there. If their jaw tenses, you take their hand and squeeze it to show they don’t have to face the world alone. They do the same for you. You understand each other so well that no one needs to say anything, and it’s obvious that it’s time for coffee and chick flicks, or that it’s time to head to the soccer field to kick around a ball and de-stress. You might not be able to read each others’ minds, but you understand each other well enough that neither of you needs to say anything. You just do.
Tease each other.
There’s artificial teasing, there’s bully teasing, there’s flirting teasing. But among friends, it’s the way we gently point out each others’ issues and faults without being cruel, it’s how we remind each other of good times, it’s how we show each other that we don’t have to be adult or grown up (regardless of age), it’s how we connect and communicate. Between best friends, teasing is just another way we talk to each other. There’s no malice, jealousy, anger, or bitterness behind it. It’s often light, fun, laughable, and in good humor. It’s a way to make your friend laugh when they’re on the verge of tears. It’s the way we build each other up when our plans fall through. Teasing is always there, but it never, ever becomes a way of putting each other down.
Rely on each other.
Through good times and bad, friends can always be relied upon to be there and help each other. There are no excuses, there is no distance, there are no events that could prevent two best buds from helping each other out in times of emotional and physical need, and friends rely on each other for that. But friends also rely on each other for comfort, for support, for encouragement, and for all the things it seems the world wants to take away from us. Friends are there to remind us that what we want to do, where we want to go, is completely possible and achievable.
Seek each other’s advice.
Perhaps more than our parents, teachers, advisors, and mentors, we seek advice from our friends first. This might be a perfectly faulty action, but because friends understand each other and rely on each other, it’s natural that we seek advice from those we know, and who know us, best. This advice seeking might be as simple as wondering which outfit to wear for an interview, to legitimately questioning your life’s direction and wanting to know whether you should keep on that path. And because you can rely on your friend, they help you out, if only to making fun of something to help you laugh and remind you to loosen up and stop worrying.
Feel comfortable around one another.
As with all of the above, friends are comfortable with each other enough to seek that advice, tease each other, and rely on one another. Even more than that, friends are comfortable with and around each other that they don’t care if they do something stupid, or say something idiotic, or accidently snort and spew food from the mouth in response to something funny (guilty.) Because they’re comfortable with each other, these things happen and no one cares, because these silly things hardly define us. It’s the same with crying, or showing how truly angry we are, or how hopeless we feel. Friends know each other so well that they be vulnerable and sensitive, and the friend won’t misuse them.
Miss each other when gone.
Probably the greatest understatement of all these, but best friends will miss each other. They might be separated for only a day, maybe one has moved away. But miss each other they will, just the same. The effect this has on each other is anyone’s guess, as everyone reacts differently to separation. Some might become depressed, others might lash out, and some might just have that aching sense of loneliness in their gut that seems like it can’t ever be filled. There is most definitely a reaction, and missing each other is just the surface.
Have similar interests/hobbies/goals/pasts.
Whether they grew up together, or met at summer camp, or took the same art class, friends have similar interests. There’s something that initially drew them together, and in writing a book you can’t just put that aside. It will always be their foundation, and while the foundation can grow, there’s that one point, however small and insignificant in the present, that brought them together and caused them to meet (in Vampire Academy, Lissa and Rose both had long names they had to spell in school at young ages. Later on, they grew even closer together when they both survived the car accident that killed the rest of Lissa’s family.)
Grow together as individuals and as friends.
If any relationship is to last and get stronger, growth is a must. Trials, tragedy, celebration, joy; all these add to and change a person, their actions, and how they consider new situations, and this happens in a friendship as well. While going through similar occurrences, if friends cannot grow together, change, and mature together, then their friendship will remain the way it was when it started, and it won’t be able to adjust and react properly to new situations that the friends encounter. Without the ability to grow, the friendship will become stagnant and brittle, and eventually break. Make sure to show the friends, and their friendship, grow through the story.
Don’t judge.
It’s simple. Close friends, who understand, rely, advise, and help each other, just don’t judge. Regardless of what one does, or what the other thinks about a topic, they don’t judge. They accept that they’re individuals with different views and opinions on some things. After all, you can’t have the exact same views as someone else. There are similarities, there are differences, but despite what those are, there should never be any judgment. Friends accept each other for who they are.
