South African cellist Abel Selaocoe is a versatile musician who is interested in exploring the capacity of the cello across genres, from col
Sade Olutola
RMH

Kiana Khansmith

Origami Around

if i look back, i am lost
YOU ARE THE REASON
let's talk about Bridgerton tea, my ask is open
Keni
PUT YOUR BEARD IN MY MOUTH
Not today Justin

titsay
Mike Driver
One Nice Bug Per Day
TVSTRANGERTHINGS
Three Goblin Art

祝日 / Permanent Vacation

blake kathryn
Aqua Utopia|海の底で記憶を紡ぐ

JBB: An Artblog!

izzy's playlists!
seen from United States
seen from Malaysia

seen from Spain
seen from United States

seen from United Kingdom

seen from Malaysia
seen from United Kingdom

seen from Hungary

seen from Malaysia

seen from Malaysia

seen from United States

seen from Italy

seen from Germany
seen from United States

seen from Italy
seen from India
seen from United States
seen from Türkiye
seen from Sweden

seen from Malaysia
@holy-atmosphere
South African cellist Abel Selaocoe is a versatile musician who is interested in exploring the capacity of the cello across genres, from col
hey did you know that uhh
i. the monster's body is a cultural body
ii. the monster always escapes
iii. the monster is the harbinger of category crisis
iv. the monster dwells at the gates of difference
v. the monster polices the borders of the possible
vi. fear of the monster is really a kind of desire
vii. the monster stands at the threshold… of becoming
oh shit i didn't expect this to actually get notes lmao
these are all direct quotes from jeffrey jerome cohen's "monster culture (seven theses)" (full pdf linked) i highly encourage you to read it yourself!
that said, while i think cohen's writing is evocative, it can be a little dense, so while i'm here, here's my capsule summary (you can also hear me talk about this in the first episode of my podcast) (listen to @ghostswerepeopletoo)
i. the monster's body is a cultural body - The monster is a work of fiction to be analyzed through tools of literary and sociological theory.
ii. the monster always escapes - As long as the cultural fear from which the monster stems persists, the monster will reappear in retellings, reimaginings, and sequels.
iii. the monster is the harbinger of category crisis - Monsters defy binaries and challenge easy comprehension or categorization.
iv. the monster dwells at the gates of difference - The monster represents the Other.
v. the monster polices the borders of the possible - Tales of the monster exist to discourage unacceptable or taboo behaviors.
vi. fear of the monster is really a kind of desire - Subjects can vicariously participate in the disruption of the social order through the monster.
vii. the monster stands at the threshold… of becoming - Within the monster we find information about the self.
She's finished 🖤✨️
Documenting what is quite possibly the best exchange I have ever seen on this website.
This website is a prison amd stuff like these are the bars of my cell.
they should give every weird gay person with a niche media interest $1,000,000,000 and a production company
Crying over these lesbian cats
Six Clown Birthday Candles
Jessica Bartram
New cast pics via Con's Insta
new Calypso’s Birthday behind the scenes pics
Alejandra Bogue por Joel-Peter Witkin
Same model, same photographer, 26 years later.
I drew this when I was very sad
Legendary voguer Willi Ninja wearing Mugler body piece in NYC | 1989 | ph: Chantal Regnault