‘やるんか?やるんかっ!?’ (You gonna fight? You gonna fight!?) Needle felt art by Chachakinana, 2025
NEEDLE FELTING?????
Mike Driver

roma★

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RMH
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Product Placement
🩵 avery cochrane 🩵
will byers stan first human second
art blog(derogatory)
almost home

@theartofmadeline
PUT YOUR BEARD IN MY MOUTH
Three Goblin Art

if i look back, i am lost
macklin celebrini has autism
noise dept.

#extradirty

ellievsbear
"I'm Dorothy Gale from Kansas"

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@hoziershusband
‘やるんか?やるんかっ!?’ (You gonna fight? You gonna fight!?) Needle felt art by Chachakinana, 2025
NEEDLE FELTING?????
I feel like contouring is lowkey racist
Is this a joke?
Noo lol I knew I’d regret phrasing it that way. This is tumblr, after all…
It’s not “people who contour are themselves automatically racist” but that the desired face shape created by contouring is one that, at the end of the day, pretty much reflects existing white standards of beauty. A thinner, pointier nose, smaller chin, high angled cheekbones and (on occasion) smaller lips. Also if you’re darker skinned you have to use a much lighter shade of foundation thus ending up with an overall lighter face.
I probably could have phrased that better.
No, you are absolutely correct. In fact it is not even lowkey in the performance arts/entertainment world. I’ve known how to contour since I was 9, because I was in ballet. I was taught by an older Asian dancer who told me that I was already darker than everyone else, my face couldn’t look different too. So she showed me the basics, then left me with a picture of a white person as the goal to emulate.
It’s always been explicit and intentionally racist in terms of what is considered correct contouring technique is to emulate white associated features. Which is not to say that contouring is bad, but it is good to ask ourselves why we do not contour to make our noses look wider and more distinguished. Or why we don’t shadow and highlight to make the face look perfectly round? While contouring is not bad ( and is actually very cool to literally be able to control the way people perceive your face, it’s like magic) it’s good to ask ourselves why we contour the way we do.
Elena Wuest (Kazakhstan/German b.1977), Lost in a Dream, 2026, Oil on canvas
Mermaid Secret (2019) by Michael Parkes (American, 1944 – present), bronze, custom & Florentine patina, 56 x 38 x 15cm / 22″x 15″x 6″
1963年 映画「越前竹人形」 若尾文子
1963 still from the film "Echizen Takeru Ningo" Wakao Fumiko
イエフォト // 本気のステージング!藤沢の戸建リノベーション // 神奈川県
37 views of Mt Fuji, Pierre-Elie de Pibrac
eepy mourning dove cupping its wings under its belly for cushion ©Ella
Brett Thomas Drive, Gary, West Virginia.
The Wave by William-Adolphe Bouguereau
bonsai tree house by takanori aiba
what if we all explode
This very production of Orpheus & Eurydice is now available to stream, free, for the month of June.
Miles Cleveland Goodwin, “Truth”
oil on panel, 2025
Sun and Moon Window Details - Cesky Krumlov
Greek Girls on the Shore (1895) by Joaquín Sorolla y Bastida (Spanish, 1863 – 1923), oil on canvas, 188.5 cm x 175.5 cm, Private Collection