bepbepjanktrash

i write and i draw and i do random shit pls

[calladraws101]

Mutual understanding

[radioapple-tradingcards]

RA TC List pt1

Radioapple TC Confirmed: Part 1

○Fiendish Fortune ○Wicked Shadow ○The Hitman Chronicles🔞 ○My Deer Nanny ○Witchcraft & Wizardry ○Hazbinvania ○Echoes of Eden ○Piercing AU 🔞 ○Fairy AU ○Theoxenia And more on the way!

📻WEBSITE 🍎FAQ

[notherpuppet]

Hazbin Human AU Masterpost

“My Deer Nanny” Radioapple Nanny AU Collection

• My Deer Nanny "Poster"

• First Concept/Meeting

• Alastor bumps into an old friend at the grocery store

• “Buckshot” (Injured Alastor/Dinner Party chapter): Part 1 | Part 2 | Part 3 | Part 4

• “Buckshot” Deleted scenes

• “Let’s Dance”: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Epilogue

• “Let’s Dance” Bonus illustrations/Alt scenes:

The club | Fight | Spy | The Moment After the kiss

• Huskerdust doodle

• Nanny Duties

• “Morning After”: Part 1 | Part 2 | Part 3 | Part 4

• Lucifer/Alastor/Vox sandwich

• Radioapple x TWICE doodle

• “Aftermath”: Part 1 | Part 2

• "Bises"

• "Tiny Dancer, Piano Man"

• "Merry Xmas!": Part 1 | Part 2 | Epilogue

• "Happy New Year!"

• “Sick Day”

• “Buck Naked”

• Beach Pun

• Shipping Chart

• “Mr. Morningstar”

• Day to Day

• “Bang For Your Buck” Part 1 | Part 2 | Part 3 | Part 4

Answered Questions about “My Deer Nanny”:

-What is Lucifer’s job? Where is the setting?

- How did Lucifer meet Angel?

-What are The Vees’ dynamic?

Other Human AU Depictions

• Alastor the Radio Man

• Vox Human Design

• Genderswap Luci & Al

• Radiohusk sketches

• Radiohusk hug

• Radioapple enemies

• Genderswap Al & Vox

*this post is subject to change if/when I make more Human AU posts, so be sure to return to the original post if you are so inclined to delve into the AU ☺️🫶🏽

[evesedenramblings]

Despite what Damon Maitsu wants to think, he has been incredibly trusting and kind throughout the Killing Game thus far. His actions contradict a lot of his own inner thoughts. Even though he is often rude he’s also rather kind, and that’s important to recognize since he wants to believe he’s so de-attached from everyone.

I think the first thing that comes to mind is the first trial’s Pathos route, where Damon decides to defend Diana based on his gut feeling despite all the clear evidence- or, trusting Diana’s character to be true over his own deductions. The second thing is when he realizes his trust of Eva is built on nothing. What both of these things have in common is how mad Damon is about it. Damon doesn’t want to defend Diana, he gets incredibly mad at himself when he realizes he’s sympathetic to her crying and wants to trust in her. The same goes for Eva, but his trust is lost instead. Damon gets angry when he realizes the only reason he trusted Eva was because he fell into the “Us vs Them” mentality, and he automatically grouped Eva in with himself, but Eva didn’t do the same thing. At the core of the issue, Damon is mad because without even realizing it, he is a hypocrite. He claims the students shouldn’t be able to so easily trust each other, then went and easily trusted just the same- and chose the worst person to acknowledge he trusted.

I say Damon acknowledges he trusted Eva because I think Damon trusts the other students more than he realizes. He is easily able to engage in Free Time Events with every student, except Grace. The fact there’s no Grace FTE’s, or to be Meta an exception to “hang out with your favourites!” rule, makes it feel in-character that Damon trusts the other students enough with his safety, but not Grace. Also, a lot of what happens in those FTE’s like Jean picking up Damon by his ankles has to mean they’re at least some sort of comfort with each other. The other students do seem comfortable with Damon, even the youngest student Toshiko knows she can call Damon a cutesy name like Mochi- he’s unhappy about it but ultimately does nothing. Ingrid asks him to help with the laundry and he agrees- grumbles about it later to himself but doesn’t actually protest to Ingrid’s face, and does his share. There’s also the fact that Damon doesn’t protest the roommate rule, and then how immediately comfortable he gets with said roommate. He even prefers to sleep in Kai’s room at a certain point, as sleeping alone in his own room makes him too anxious as opposed to sleeping along with someone else. For someone who claims to be untrusting, Damon spends a lot of time with other people one-on-one and in group settings, and being kind to them as well.

The only time I can think Damon doesn’t cooperate with the group is when Eva shows him the Tozu Equation and he says they should keep it secret. However, even then, Damon means *he and Eva* should keep it secret. He still means to work with Eva, as their own private team. He doesn’t go work on it on his own at any point, and asks her about it later if she had made any progress. When she says no, Damon assures her that he hadn’t expected her to with all the ongoing issues. He believes her at face value and doesn’t go to check on it, and was kind to her about the issue.

Still, there is an obvious elephant in the room: Damon is still an outsider. He’s not part of the group, there’s no equal exchange of first. The obvious solution, and one Damon comments on himself multiple times, is that he’s cooperating with them only to gain their trust, *not* because he trusts them. However, I think Damon is lying to himself, or is just unaware of how much trust he puts into his actions. For a comparison, I want us to look at Eva. Eva only spends time individually with Damon, who she “trusts”. Other than that, the only time we see her with others is to gather information or purposefully be seen while plotting her murder. We don’t have much insight on her rooming situation but Diana’s comments imply Eva was often absent from their room. Eva tends to lurk in the boiler room alone, specifically because nobody wants to go down there. She has no interest in her classmates and doesn’t trust any of them, and only takes interest in them when she needs them. Now this could just be a difference of strategy (Eva wanting to gain trust when the time was right, and Damon wanting to gain trust in advance) but frankly, it didn’t work. Damon spent more time cooperating with the class, and yet in the trial they hesitate to believe him over Eva based on his character. The only reason they choose to believe him is because they take a moment to reassess everything Damon has been saying, and draw a logical conclusion. Damon has still gained no real trust from their group, so what was the point of everything he’s done if it amounted to nothing?

