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PSA: Please don’t tag things meant for me as Hogan’s Heroes, or it will go in the actual show tag. TY!
he wasn't even looking at me and he found me

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@hogans-heroes
Welcome!
My Blog Navigation:
📖 • My AO3
💫 • My MOTA AU Masterlist
📝 • My MOTA Fic
💭 • My MOTA headcanons
🛍️• MOTA stickers/magnets
📨 • Asks
PSA: Please don’t tag things meant for me as Hogan’s Heroes, or it will go in the actual show tag. TY!
Callum Turner as Bill Rohan | Queen & Country (2014)
Read it on AO3 - Clegan, Gale/Marge, Margebuckies
[Previous]
Pt. 3/4 - INTERLUDE - A Brief History
--//--
It didn’t start as anything erotic, but there was always…something. There was some sort of thrill to it, embarrassed excitement rooted around for and yanked out of the forbidden, of the secret; something that made Marge’s stomach swoop, the fear of getting caught warring with the desire to keep going, to keep pushing for more, and the fear losing against desire time and time again. And there was excitement too that it was Gale, sweet and scared and scrappy scabby-kneed Gale Cleven, who always let her push him past his limits like he didn’t know why he wanted her to either – or if he wanted her to push him at all, actually…but then he’s always trusted her like that. Gale doesn’t trust just anybody, after all, and Marge has done plenty of foolish things in her life but she’s never been foolish enough to take that for granted, at least, and she’s still glad for it every single day.
It started with his hair. His mother would only cut it for him every once in a while, when it got too long and shaggy for anyone to ignore anymore, and one day he’d been tugging at it, trying to tuck it behind his ears, shoving it back from his face only for it to flop right back down again. Marge had tied little ribbons around the longest sections he was yanking on and put a flower behind his ear and told him he looked pretty like she did in her Sunday best. He’d pushed her to the ground, dust coating her rump and one of her socks slipping down her skinny ankle as she’d popped up with an indignant, “Hey, I meant it nice!” and shoved him right back. It took him a while to believe her, of course, but he still let her keep doing it whenever she asked until his sullen glaring and bearing with it turned into shy smiles, eventually even turned into him asking her for it first. After that, he stopped asking his mother to cut his hair.
(They hadn’t known then, of course, but with the benefit of hindsight Marge can now recognize that first shy request that maybe she could doll him up again was most likely the last chance they’d had to turn back, and neither of them had even thought to take it.)
Fight or Flight Chapter 14
Chapter 14 of Fight or Flight is up now.
It's a surprise Marge POV chapter. I swear it gets happier after this.
--------------------------
“Still time to run.”
John looks into the mirror, past his own stony eyes and towards Curt’s equally blue ones, up on a stool so he can help fasten the straps around John’s shoulders, anchoring the his pauldron. “They’d shoot me out of suspicion before I hit the gates.”
Curt tsks, “I’d make enough'a distraction.”
John grins, turning and cupping both of Curt’s cheeks and pressing a smacking kiss to his lips. “It’s my wedding, Curt, ain’t that something to smile about?”
“A political marriage seems more like a business deal than a party to me.”
“How about for all the wine we’re about to drink.”
“Human wine tastes like shit.”
John flicks the end of Curt’s ear, the delicately pointed tips not all that sensitive but certainly vulnerable to attack.
Curt ducks, gracefully dignified, “Your sister sent a raven this morning. She knows you’re being insulted; if you want to call his play, she will stand by you.”
John snorts, turning back to the mirror and examinging his armor. “And waste the party?”
“Bucky.”
If John has been allowed his way he’d be dressed in the lighter battle armor he was used to– scarred and dented and decorated by every time it had saved his life. He’d go out there and show them that even if peace was right around the corner, John and his kin were still ever-ready. Naturally, the notion had been vetoed and instead John had been buffed and shined and stuck into a suit of bronze colored armor carved all over with vines that tapered to drapes of berries over his shoulders, his chestplate. The chainmail beneath a white steel, his shoulder draped with a red cloth stitched with gold thread.
They’d woven blackberries in his hair. The scent drifts around him with each step, sweet and perfrectly ripe.
He glances at Curt again who was now busy fastening his own bronze armor, “A curious turn of events, Edith having your ear over mine.”
“She says she figured you’d actually consider it if there were witnesses.”