Don’t try to change each other.
As I said, friends accept each other. They don’t try to change one another, or mould each other into what their ideal would be, because that would be the farthest thing from acceptance. Friends understand, they don’t judge, and they don’t try to change their friends’ personalities, opinions, views, likes or dislikes, or their hopes and dreams. They accept everything about each other, and celebrate their differences.
Confide everything.
Friends naturally want to talk with each other and discuss the things that happen in their lives, but best friends, as I’m sure you know, will talk about everything. They confide everything in each other without fear of being rejected or judged. They share their thoughts, their dreams, whatever comes to mind, and in sharing so much with each other, their bond grows.
Fights sometimes happen, but making amends occurs quickly.
No friendship is perfect, and because there are two people involved, disagreements are bound to occur. But when fights begin, whatever the topic, close friends will try to move past the argument and come to a conclusion, generally in the form of an agreement or better understanding of one another. They won’t linger on their differing opinions, and will try to make amends as soon as they can. This leads to stronger friendships, and is a way that the friendship can grow and develop.
Can’t imagine life without each other.
Perhaps more than anything else, best friends simply can’t imagine what life would be like if they weren’t together. It’s something they don’t want to think about, and is the last thing they’ll focus on when confronted with the real possibility of lifelong separation. They’ll come up with excuses, plans, arguments, anything that might be able to change the impending separation. They literally can’t picture their life being apart, because their personalities and dreams and emotional selves are so connected that the very idea of being apart for good is like imagining themselves being split in half (this goes for a romantic relationship as well, though more specifically within one where the two were best friends before they fell in love).
These are just a basic few things that can comprise a close friendship. You don’t need to use all of these, and by all means, don’t limit yourself to using only the ones I’ve listed. Use some, use none, but make sure you really look at the characters you have and focus on showing that closeness where it’s supposed to exist. It offers greater development of both characters, adds to the realism of the plot, and helps with the overall story.
For more on this topic with examples, check out Livia Blackburne’s awesome article –
http://blog.liviablackburne.com/2011/06/twenty-ways-to-describe-your-characters.html
Good luck and good writing!
~ Everyday Writer
Character Development Questions: Hard Mode
Does your character have siblings or family members in their age group? Which one are they closest with?
What is/was your character’s relationship with their mother like?
What is/was your character’s relationship with their father like?
Has your character ever witnessed something that fundamentally changed them? If so, does anyone else know?
On an average day, what can be found in your character’s pockets?
Does your character have recurring themes in their dreams?
Does your character have recurring themes in their nightmares?
Has your character ever fired a gun? If so, what was their first target?
Is your character’s current socioeconomic status different than it was when they were growing up?
Does your character feel more comfortable with more clothing, or with less clothing?
In what situation was your character the most afraid they’ve ever been?
In what situation was your character the most calm they’ve ever been?
Is your character bothered by the sight of blood? If so, in what way?
Does your character remember names or faces easier?
Is your character preoccupied with money or material possession? Why or why not?
Which does your character idealize most: happiness or success?
What was your character’s favorite toy as a child?
Is your character more likely to admire wisdom, or ambition in others?
What is your character’s biggest relationship flaw? Has this flaw destroyed relationships for them before?
In what ways does your character compare themselves to others? Do they do this for the sake of self-validation, or self-criticism?
If something tragic or negative happens to your character, do they believe they may have caused or deserved it, or are they quick to blame others?
What does your character like in other people?
What does your character dislike in other people?
How quick is your character to trust someone else?
How quick is your character to suspect someone else? Does this change if they are close with that person?
How does your character behave around children?
How does your character normally deal with confrontation?
How quick or slow is your character to resort to physical violence in a confrontation?
What did your character dream of being or doing as a child? Did that dream come true?
What does your character find repulsive or disgusting?
Describe a scenario in which your character feels most comfortable.
Describe a scenario in which your character feels most uncomfortable.
In the face of criticism, is your character defensive, self-deprecating, or willing to improve?
Is your character more likely to keep trying a solution/method that didn’t work the first time, or immediately move on to a different solution/method?