Damon, whose situation is extremely close to Eva’s, is willing to share his living space with another person, to the point he shares the bed with them (his idea btw), not even swapping the bed every night. Eva feels more safe alone with her own mind and intelligence, but Damon has always reached out to other people for security. After Tozu threatened him, Damon went to Kai despite his belief Kai might kill him. When Wolfgang turned the group against him, Damon automatically latched onto the one other outcast, Eva without even realizing it. He’d already latched onto her from the moment they awoke in the boiler room together.

I definitely missed some stuff, like how Damon was the only one willing to grab Kai’s ring in the FTE- just say no if you don’t want to do it Damon. It’s going to be important to remember how kind he is in these earlier chapters since that kindness and trust he employed has now been thrown back in his own face and spit on (thanks Eva), so I’m not sure we’re ever going to see Damon be this unintentionally kind again.

[redvexillum]

"EPISODE 5 ISN'T A RAGATHA EPISO--"

So I just finished watching Episodes 4 and 5 of The Amazing Digital Circus for the third time because I’ve clearly given my life to this show and Gooseworx owns my soul. Genuinely, what phenomenal writing. I've seen mixed reception for episode five but I’m thrilled that the majority of the fandom can agree this episode was amazing. Because that means I can scream with all you FunnyBunny shippers and dedicated emotional wrecks alike.

Now. Let me get into why Episode 5 wasn’t just a Jax episode (though it very much was)—but why it was, at its core, Ragatha’s episode. This is gonna be long and laced with “am I overthinking this?” moments. Buckle up.

WHO IS RAGATHA?

When we first meet her in Episode One, she’s nice. Incredibly kind. Super peppy. But there's this teeny-tiny crack in that candy coating. She spirals, just a little, and we see a nervous, anxious edge slipping through her “positive vibes only” persona.

And that spiral? It’s not a one-time thing. It gets worse. The deeper you go into the series, the more you notice how her overbearing positivity feels less like optimism and more like a coping mechanism. A weaponized smile. She’s not just trying to cheer everyone up, she’s gaslighting herself into believing she has to be happy. She has to be likable. That it’s the only way she’ll be accepted.

And in the Digital Circus, where identity is shredded (like you forget your name for fuck's sakes) and everything’s performative? That’s not just sad...it’s devastating.

EPISODE 4: THE CRACKS BEGIN TO SHOW

Episode Four set the entire foundation. When Ragatha gets “stupid sauce” in her eyes and all her emotional filters drop, you finally see her. She stops curating how she’s perceived and just exists...and what comes out? She reminisces of her life (which gets confirmed in Episode 5). Gangle tries to warn her she might get hurt, and her response is almost eerie in how casually she brushes it off.

Sure, it could be a nod to Raggedy Ann and all that doll-abuse lore, but when you learn about Ragatha’s real past: abusive, narcissistic mother, high-society pressure cooker upbringing...that “hurt” starts feeling very literal. Maybe this line wasn’t just random doll humor. Maybe it’s a whisper of childhood trauma, manifesting through a false smile.

And then comes the Gloink Queen. The way Ragatha lights up at the idea of a mother who genuinely cherishes every single one of her hundreds of children? I fucking felt that. It wasn’t just admiration; it was longing. Desperation. Like she never got that kind of love growing up, so the concept itself is intoxicating. It’s this quiet heartbreak that adds a whole new layer to her need for approval.

She hates Jax. Let’s be real. He antagonizes her constantly, pushes every one of her buttons (he literally threw her in a goddamn vat of boiling oil for fucks sakes). But the part that wrecks me? She doesn’t want him to hate her. Not because she likes him, but because anyone disliking her is unbearable. Being disliked means she failed. Means she’s unworthy. Means she’s alone.

That’s why her facade, this grinning, chipper armour? It's everything. And the more we see of her, the more we understand that it’s crumbling.

I NEED YOU ALL TO LOCK THIS SCENE INTO YOUR BRAINS, OKAY? Because this exact emotional thread gets replayed like a broken record all throughout Episode Five. It’s not just a one-off moment, it’s the theme. The cast knows Ragatha’s cheer is fake. And honestly? It makes sense. They’ve been stuck together for who-knows-how-long, and you learn a lot about someone in that kind of nightmare.

But here’s the thing: when someone keeps pushing toxic positivity, constantly trying to “cheer you up” without actually listening, it doesn’t help. It hurts. It makes the person reaching out feel like they’re talking to a wall. Ragatha so badly wants people to open up to her, but she’s terrified of doing the same in return, and that’s where the entire disconnect lies. She’s hyper-aware of how she’s perceived. Her self-image is a prison. And at the core of it all?

Rejection.

Her biggest, ugliest, most soul-deep fear. Because rejection leads to isolation. And isolation? Leads straight back to the kind of loneliness she probably drowned in as a child.

Now, you're probably wondering: why am I still going off about Episode Four when I promised this was a breakdown of Episode Five?

Because Episode Four is the breadcrumb trail. It's the soft warning. The writer’s subtle little “hey, pay attention to her” moment. It’s the appetizer. It preps us, emotionally and narratively, for the main course of Episode Five, where Ragatha's carefully-constructed image begins to crack and we finally, finally, start to understand the full scope of her trauma.

