A daily game that challenges our understanding of human cultures. Ten objects. 5,000 years of human history. Guess where and when each artif
An interesting game where you are presented with 10 artifacts from the MET. You have to place where the artifact is from and what time period it is from. Each artifact scores up to 10,000 points, and you lose points the further away your guess is and how far off in time you are. You can only play once a day. Thanks to @baebeylik for showing this to me.
Today I scored really well. Yesterday ... not so much.
Anthropeum.com · Jun 8 2026
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People in a group that benefit from oppression are not inherently oppressors
You only become an oppressor when you act on that oppression yourself, not when you passively share an identity
Cishet Steve isn't my oppressor because he's cishet, he's my oppressor because he's standing on my yard telling me all faggots go to hell and firing his gun 27 times
And even though he shares an exact identity with Cishet Nathan, Cishet Nathan is my ally because he took out his gun and told Cishet Steve to fuck off. While Cishet Nathan may benefit from not being queer, he isn't my oppressor because he's using the little power he has to help my situation
Furthermore, if Gaytrans Lucas stood on my yard and did the exact same thing Cishet Steve did, he would be my oppressor because he aligned himself with my oppressor. Even though Gaytrans Lucas gets nothing out of being my oppressor, he has still decided to do oppressive acts
If Cishet Nathan told Gaytrans Lucas to fuck off, it wouldn't be queerphobic because Gaytrans Lucas is himself being queerphobic to me
ever wandered around in an open world video game and noticed there are no children? no elderly people? no fat people? no one using a wheelchair? no one with a guide dog? this is supposed to feel like a living world and there's so much of life that's just not there
I explain that often times women and girls are excluded from stories in favor of a predominantly male cast because the author doesn’t value female narrative contributions nor considers them worthy of character development in their own rights independent of the men, so the result isn’t uplifting male relationships with romantic intentions, but simply sexist writing in its most basic form.
staring at the dessert menu and twirling my hair and going "should I be baaaaddd" until the autistic girl I'm eating with says "there is nothing bad about eating dessert. it is a morally neutral action"
COMPOSURE [Medium: Success] - Something in him is about to break, *big time*.
EMPATHY - And it’s not going to be pretty, do something!
- DRAMA [Formidable] - Everything is fine!
- “Sure is.”
DRAMA [Formidable: Failure] - Surely he’s aware that he’s not the *only* person in the world who owns a Kineema?
YOU - “Is it really *yours*? I mean, plenty of people have their own Kineemas, right? Like working men, government offices, uh, firefighters I guess, maybe even animal control people? Exactly! A million different people who could’ve driven it into the uh…”
DRAMA - Pause, my liege! Ixnay on the Ineemakay!
YOU - “It could even be our *mysterious* joyrider!”
KIM KITSURAGI - Your frenzied babbling falls deaf to the lieutenant's ears. Instead, he approaches the broken vehicle, sunken in the ice. He moves with a caution and gentleness you haven’t seen him display before.
INLAND EMPIRE - It must be cold and lonely down there, in the icy water. Maybe he could sense its sorrow, calling to him…
PERCEPTION (SIGHT) [Easy: Success] - His hands, which are always stiffly placed behind his back, are trembling.
ENDURANCE - This is the shuffle of a tired, tired man.
HALF LIGHT - He’s going to do something drastic because of you. Oh god, terrible! You’re a terrible liar! You can’t look at this, you just can’t!
VOLITION [Formidable: Success] - It's not *you* who drove his kineema into the sea. You have plenty of faults, but this one is decidedly not yours.
KIM KITSURAGI - He kneels down with his head bowed, casting his face in shadow. He plants a hand on the ice to stabilize himself, squinting to get a better view of the motor carriage. “Detective, it says ‘57’ on it.”
YOU - Sweat drips down your brow, and you feel a terrible headache coming. “Maybe our joyrider has an affinity for that number?”
LOGIC - He's not stupid, he knows that it's not that.
KIM KITSURAGI - “57.”
YOU - “What about 57?”, you brace yourself.
KIM KITSURAGI - “Precinct 57.”
YOU - You wince. “Kim, look-”
KIM KITSURAGI - “When I woke up in the Whirling-in-Rags with no memory of what happened during the days before, I've taken note that something of mine has gone missing.” He grits his teeth. "A very. Important. Something."
He runs his hands over his face, messing his already unkempt hair in the process. Regret creeps up on his features. “God. Fuck. They’re going to fire me over this, they’re not going to hear me out.”
EMPATHY - Desperation settles in the lieutenant's tone. Sadly, you find yourself in agreement, even if you don’t want it to be the truth.
YOU - “People are more valuable than machines, Kim.”
KIM KITSURAGI - “Not people like me.” He rasps.
YOU - “…”
KIM KITSURAGI - Before you can say anything more, you fail to notice the lieutenant carefully walking onto the edge of the ice. He looks over the frigid water, a dizzying blue that mirrors and distorts his exhausted face back to him.
YOU - “Kim?”
KIM KITSURAGI - Seconds pass as he looks to be contemplating something. Out of nowhere, he casually takes another step where the ice ends and the sea begins. It happens all too quick for the lieutenant to even voice a call for help— if he even wanted to — his body plunging into the cold water before your eyes.
YOU - “KIM!!!!”
uhhh bonus stuff? sorry i have swap au brainworms pfttt
(im not sure what skills kim has at the moment so rn he only has narration as his inner monologue ok whoops, i would like to keep harry as the guy who thinks in dialogue trees so im still figuring it out pfttt)
also, this was done bc i wanted to expand on these old scribbles of mine, just like an idea, i just think that he'd be having an even worse time wheezes
big amatonormativity wants you to accept this as the norm but this is not how it has to be. we can push for consistent characterization in expressions of connection and affection. those characters could just kiss and not declare their undying love about it
reading this post back and realizing that i didn't get to my real point which is that maybe those guys shouldn't say that they're in love at all. i want you to look me in the eyes and tell me that you earnestly believe those guys would say "i love you". it doesn't have to be this way
Nothing to see here :) (lying) @hotboi-studios - Tumblr Blog | Tumgag
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