Jennifer's Body (2009) Obsession (2026)

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@horrorhellhearts
Jennifer's Body (2009) Obsession (2026)
Monsters aren’t born; they’re made.
Sophie Thatcher behind the scenes of her photoshoot for PLICO Magazine.
Sophie Thatcher at the 79th Cannes Film Festival for 'Her Private Hell' ph. by lucasaymard
Coven
Asylum
Sophie Thatcher at the 79th Cannes Film Festival for 'Her Private Hell' ph. by lucasaymard
Sophie Thatcher, my beloved
Sophie Thatcher photographed by Julian Ungano for the Cannes 2026 portfolio.
Especially as a public figure, you have to [share political and sociopolitical content on Instagram]. It’s the least you can fucking do. When people say that acting isn’t political, I’m like, that’s the most— I have nothing to lose. I would fire them [for saying she can't post those things]. I’m in a position where I have all these young followers, so everything I post makes a difference. I see them resharing it too, and I’m like, “Good”… All my family is quite political. My mom told me that if I went to the Met, she would lose respect for me. I was like, “Hell yeah, we have our morals.”
SOPHIE THATCHER for CULTURED Magazine
"We played with this idea of, is she fully seeing through her own eyes what's happening and doesn't feel in control, or if it's kind of like teleportation where every time that she pops back in, it's from the moment that she popped back in before, which is why whenever she's in the house, she comes out and she's like, 'Wait, where am I?’ So we played with both of them, and now that I've watched the film back, I think that she does both. I think that in the very beginning, whenever she doesn't understand what's going on, she's teleporting, and once she realizes what's going on, Nikki’s a fighter, and so her urge to fight the wish just gets bigger and bigger and bigger, and that’s why she has the grief at the end, because she's watched it happen. She's felt it. She has to deal with it. It wasn't her fault. Her life has completely changed. And she just lets it all go." — Inde Navarrette (x)
All it takes to make good horror is to make men feel for a fraction of a second the fear that women feel their whole lives
"Have you seen Jennifer's Body?"
Yes, I have, actually. But, have you heard her heart? Seen her soul??
Psh, doubtful.
I have and both are covered in blood
Heretic (2024) dir. Scott Beck & Bryan Woods
SOPHIE THATCHER as IRIS COMPANION (2025)
SOPHIE THATCHER during the standing ovation for 'HER PRIVATE HELL' 79th Cannes Film Festival
It’s more than me