“Almost sounds like she’s hoping I’ll rise to the bait.”
“Humans can’t even make peace without spitting in your eye.”
John dons his weapons belt; fits it with his sword and dagger. “It’s a political marriage, Curt. So what if they think they’re offering me some goddamn offense. A prince is as good as a princess.”
“Maybe after the nuptiuals, but they’ll be snickering all through the ceremony.”
“So let them. I’m here to end this damn war; not give in to the opinions of small human lords and sycophants.”
Curt settles down into one of the chairs at a table still covered with the remnants of their breakfast. He drags an armored finger back and forth across his top lip, eyes gazing off at some halfway mark, thoughtful. “We fought against him, you know. At Red River; that commander that shattered our left flank.”
so like. John's an elf
to the point of invention, ch.32
John has a thousand things to say to him — I'm sorry, forgive me, I love you. He lands on, “Hey,” as he leans against the counter right beside him.
Gale turns to look at him and one of his special smiles, the soft ones that crinkle the corners of his eyes and pull gently at his lips, the ones he reserves only for John, blossoms on his face. “Look who it is,” he says. “Stone in my shoe.”
NOW THAT THE WAR IS HERE – r. n. currey, 1940.
𝑜𝓃𝑒 𝑜𝒻 𝓂𝓎 𝒻𝒶𝓋𝑜𝓇𝒾𝓉𝑒 𝒾𝓃𝓉𝑒𝓇𝓋𝒾𝑒𝓌𝓈 𝓌𝒾𝓉𝒽 𝒜𝓊𝓈𝓉𝒾𝓃 🤍
𝓂𝓎 𝒷𝑒𝓈𝓉 𝒷𝑜𝓎 🥹
𝑒𝓃𝒿𝑜𝓎 𝓉𝒽𝑒𝓈𝑒 𝓅𝒽𝑜𝓉𝑜𝓈 𝓌𝒾𝓉𝒽 𝓂𝑒 🥰
𝒾 𝓉𝓇𝒾𝑒𝒹 𝒻𝑜𝓇 𝓎𝑜𝓊 🩵
(𝓅𝒶𝓇𝓉 1)
Welcome to the MOTA Hope Weekend 2026: Day 1
Welcome to this event first day. We're excited to see the hopeful fan works start to come in! Here's the hope-set for today:
Art: The Sun - Edvard Munch (1911)
Thorpe Abbots - Shirt - A letter arrives
"I don't want this moment to end." - "I forgive you." - "How did you ...?"
Song: Miyazaki - Paris Paloma
Artwork 1 by @beepbeepcomeatmebruv
Artwork 2 by @swifty-fox
Artwork 3 by @sorgenfalter
Artwork 4 by @freebooter4ever
Remember, you decide how you want to take inspiration from the hope set and which day you post. You can also share any medium inspired by the theme hope independent of the sets.
Tag the artists if you use their art as inspo, and remember to tag @mota-collab and please use the #MOTA HOPE 2026 tag under your post to make sure we see it and can reblog.
Also, if you're writing a fic and posting it on AO3, please add it to our collection - MOTA Hope Weekend 2026!
𝘢𝘶𝘴𝘵𝘪𝘯 𝘣𝘶𝘵𝘭𝘦𝘳 𝘰𝘯 𝘵𝘩𝘦 𝘴𝘦𝘵 𝘰𝘧 "𝘵𝘩𝘦 𝘣𝘪𝘬𝘦𝘳𝘪𝘥𝘦𝘳𝘴"
𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘴 𝘣𝘺 𝘬𝘺𝘭𝘦 𝘬𝘢𝘱𝘭𝘢𝘯.
You're right, Lieutenant Macon. This is gonna be close. But it's not impossible.
bonus:
Will there be a final chapter of the age regression fic? I desperately want to know how it ends!
Hello darling! YES there definitely will be and I’m actively working on it, I’m SO sorry it’s taking me so long, things have been crazy for months and I’ve hardly been able to write any fic, trying to get back into it 🥹 thank you for the ask, I hope to reward you soon.
i love to have a hobby
my hobby is looking at two guys and saying Now whats all this then
who else just really really loves talking about gale and john from the show masters of the air
the rpf was there. it didn’t change anything. it didn’t save anyone. there were just too many forces against it. but it still matters that the rpf was there.
and it was fine.