Let’s address the big criticism real quick: a lot of people think this was a Jax-centric episode. And I get it. Jax got depth, growth, actual backstory. But here’s my take: Jax and Ragatha are each other’s foils.

One is warm, soft-spoken, always smiling, but secretly repressing everything real.

The other is brash, rude, antagonistic—but when he opens up? He’s real. He’s genuine.

They’ve been clashing since Episode One, and their dynamic works because they’re mirrors: distorted, but parallel.

Why was using Jax as Ragatha’s foil so brilliant? Because it does two huge things. First, it finally shows us Jax as a person instead of just telling us he’s a dick with a smile. But more importantly?

It amplifies Ragatha.

A foil, by definition, is a character who highlights the traits of another character by contrasting with them. And what better way to show Ragatha’s entire internal collapse than by placing her beside someone who, while difficult and abrasive, actually manages to connect with someone else?

Because as Jax grows closer to Pomni, the very connection Ragatha has been chasing since Day One, it throws Ragatha’s failures into painful high-def. She’s tried everything. She’s been kind, supportive, the “good friend.” And yet, it’s not her Pomni opens up to. It’s not her Pomni laughs with.

And that is why Episode Five is a Ragatha episode. Maybe not in the obvious, center-stage way. But in the subtle, devastating unraveling that plays out just beneath the surface.

Now, let’s talk receipts. I’ve got observations, breakdowns, and repeat viewings of Episodes Four and Five loaded and ready.

I don’t know if it was a deliberate artistic choice or just an organic part of the scene composition, but I can’t not point out how telling it is that the characters are all paired off: Jax and Pomni, Kinger with Zooble and Gangle, and yet Ragatha? She’s standing off in the distance. Alone. Isolated. Visibly excluded from every natural dynamic.

And I really want to believe that was purposeful. A quiet visual cue for us, the audience, to understand not just the social dynamics of the group, but how deeply disconnected Ragatha truly is from the others.

Honestly, I think this was the moment her carefully held-together mask started to split. The start of the spiral. Go back to the earlier episodes and you’ll start noticing it: Ragatha drops a lot of sharp, snarky comments. Some subtle. Some cutting. Whether intentional or not, those little moments are emotional leaks. She drops her filter more often around Jax, which makes sense, she hates him. She doesn’t bother hiding it. But the fact that her snark surfaces at all tells us something: the mask is slipping.

Think about Episode One, when Ragatha spirals, it’s visceral. It’s raw and disturbing in a way the others’ breakdowns just… aren’t. Why? Because for Ragatha, cracking isn’t just about stress or fear. It’s about exposing something she’s worked so hard to hide: her real, “ugly,” human feelings. She’s repressed them for so long, forced herself to smile through it all, because she believes that if she isn’t likable, if she isn’t “good,” she’ll be abandoned.

And now? That bottle’s starting to shake.

I'll circle back to this moment when I dive into the bar scene later (because oof—there’s so much there), but let’s keep things chronological for now.

Right after Ragatha leaves, Jax drops a line on Pomni: “[She] is taking advantage of you.” And it hits especially hard because just before that, Gangle told Pomni she didn’t think Ragatha was genuine. That? That’s when the discomfort surrounding Ragatha starts to really take shape.

Here’s why I think that hit a nerve with the rest of the cast.

They are all constantly fighting for their sanity. For their identities. They’re trapped in this surreal, terrifying digital purgatory where reality is questionable at best and all they’ve got are each other. That’s it. Just a bunch of strangers trying not to fall apart or, worse, abstract.

And when you're in that space? Vulnerability becomes everything. And it’s risky.

Being vulnerable to the wrong person, someone who doesn’t reciprocate, or worse, uses your openness against you is traumatic. It teaches you to close up. To withdraw.

To stop trying.

Now imagine reaching out to someone like Ragatha, who seems supportive on the surface, who says the right things, but there’s a disconnect. You don’t feel like you’re being seen. You don’t feel safe. You don’t feel like you’re talking to someone who’s willing to meet you in the mess.

And when that happens? Of course they gravitate elsewhere. Of course they pair off, find comfort in each other, and leave her on the fringes.

What hurts the most, though, is this: Ragatha wants connection. She’s starving for it. But she doesn’t know how to give it back in a way that feels real. She’s so wrapped up in being “the nice one,” the peacemaker, the cheerful glue of the group, that she can’t drop the act—even when it’s pushing people away. Even when it’s exactly what’s isolating her.

She wants to be close. She just doesn’t know how to be vulnerable.

Now, the biggest lore drop of Ragatha's past, let's break this down:

Throughout the entire series so far, Ragatha always speaks with this carefully curated tone: gentle, friendly, overly polite. But every time she gets a moment alone to monologue? It always derails. Every time. Her words unravel, her tone falters, and what starts as “everything’s fine” ends with something much darker, much sadder.

And this scene? God. This one hurt. Because when she starts talking about her mother, it stops feeling like just another breakdown. It feels like the core of her trauma is being yanked out into the open. She’s clearly an adult. Had a life. A career. Probably responsibilities and routines. And yet, that wound from her mother is still festering: deep, raw, and most importantly?

Completely unresolved.

This is where you see her coping mechanisms in full force. Ragatha has this heartbreaking tendency to downplay her own pain. She’ll smile through it, make a light comment, move on like it doesn’t ache. But it does. And that habit? It sabotages her ability to connect with people in a real, vulnerable way. Because how can someone share mutual pain with you if you never admit to having any? If you can’t even be real with yourself?

Remember when she confessed she hates Jax, but she doesn’t want Jax to hate her? That moment says everything. That desperate need to be liked, even by someone who openly antagonizes her, speaks volumes about her internal wiring. She’s terrified of rejection. Of being disliked. Of being seen as not enough.