How does your character behave around people they like?
How does your character behave around people they dislike?
Is your character more concerned with defending their honor, or protecting their status?
Is your character more likely to remove a problem/threat, or remove themselves from a problem/threat?
Has your character ever been bitten by an animal? How were they affected (or unaffected)?
How does your character treat people in service jobs?
Does your character feel that they deserve to have what they want, whether it be material or abstract, or do they feel they must earn it first?
Has your character ever had a parental figure who was not related to them?
Has your character ever had a dependent figure who was not related to them?
How easy or difficult is it for your character to say “I love you?” Can they say it without meaning it?
What does your character believe will happen to them after they die? Does this belief scare them?
IKEA shenanigans
#1
Person A, lying seductively in bed: honey come join me
Person B: if you don't put on your shirt I'm legitimately gonna leave you here
#2
Person A: I'm gonna choose a random tag and whatever unfathomable word is on it, I'm gonna name our kid that
Person B: p l e a s e s t o p
#3
Person B: you gotta stop crying about all the rooms
Person A: *sniffles* mOST OF THEM DONT HAVE A WORLD OUTSIDE THEIR WINDOWS AND ALL THEIR BOOKS ARE IN SWEDISH THATS SO TRAGIC
#4
Person A: *staring at all the desks*
Person B: *walks up to them* what're you doing?
Person A: I'm wondering which of them you'd look best pinned aga-
Person B: *kicks them in the shin*
So you want to make an OC?: A Masterpost of Ways to Create, Develop, and Make Good OCs!
i made this masterpost in hopes that it helps you in making your own OCs ah;; it can also apply to developing RP characters i suppose! if you’d like to add more resources then go for it sugar pea (´ヮ`)!
How to Write Better OCs:
basic tips on how to make your oc even better
tragic backstory? learn how to write one/make yours great
writing specific characters
a wordier, great guide on how to develop your character
kick out those vague descriptions and make them AWESOME
Character Development:
how to actually make an OC
Q&A (to develop characters)
more Q&As
giving your character a backstory
how to write an attractive character
Diversity
adding more racial diversity
avoiding tokenism, AKA, how to add diversity to your cast not just because you “need” it
writing sexuality and gender expression (doesnt include non binary, if you have a good ref to that, please add on!)
masterpost on writing more diversity into your story
cultures of the world
guides to drawing different ethnicities (not just a great art reference, but also really helpful in appearance descriptions!)
Mary Sue/Gary Stu
Test to see if your character is a Sue
Explains subdivisions of Sues/Stus
Powerful Characters Don’t Have to Be Sues
Villains
villain generator
need an evil sounding name for your evil character? bam
villain archetypes
what’s your villain’s motive for being a villain?
Relationships
character perceptions (What your character thinks of themselves and what others think of them)
how to write strong relationships between two characters
8 ways to write better characters and develop their relationships with others
OCxLove Interest Handbook
develop your couple with good ol’ Q&A!
how to write realistic relationships
how to write relatives for your characters (this is more OC related to a canon character, but will help in writing family members in general)
ARCHETYPES
12 common archetypes
8 archetypes for male/female characters
female archetypes (goes pretty indepth from two main categories)
a list of archetypes
NAMES
how to name your character
random name generator
most common surnames
surnames by ethnicity
APPEARANCE
tips for better design
basic appearance generator
pinterest board for character design (includes NSFW and images of skeletons/exposed muscle (?) so tread carefully!)
clothing ref masterpost
DETAILS
give your character better powers
a list of professions
proactive vs reactive characters
positive and negative traits
interest generator
skills generator
motivation generator
123 ideas for character flaws
list of phobias
again, this is to help inspire you or help establish your OCs! i hope you get a lot of info and help from this ahh ( ´ ▽ ` )ノ
CAN WE TALK ABOUT HOW AMAZING THIS REF IS? PLEASE LOOK AT THIS PLEASE
rebloging this because I didn’t know at least 12 of these options
hey guys, i know this isn’t a normal imagine your ocs post, but here’s some really good reference !!
This has nothing to do with tagging your oc’s but this is really helpful!
GOOD - LOCO & GRAY (FT. ELO) MV