I also like the idea of showing something as a problem before itâs shown as a strength. Almost every character trait has two sides, and by showing the âbadâ side first, it sets things up to not only make sense, but to also be very satisfying.
a/n: inspired by @stormy-tenderheartâs delightful Jason Todd text posts and @lush-escape with their Jason Todd line cook story!
cw: flirting, usage of âsweetheart,â gn!reader (no description of clothing/features)
part two masterlist ao3 requests
PREVIEW:
âŚbecause they always come back around for more.
Jason Todd/Reader
You work in a run-down Gotham diner thatâs always got a distinct layer of grime and exhaustion laced around it. You work there because you want the paycheck, and because it helps put the meager food on the table. You donât quit because there's a coworker or two that makes break time bearable when they slide you a leftover plate that you can scarf down. Besides, the customers are always nice enough. Itâs just a job, after all.Â
You always take the late night, early morning shift hours because even in Gotham with all the creeps and weirdos that come out to play, they donât ever grace the doorstep of your diner. So you always rock up to a veritable ghost town, you yourself one of the spirits inhabiting the confines of these four walls until you can finally trudge to the bus stop and stare hollowly out the window.Â
Itâs been a long day, with tired, bleary-eyed customers. Part of you wonders if youâre only looking at a reflection of yourself when you see those glassy expressions staring back up at you as they make their orders, ask for refill on coffee, request a box to-go.
Youâre barely scraping by yourself, and your stomach grumbles right on time for your break. You ask for your fifteen and as you slink to the exit in the back, one of the cooks slides you a fresh, heavy delivery bag with the excuse âThey got the wrong order, didnât want it. All yours.âÂ
You catch the wink and respond in kind with a secretive smile for the small miracles that they do for you. As you tuck it under your arm, the radiant heat bathes your chest as you stalk to the back for your time. Youâre eager to see what some fool didnât want to getâthis may not be a Michelin, but they always deliver hot, greasy food the way that hits just right after a long day.Â
Your fifteen are always spent in the graces of a dark, dimly lit back alley where you can usually find your coworkers taking a smoke break, thin plumes ghosting up to the sky. Itâs a small, dingy haven where a word or two grousing over the customers or the slow night can be exchanged. But a quick glance to your right, out to the open alley, reveals that no one is there. You let the door swing quietly shut behind you, accepting the full weight as you ease it closed.Â
As you look to your left, you have to resist the urge to jump, because it turns out someone is there. Not just anyoneâyouâve only heard whispers of the urban legend of the imperious figure that crushes bone, rends flesh, takes brutality to an art form. Youâve only seen blurry pictures of that sleek red helmet, that impressive, dangerous form.Â
The very same form you are taking close inventory of, as you stand no more than a few feet from the Red Hood, who leans on the wall and stares down at you.Â
You find your mind blissfully blank as you ogle those whited-out lenses that are definitely looking your way, taking ken of your form, sliding down the bag. In your adrenaline-fueled mind, you think of one thing.Â
You hold out the bag, the folded-over end crumpled tightly in your fist. âWant to share?âÂ
The encroaching silence that seems to press over your shoulders makes you instantly regret it. Even more so when he turns to you, looming over you at full height that shows ample display of those broad shoulders, the raw power he bears. You swallow thickly and youâre certain that he can see it, see the frightened wonder in your eyes as you watch him.Â
When he speaks, his voice is low, husky. You might find it attractive if you werenât mentally running out of your mind right now, with that sharp lick of adrenaline coursing through you.Â
âDonât have anything to pay you back with, sweetheart.â He replies. Your arm is starting to hurt with the weight of the bag, but you donât retreat, donât return it back to yourself. Both of you, it seems, are interested in seeing how this plays out.Â
âAnythingâs better than eating alone.â You reply simply, and you donât see a change so much as feel it, layered tightly in the atmosphere that seems to shift around you. Seems to shift as he angles his head down at you, as though to better reckon the sight of the person that is offering to feed him, free of charge, for the night.Â
âI got a big appetite,â He says, almost like itâs a challenge. Almost like heâs not talking about just food.Â
âGood thing you came to the right place,â You say, because you are talking about the food. Or maybe, youâre not. Not like heâs interested, anyways.Â
His hand curls around the bag, the leather of his glove grazing against your skin, and you have to gulp down a shudder at the contact. When you release it, he takes it into the full of his arm, holding the bag you had to heft up with relative ease, uncurling the impression your palm worked into it.Â
Itâs a quick choiceâyou can read from the receipt that the dissatisfied customer left stapled behind to the bag that thereâs a veritable buffet in there. You can only watch as he snags a burger still wrapped in the paper, then goes for anotherâboth fit easily in the span of his long fingers.Â
Something in you would almost be amused if it wasnât for the fact that youâre willingly feeding one of the more brutal vigilantes that Gotham houses. And for the fact that you donât know if heâd take kindly to you finding something funny at him going for seconds. Big appetite, indeed.Â
He passes the bag back to you, satisfied with his choiceânot that you can tell anything that heâs thinking or feeling under that imperious mask. It feels light as air in your arms.Â
âThanks for the food. Guess I owe you one.â He says, and it takes a moment for your mental wiring to catch up and word a response.Â
âNo worries,â You say, letting a touch of sarcasm bleed through as you tack on, âAnything to help out a man in the force.â  Â
Thereâs a rough noise that escapes him, that you realize is a chuckle. He plateaus his shoulders at the movement, a crude show of power that seems to awaken something primal in you.Â
And something signals that even though youâve only touched a fraction of your break, you should go back inside.Â
âUm, nice seeing you.â You say, because this is all you can think to sayâthough youâre certain youâll stay awake, staring silently at the ceiling for days after this, cringing. âHave a good night, Mr. Red Hood.âÂ
âYou too, sweetheart,â He returns, clearly amused. You have to wet your lips as he says sweetheart, and the thoughts that it inspires.Â
This seems an opportune moment to leave, and so you do. Though, of course, not without taking a final backwards glance over your shoulder at the massive figure that seems to descend into the darkness of the alleyway without a second thought. And, of course, with your gift.Â
When the door closes behind you, the fluorescent lights washing over you like a baptism, you donât fight the stunned laugh that escapes you, the incredulous smile on your face. Sometimes Gotham really does give you the oddest momentsâyou feel as though youâre wide awake and ready to tackle the rest of your shift, no problem.Â
âGood break?â Your coworker asks from the other side of the counter as you walk back, sliding the bag their way. You realize that youâre still smiling.Â
âYeah,â You grin, âSomething like that.âÂ
Itâs only a one-time thing, after all. Most people have a run-in with the Bat or his gaggle of birds that flock to him. Most people have even been saved by the Red Hood, even though that list is far and few in-between. This was only yours; something nice to talk about one day after youâve gotten over the high of the experience.Â
Something nice, you think as you take that sleepy-eyed bus ride home, To think about tomorrow on your break.
Except for the fact that heâs there again when you open the door the next day.Â
need That character absolutely delirious with fear. recoiling from everything. unable to parse what's happening around them, their mind stuck in fight or flight. shaking and hyperventilating. completely unconsolable even as they're wrapped in a crushing hug.
love when a character is a scientist and their speciality is science and they do science in a science lab. no specifics no clear goals no clue where their funding comes from. dont even worry about it. science.