And this scene, to me, is one of the most heartbreaking moments in the show. Ragatha is caught in this awful limbo: she wants connection, deeply. She wants friendship, understanding, belonging. But the second she senses discomfort, awkwardness, even the slightest ripple of tension, she backpedals. She shrinks. She brushes it off with a laugh or a sugar-coated phrase. And that’s exactly why the others can’t reach her.

She’s surrounded by people and still completely alone.

This scene also confirms what we’ve suspected all along: her mother had impossibly high standards. That nothing Ragatha did was ever good enough. That she had to perform perfection just to maybe receive love. It was a transaction. "Be the perfect little girl, the perfect daughter, the perfect doll, and maybe, just maybe, you’ll earn affection."

So of course she acts like this now. Of course she wraps herself in forced smiles and gentle words. Because somewhere deep down, she still believes that if she slips, if she messes up, if she shows anything “ugly”...then no one will love her.

Jax was a grade A asshole for this one. No sugarcoating it. He knew how badly Ragatha wanted to be Pomni’s friend. He’s not clueless. So when he swooped in and started getting close to her? Of course it triggered Ragatha. You could practically see her flinch.

And that sting? It echoes through the rest of the episode five from that point onwards. Especially when they get to the ball game scene.

That was the moment Ragatha finally let some of that bottled-up frustration out. She flat-out called Jax out, asking why he was trying to influence Pomni into acting like some careless, insensitive jerk. And yeah, on the surface it seems like just another clash between the two of them, but if you look a little closer (and maybe I’m reaching this), there’s something deeper going on.

From earlier episodes, we’ve seen Ragatha has this habit of telling Pomni how she should feel. She does it in this oddly motherly tone, like she’s trying to guide her, but in a way that almost infantilizes her. In Episode Two, in the candy kingdom bit, Ragatha starts talking to Pomni like she’s a child and Pomni immediately shuts it down: “I’m not a kid.”

That wasn’t just sass.

That was a boundary.

And it clicked for me: Ragatha might be echoing her mother’s behavior here. That condescending tone disguised as “help.” The “cheer up, it’s not that bad” mindset. The insistence that things should be okay, instead of just lettingpeople feel. Maybe that’s all she ever knew. And now, she’s unknowingly replicating it.

So when she follows Pomni’s advice to “try being a jerk sometimes,” and it backfires, when Pomni looks at her, clearly uncomfortable, it hits Ragatha like a rock. That same feeling of rejection, all over again.

And did anyone else notice the glitch when she apologized? Because I sure as hell did. It was subtle, but holy fuck, please don't be the next abstraction!

Then came the "Pomni Saves the Day (Almost)" scene, when it’s her turn to bat. She asks Ragatha if she wants to take her place, to "redeem" herself from her earlier miss. And for just a second, Ragatha lights up. It’s this tiny flicker of hope. Maybe this is her chance. Maybe she can fix things.

Maybe she’s needed.

But then… the game was already over and they won before she had a chance to bat because their evil version is basically KO'd. She turns to Pomni and sees them.

Pomni and Jax. Laughing. Close. Connected.

And suddenly that hope? It deflates.

Just like in the stargazing scene, we get this physical distance motif again. Ragatha is always just far enough to see the connection—but never be part of it. And in that moment, you can see it on her face, this quiet, confused heartbreak. The kind of grief that doesn’t explode...it just sinks in. Like she’s trying to understand why her kindness, her effort, her presence was never enough. Why being “nice” only pushed Pomni further away.

That expression she gives, caught somewhere between confusion, disappointment, and slowly-processed loss? God, that got me. It wrecked me. Because in that moment, she’s not angry. She’s not dramatic.

She’s just... alone.

And then finally… the nail in the coffin. The moment where the silent divide between Pomni and Ragatha becomes undeniable. The moment the entire show has been quietly building toward since Episode One.

Ragatha, who has tried so hard to make Pomni smile. To be her rock. To forge a connection. She wants that closeness. She craves that intimacy. But instead, she watches as Pomni laughs, genuinely, mind you, and effortlessly at Jax’s antics. And the second Pomni notices Ragatha looking? Her smile drops. Instantly. That joy disappears, replaced by awkwardness, tension, that same guarded expression we’ve seen before.

And it says everything.

Pomni can’t be herself around Ragatha. She doesn’t feel safe doing so. She might think Ragatha is a “nice enough” person… but that’s it. That’s where the connection ends. She doesn’t let her guard down. Doesn’t let Ragatha in. Because Ragatha, in all her curated cheer, never really opens up either.

And then the show drives it home with brutal elegance: the group starts to drift off, one by one, naturally falling into their new little dynamics. And Ragatha? Left standing in the middle. Alone. Forgotten. No one turns to her. No one invites her. She’s just there.

For all the time she’s spent in the Digital Circus, Pomni managed to connect with everyone else. Even Jax. And that, right there, is pure devastation for me.

Because all Ragatha has ever known is people-pleasing. That’s how she survives. That’s what she was taught. Be the sunshine, be the good girl, be agreeable and comforting and helpful then you’ll be loved. Then you’ll be safe. But what happens when that mask doesn’t work? When it actually pushes people away instead of bringing them in?

She doesn’t know how to express her loneliness. She doesn’t know how to say, “I’m hurting too.” Because that’s not what was modeled for her. That’s not what her mother taught her.

And this...this right fucking here is why Gooseworx was so right when they said this was a Ragatha episode.

Because Ragatha’s character flaws, the heart of her tragedy, are brought into the light not by spotlighting her, but by quietly contrasting her with a pair of characters we never expected to bond: Jax and Pomni.

From the start, we’re fed this narrative: Jax is an asshole. He teases Pomni. He’s rude, smug, abrasive. And yet… Pomni starts to soften around him. She connects. She even laughs. And you start to wonder...why is he getting through to her when Ragatha can’t?

