I'm really into the Dracula 1992 vibe of this Lestat fit. I hope we get to see more of it.

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I'm really into the Dracula 1992 vibe of this Lestat fit. I hope we get to see more of it.
2.07 | 3.02
Crying. They made a bookshelf for the back of Sam Reid's pants.
i think this captures the defining pathology of the collective social media psyche right now. we are in the thrall of people who are wantonly cruel but who also demand to be coddled at all times in every way
ARRESTED DEVELOPMENT 3.01 – "The Cabin Show"
a hometown is a type of dead wife
the road OUT of hell is also paved with good intentions. That’s just kind of the main road we’ve got
https://vm.tiktok.com/ZTdQuxw52/
I think I found my new favorite rabbit hole. This voice actor does Shakespeare scenes in a southern accent and I need to see the whole damn play. Absolutely beautiful
if you're not from the us american south, there's some amazing nuances to this you may have missed. i can't really describe all of them, because i've lived here my whole life and a lot of the body language is sort of a native tongue thing. the body language is its own language, and i am not so great at teaching language. i do know i instinctively sucked on my lower teeth at the same time as he did, and when he scratched the side of his face, i was ready to take up fucking arms with him.
but y'all. the way he said "brutus is an honourable man" - each and every time it changed just a little. it was the full condemnation Shakespeare wanted it to be. it started off slightly mock sincere. barely trying to cover the sarcasm. by the end...it wasn't a threat, it was a promise.
christ, he's good.
the eliding of “you all” to “y’all” while still maintaining 2 syllables is a deliberate and brilliant act of violence. “bear with me” said exactly like i’ve heard it at every funeral. the choices of breaking and re-establishing of eye contact. the balance of rehearsed and improvised tone. A+++ get this man a hollywood contract.
I wanted to adapt one of my favorite scenes from the Iliad into a comic ✨ the dialogue borrows and takes direction/inspiration from various translations, although pacing, general flow of the words, and page space got the final say in what I ultimately ended up deciding to letter.
(Iliad, book 20, trans. fagles)
(same scene, trans. lattimore)
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New Secret Knots comic, "The River". I hope you like it!
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Carl Frederik Sørensen (Danish, 1818–1879), "Danish Ships in Rough Seas" (details), 1877
”potentially mature content” what the hell, sure
what if after job interview you catch a glimpse of the person’s notepad & see they wrote “things have learnt to walk that ought to crawl”
Lilac!
…lest i drop you in anger, and hate you as much as i now terribly love you.
people asking what myth this is from–it’s right from the iliad guys!! book 3, starting at line 395 (caroline alexander translation):
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meanwhile, aphrodite and paris:
Who the fuck is that thing tolling for
Never stop hating
gawain is a FUCKING menace. hes not even legally defined as a guy anymore like actuaries list him as a natural disaster. an act of god.
“how many coworkers did you kill this quarter” should NEVER be something your boss feels he has to ask but worse than that the answer should definitely not be eighteen!!!!