RUSSET strands, errant and tumbling from the ponytail that was currently keeping her hair, as she peered down at the blank canvas situated in front of her, a red paintbrush dipped in a latte brown, her weapon of choice as she sat in her studio, nestled within the confines of her capacity, a reticent reverie before she was plucked, like a flower from its form, as the sound of Helenaâs voice interrupted any procedure that suggested she might muse; though not as there was the slightest of semblance, just remnants, the spaces in between, but nothing conclusive. Setting down the paintbrush, Ford hindered, uncertain what to say before inhaling a sharp breath and turning off the music, Debussy, one of her favourites and greeting her protegee. âBonjour Helena,â she said before standing up, stretching, she had been seated there for the better half of the morning since she had the day off from Oliver, she just hoped he wasnât too lost without her. âDefine âgoodâ,â she responded, footsteps padding over to the coffee machine as she started a pot. âShit to work through, how poetic,â she said, before sitting, âsometimes, from my experience, when I have âshit to work throughâ, and words seem to abandon me in my time of need, I find that channelling whatever Iâm feeling, whether itâs sadness or anger, or even happiness, into the work. You donât have to worry if itâs good, or not, you just have to worry about what itâs doing for you, whether itâs doing your emotions justice. You see, sometimes art isnât about other people, itâs about placing a piece of your soul, pressing it onto paper without having to feel the weight of the world, as if someoneâs going to like it. Because at the end of the day, theyâre your emotions, your thoughts, no one elseâs and who cares if someone doesnât like it? Fuck them, they canât tell you how to feel.â Her gaze diverted towards the window as she let out a steady breath, the murmurings of her heart, a rhythmic ballad as she drifted throughout.Â
âBonjour, Ford,â she said as if she was greeting the principal after being called down for bad behavior. She dropped her bag at her feet and sunk into a chair, leaning her head back all the way and staring up at the ceiling as she listened to the clattering sounds of Ford putting on a pot of coffee. She knew that what Ford was saying was rightâthat Helena should just use this, get through it, and move on, but it seemed so far out of the realm of possibility for her to even think about painting something like this. She had used her art for a specific purpose, a specific vision. She wasnât going to feel good about anything she made that was drenched in sentiment.Â
Helena looked up. âI donât want to see what Iâd paint right now,â she said simply before dropping her head again. Helena felt she was her best self when she was alone. That wasnât to say that she didnât like people, because she did. She was just too much for most, with her anarchist ways and her crazy hair and her insatiable attitude. To have Jimâthe only person who had ever really put up with it in any meaningful sort of way, past just cursory friendshipâcome crashing back into her life after she had promised herself she wouldnât let him have this sway over her anymore was confusing at best. She didnât want to pick apart the reasons why she felt like this, but thatâs exactly what painting would do.