Because Jax, in his own messed-up way, gets real. He opens up. He admits things. He’s emotionally messy, but it’s genuine. And that rawness, that honesty, is something Ragatha can’t allow herself to show. So while Jax slowly reveals the depth beneath his snark, Ragatha clings to her role: the always-smiling, ever-positive comfort character.

And that contrast? It’s heartbreaking.

You see it at the very end. How alone she is. And the cruel twist? She’s probably the one who needs connection the most. But she’s so stuck in her pattern, so locked in that internalized belief that she has to perform to be loved, that she ends up isolating herself even further.

I can’t stop thinking about this: Ragatha feels like someone who’s spent her entire life just close enough to be seen, but never close enough to be reached. She’s the background character in her own life: present, smiling, helpful… and utterly alone.

And maybe the reason so many people felt like this episode was more about Jax than Ragatha is because we’re supposed to feel her slipping into the background. Just like the cast is starting to overlook her, we as the audience are starting to, too.

That slow fade?

It’s intentional.

Thank you for coming to my rant. I never done a character analysis before, but I just fucking love this series so much.

[krowtesque]

1/2

[thefox-i]

Headcanon that Hajime is a big trivia nerd. Does he know how to play an intrument? no. Does he know when Mozart wrote his final symphony? 1788 of course.

I think making this comic made me a Komahinanami shipper. I just think they are neat :)

[your-dear-memmy]

I rewatched drv3 and I want to say that I don't dislike Saiouma nor Shuichi at all, -quite the opposite, really!!- but I hate that the basis for it seems to be the mistranslation of Kokichi deeming Shuichi "trustworthy" when in the og game he labels him with "stay catious", which is the OPPOSITE of trustworthy.

Of course he'd be suspicious of a detective being put into a murder mystery killing game, he thought Shuichi was the mastermind! It's such a turn off whenever the "trustworthy" thing is mentioned in fics because it doesn't make any sense: It's not like they had many positive interactions together that would justify Shuichi somehow being trustworthy- at best there's the time Shuichi bandaged Kokichi's finger (basing it all on that would be too emotion driven for someone as logical as Kokichi), at worst there's when Shuichi left Kokichi's concussed ahh to wobble off screen.

(Unrelated, but why do people write Kokichi SOLELY thinking of Shuichi on his deathbed, rather than DICE? He knows DICE isn't real but in his mind that's his family and always has been. People idly mention Gonta too occasionally, but aside from the guilt of getting him killed, Kokichi would think of Gonta more, bc they were actually friends and were often seen hanging out.)

Also the way Kokichi's arc ends with Shuichi deciding there was nothing to Kokichi but lies hurt sm like WDYM? Kaito may have omitted some things, but he still spelled the answer out for you, detective. (He figures it out later when going into Kokichi's room though so it's not a big deal but STILL💔💔)

I just wish saiouma fics weren't so centered on, well... A lie. There's still plenty of ways to develop them together, even without the trustworthy label! I like their ship, to an extent, and I believe it can be done well while staying true to the og game, but so many things about them seem to be taken at face value rather than truly analyzed. Their dynamic would be more interesting if it stayed true to them, and if both of their flaws were acknowledged, as well as the mind games there could be with Kokichi suspecting Shuichi.

Crazy how the localization also fucked up Kokichi's relationship with Kaito (for example, in ch 2 in the og Kaito tells Maki to let Kokichi go or he'll die, while in the english ver he tells her to let him go or she'll die; end of ch 5, og Kaito says "He was a liar to the core", rather than "he was a lying sack of shit" ) and Gonta (in the og it was more clear Gonta and Kokichi were scheming together in ch2, and that Gonta knew about the true purpose of the insect meet and greet; in general, Gonta is portayed in the english ver as a dumb caveman and I wish people wrote him by just making him talk formally but in the third person like he does in japanese, because it takes away from his character- and, by extension, Kokichi's)

I've read SO much fanfiction in this fandom, and the probability of me finding something that addresses the canon dynamics rather than the localization ones is lower than the chance of a meteorite coming to kill me on my birthday. What a shame.

I still love most things this fandom makes, so I guess this -the trustworthy thing- is just a pet peeve of mine.

[rosieyart]

okay, by popular demand (and by popular demand, i mean 3 people and my inability to keep my mouth shut) i am here with my saiou/ousai relationship + mini character analysis. this is an elaboration on this ask i got earlier !!

i should mention that i’ve only ever played through v3 once, so there is probably a lot i am missing, nuance wise and what not. i also haven’t edited this well, so it’s kinda just a word dump (sorry), so i’m not sure how understandable/coherent it’ll be. nor do i know how original my ideas are; there’s probably someone who’s dumped their opinions exactly like mine somewhere… in any case, here is my conclusion on why i think saiou is a rather intriguing ship and why i’m personally drawn to them, individually n otherwise ✌️

ouma kokichi. god what a complex character. some might argue otherwise, but i think his character and his arc throughout the game is not only hard to crack/understand, but integral to the v3 plot and overarching themes presented. well never truly know what he was thinking, and so many have already fought tooth and nail to defend or oppose him. in my humble opinion, however, the way i see it is this: ouma’s overall goal was to unite everyone against an active, obvious threat in the killing game. the mastermind was hidden amongst them, as they decided found out on, and by outing himself as the mastermind, making himself a clear and obvious target, it encouraged the remaining survivors to build trust within one another and fight together. kokichi realized very early on that no one was going to trust anyone as long as there was a hidden mastermind posing as a student within their group. he knew they weren’t going to get anywhere if they kept doubting each other — so in a very unorthodox way, he united them together. they didn’t need a friend, he realized, they needed an enemy. and by default, he sort of becomes shuichi’s nemesis as most antagonists in the games do.

i was on tiktok the other day and found this comment that i thought made a good point, regarding kokichi’s character and why people hate him.

though i am biased, i think it’s fair to say that in a world without the killing game, kokichi would want to be friends with shuichi. or at the very least, he’d be intrigued by him and push shuichi’s buttons to figure him out. i think it’s funny and such a nice detail to notice, but just as shuichi (and us, by default) are confused about kokichi and his actions, shuichi himself is actually a mystery to ouma as well. in the eng version, kokichi had shuichi labeled “trustworthy?” on his whiteboard meanwhile in the jp version, it’s “tricky/can’t figure him out.” in both versions regardless of translation, i think it’s fair to say that kokichi is intrigued and wants to understand shuichi better. one part of their dynamic i really love is the whole “i’m gonna annoy because it’s so fun and you react to said annoyances in ways i thoroughly enjoy.” and it’s fun, and silly, but i think it’s also kokichi’s way of figuring shuichi out. shuichi is… an anomaly. he’s an ultimate detective who’s supposed to search for the truth, yet he is ironically afraid of what he’ll find out. he has a knack for discovering and unearthing mysteries (he can’t help but connect two dots together) and yet he simultaneously is hesitant to discover more. he wants to find the truth, but is willing to tell lies in the classroom trials. this is a really fun juxtaposition with kokichi, who is notorious for telling lies and skirting around the truth like it’s the plague. and yet, they both want the same thing: to find out the truth and be done with this killing game. one is searching for the liars within their group, the other is finding out the truths.

this is one reason why i really enjoy saiou. one of the biggest themes for drv3 is the relationship between truths and lies. there’s the overarching “truth” of their world which is that it’s gone to hellfire and everyone but them are dead. the world ended. except, nope! that’s a lie! the *real* truth is that they’re in a killing game show. kokichi is known for telling lies, and so when he reveals the fire destroyed world outside and says that this is the truth out of the outside world, it’s ironic. kokichi knows there’s something else up, but he reveals the truth of the outside world to them (this, from what i understand/theorize, is ultimately to further everyone’s hatred towards ouma and help them form a close and trusting bond together, but the symbolism behind it is really interesting to me). “here is your truth,” he says, and they can’t dispute it as a lie because it’s right there in front of them. just like they couldn’t dispute gonta in the fourth trial.

except… what *really* defines truth? kokichi must’ve known the outside world was a lie, or that there was something more to it, otherwise why did he go through with his suicide in chap 5? to beat a dead horse: he tells a lie about the “truth” that is the outside world. we circle back to this lie vs truth theme in chapter six when shuichi starts questioning his sense of self. what is really true if he used to be someone else? if his memories and experiences are fake, does that make himself a fake human? a fake person? ultimately we come to know that it doesn’t matter — *he* gets to choose his own truth, even if there are lies buried beneath them. his memories may be fake, but his emotions and feelings aren’t. you cant fake the beating of your own heart or the pain you feel at knowing it’s all unreal, that it’s all a *lie*.

one thing i just thought was so so clever and genuinely helped me understand kokichi more was his friendship reward. for every friendship star completion thingy you complete, you get their underwear (💀) and a special skill to use in the trials. kokichi’s friendship reward is “kind lie.” he has a multitude of lies under his belt — real ones, hurtful ones, white ones, and ofc kind ones. you could argue his plan to deceive everyone as the mastermind was both a hurtful lie and a kind lie — he was ultimately lying for the greater good (imo). shuichi, despite being afraid of the truth, has no problem lying for the greater good either. i was so confused about the whole “perjury” aspect added to this game. i thought it was just another lame addition that didn’t make sense as a means of attempting to change it up a little in comparison to the last two games. but now i understand it’s greater purpose. lying is ultimately not a bad thing. not always, anyway. lying, as we find out, can help us pursue the truth. and i think kokichi knows this to be true in some ways, which is why he’s always acting so oblivious and naive at some times — or outright lying when he knows the truth is the opposite of what he’s saying. without a doubt, kokichi seriously helped move debates along during the trials. pretty sure whether you hate him or love him, people could agree to that. even if he appeared to be spouting nonsense or derailing the conversation, shuichi being the detective he is was able to slowly but surely understand (if only somewhat minimally) kokichi’s methods and thinking process. which is why chap 5 was so wild because it quite literally was all up to shuichi. kokichi single handedly put his trust into kaito to follow through with the plan, and shuichi to figure it out; NO ONE ELSE would’ve been able to figure it out except shuichi (except maybe maki but she was too stubborn to see thru to the truth). and that is like. holy shit??? that’s crazy to me and i think it shows that despite not trusting anyone and not knowing how it was going to turn out, kokichi took that gamble anyway. and it worked! except yknow. it also didn’t, in a way. all in all, the lying aspect of the trail grounds ties into the bigger overarching theme of choosing your own truth to live, and choosing what lies to believe in — good or bad.

side note: i think it’s so funny how mad kokichi gets when shuichi lies about seeing him in the virtual world in chapter four. had shuichi not lied, we wouldn’t have figured out it was gonta (or more likely, kokichi would’ve spoon fed the answer to everyone a bit more). gonta wasn’t supposed to have memory loss, and i have to wonder if not lying about kokichi would’ve made the trial go along if gonta still had his memories from the virtual world. in any case, when shuichi pulled the “yeah i actually did see you walk up the stairs” — the fact he LIED (mr “i’m searching for the truth so we can live and find the culprit” detective) to notorious king of liars ouma kokichi was so funny to me. like girl. ofc kokichi’s gonna realize you lied. and he did and he got so fucking mad over it and kokichi being petty like that and just saying “yeah okay gonta’s the culprit” is so funny to me. bro was LIVID he decided to just up and say the truth to be petty 😭

moving on, i think the big three characters juxtaposed with shuichi is something to note. those three being kaede, kaito, and kokichi. mayyyybe i’m looking a bit too much into this but i want to mention their relationship with shuichi and their character designs because it feels very intentional to me. a while back i discovered shuichi and kokichi have inverted color palettes — black with light accents vs white with dark accents. grey-ish yellow vs purple eyes. but the eye color inversion also actually applies to kaito and kaede, who, just like kokichi, have purple eyes. here is my argument: purple is an important color to the story, as it overall conveys a symbolism for trust and truth. if you look at those three’s color palettes, purple is a notable color. for kaito, it’s dominating. kaede, she’s a bit more desaturated, and kokichi it’s like his accent color. barely there, but noticeable nonetheless.

kaede is our first culprit (except she isn’t since her plan failed). she is trusting and sweet and kind and encouraging. she is desperate, *desperate* to find the mastermind first thing because she is heavily determined to help everyone escape. her color palette is a mix of purple and pink, with pink being more prominent and her purple being a more lavender shade. she’s desaturated in color, especially in her eyes, and i want to say this is likely symbolic of her desire to find the truth, yet her willingness to deceive others simultaneously. she’s not a bad person, far from it, but when she “kills” rantarou, she doesn’t own up to it immediately. she owns up to it eventually, but she also doesn’t take advantage of the first blood perk as a means of further trying to find the mastermind. she is willing to lie about her plan to shuichi (even if it’s lie by deception/not telling) and willing to take a risk to find and kill the mastermind. this, i believe, is why her eyes are so desaturated in purple; she is telling the truth, but it’s watered down.

kaito is almost the complete opposite of kokichi, but also not exactly the same as kaede. out of the three, he has the brightest purple eyes and the most purple on his body. he is a living, breathing, walking example of trust and truth. he wants to find the truth so badly and would never even THINK to tell a lie. would never even consider murder, even if it was the mastermind. his hair is purple, his jacket is purple, and his eyes are purple as all hell. purple, in my opinion, is a huge color resembling truth and trust. he *trusts* maki just because he wants to. he *trusts* shuichi just because he wants to. he wants to believe in them because he wants to find the good in everyone. his trust in them help bolster shuichi into a better mindset, especially after kaede, and encourages him to keep going. kaito might not be the brightest, nor the most helpful in the trials, but emotionally he is vital to shuichi. because he *trusts* shuichi.

kokichi has the least amount of purple in his color palette, but i think his purple accents are the most important out of all of the purple trio. if purple is the color of truth and trust, then having that color reflected on kokichi almost seems ironic and misinforming. except it isn’t. ouma kokichi, the notorious king of lies, is actually quite good at leading everyone towards the truth. the only purple on him is in the dyed tips if his hair and his eyes— almost like the truth his bleeding out of him, or rather just barely visible that you can’t make it out unless you focus hard enough. after all, at first glance i imagine everyone would take in the checkered scarf and the fact black and white is so prominent on him. i think it’s symbolic to have purple as his eye color. it’s a nice character design aspect imo, but it also harkens back to that one saying “the eyes are the window to the soul” or something long that line. despite what kokichi might say or do, the truth is in his eyes (literally). it’s silent and unassuming, but it’s there. his eyes are actually a brighter and darker purple than kaede’s. not as bright as kaito’s, but still something to note.

with all this being said, shuichi gets a difference sense of truth and trust from each of them. kaede provides him an equal dose of truths and lies, kaito gives him absolute truth, and kokichi gives him almost all lies to find the truth.

and i really, *really* love the dynamic between shuichi and kokichi with this whole truth vs lie theme. kokichi, as we learn in his free time events, loves to play games. he’s a bit childish but still extremely mature. his way of having fun is messing with people (though not necessarily in a mean way. after all, he makes the stakes extremely high and concerning, like killing yourself if you lose — but he still purposefully rigs each game so they end in a tie, or with shuichi winning. hell, he STABS himself, hurts himself, in the knife game that is in the final FTE and holy shit if that isn’t foreshadowing for chapter five idk what is. he is willing to hurt himself to avoid others getting hurt. obviously this can get more complicated when it comes to chap. 4. you could argue he hurt miu and gonta terribly and he should’ve died if what i said was true, but i would counter argue by saying the killing game would’ve gone on and on, just like tsumugi wanted, without his intervention there… still a heart wrenching trial nonetheless and gonta and miu both deserved better imo. but what would danganronpa be without unfair trials and bullshit like that?).

it’s this push and this pull, this dance, if you will, between shuichi and kokichi. kokichi is a trickster pulling various stunts and never revealing his hand, and shuichi is a detective trying to uncover his secrets. i think kokichi gets thrilled at the prospect of being uncovered like that — he lies and he lies and he *wants* someone to catch him. after all, in the love suite hotel his entire thing is phantom thief being captured by detective shuichi…… the fact he still says “because i love you shuichi” is fucking insane, but that’s actually not the most important part here. during the love suite, he brings up playing games again, just like in the FTEs. “you weren’t bored playing with me, were you?” kokichi asks. and then “are you mad because i toyed with you? don’t worry. i’m always thinking about you!—“ (bombastic side eye 🤨🏳️‍🌈) “—you’re always trying your best to catch me. i really have to give it my all to win .” and then shuichi points out directly after that he seems to be enjoying himself, despite being a “cornered criminal.” and that’s when kokichi admits that he *wants* shuichi to catch him. ….. oh boy the connotations here are kinda crazy but…. it gets even crazier. i cant believe this part is voice acted but here i’ll just link the video so people can watch. (from 4:32 to 5:10) a lot of this, esp towards the end, is likely for the whole romantic love suite hotel roleplaying thing going on to appease the audience playing the v3, but even still it’s such a fun dynamic. again, the push and the pull. it almost feels like a game of tag, the thing going on between shuichi and kokichi. except it’s hard sometimes to figure out who’s running after who. overall, kokichi is a liar and it’s hard to tell what he says is true, and shuichi is a detective hungry for truths.

side note 2.0: i think a lot of people hate saiou because it feels toxic and i can sorta see where they’re coming from: from a very bare bones glossing over their character dynamic, i could potentially see how they got to that conclusion, but i don’t think that conclusion did any real deep diving into their dynamic and characters. so no, saiou is not toxic. and also, it should be mentioned the moment shuichi shows signs of unease in the love suite hotel after kokichi shoved him over the bed, bro was up and out. kokichi respect boundaries and understands a no when he hears one 😁👍

tldr: truths vs. lies. games. purple = truths and trust. chasing after one another. saiousai cool ✌️👍

[flamingpudding]

Little Snippets #6

(A/N: Vote winner so I did my best to finish this)

"Screw it, i am done..." Danny grumbled as he stepped onto the watchtower through a portal, ignoring the startled heroes around him, or his own rather disheveled state. His green glowing eyes surveyed the room he was in for a brief moment before his eyes zeroed in on the one hero that caused to much work for him.

"YOU!" He pointed an accusing finger at the red clad hero before floating over and grabbing the hero by the front of his hero suit. "Do you have any idea how much work you cause me!"

Danny got one confused blink before he launched into a rather thorough explanation of what he just went through fixing 20 different timelines that got created because of one flashpoint while shaking the Flash like he was a ragdoll, ignoring the other heroes around him.

Clark, who arrived a little late to the meeting, looked around the meeting room confused. He glanced to the side to one of his hero colleagues. "Is there....?"

"A white haired floating teen boy giving Barry the lecture of a lifetime?" Oliver cut in arms crossed as he watched on. "Yes, there is."

Clark blinked, looking back at the scene and then back at Oliver. "And..."

"And Bruce is actually taking notes and enjoying Barry getting lectured to an inch of his speedster life while also getting information on time itself? Yes he is." Oliver added an, his tone slightly frustrated but also happy that he wasn't at the receiving end of the teen boy's rant. The kid had been going on about different time lines and the multiverse theory as well as how Barry apparently created several different timelines any time a new flashpoint happened or the past gets seemingly changed. Oliver wasn't even sure the kid was breathing with the way he had been talking non stop.

"And for the record! Changing the past does not automatically fix your present! You just created an entirely new timeline! Do you know how many times I had to fix these? You left so many unattended timelines! I would be rich now if I had gotten a dollar for every time I or my siblings had to fix the stuff you did! Did you ever hear about the multiverse theory?! Hell you are heroes! Didn't you deal with other universes already!?"

The kid rambled on and Clark was pretty sure he wasn't hearing the kid breath in once, which was worrying in so many different levels. But a little traitor part of his mind was actually finding the situation quiet funny.

"Oh and don't get me started on your spawns!" Clark winced a little as he heard the floating boy breath in for the first time in his entire rant before launching into another rant about how it wasn't just Barry but his entire family. Next to him Oliver chucked finding the moment simply funny end enjoying the show of Barry, aka the Flash getting lectured by a floating teen boy.

Though they partially wondered why Bruce wasn't stepping in but then again, the kids rant was... rather informative if he wasn't cursing at Barry's entire family.

A little earlier that day...

Danny groaned as a green note fluttered onto his desk in the middle of his English exam. His head hit the desk and he was sure he was creating some sort of misunderstanding and appearing like he didn't study enough for this exam. Which for once he did, he actually had managed to get time to study for this exam for once. And that despite all the work that had been piling up lately.

The fun fact was that work didn't pile up because of some ghost king title or something, or his rogues dogpiling on him. No it piled up because of a hero organisation outside of Amity. Now don't get him wrong, he admires these heroes. The ones from outer space are his favorites even. But unknown to them they caused im a lot of work ever since clockwork started to mentor him.

Danny glanced at his English exam and then at the note before his head hit the desk again.

Just one day... was one day to much to ask?

He blames whatever hero was at fault this time as he couldn't concentrate on is exam anymore. He barely remembers finishing it as he hurried out of the classroom, forgetting to give Sam and Tucker an explanation as he went ghost and hurried of to the ghost zone. Danny's eye twitch a little when he noticed Clockworks amused expression.

"What is it this time?" Danny groaned already knowing he wouldn't like what he was going to hear.

"Another flashpoint was created. You know what this means." Clockwork chucked handing him a time medallion and Danny groaned even more.

"Can't Dan or Dani..." He started but Clockwork cut him off with an amused headshake. "No, they are currently busy with another job I gave them."

Reluctantly Danny nodded and stepped through the time portal. While he knew, he would actually only be gone for a minute at most in the present, it still annoyed him that he had to constantly fix time. And most of the time it was because of one specific hero at that. He was not looking forward on how many different timelines he had to fix right now now. this was going to take a while too. Even if only maybe a minute will pass in his timeline.

He still had bruises from the last 20 timelines he fixed. And in all honesty he was getting tired of this kid of work, he was partially sure Clockwork was him now, so he wouldn't have to do this himself. Or the ancient of time was getting a kick out of watching Danny fumble while fixing other timelines.

He yelped as he dodged velocraptors right after coming out of the time portal. "SERIOUSLY?! THE MESOZOIC ERA THIS TIME TOO?! WHAT AM I EVEN SUPOSED TO FIX HERE?!" He yelled at nothing in particular. That was it, this time, this time he decided he would finally go and pay these heroes a visit and make them aware how much work they had been causing him...

[zhelin-thames]

Fuck off Satan

inspired by this post

Danny Phantom, the Ghost King and part-time Justice League member, stood in the Watchtower briefing room, arms crossed and very much trying to look professional. The meeting had been dragging on, and his phone had already buzzed twice, much to Batman’s annoyance.

The third time, it started vibrating again, drawing glares from the Dark Knight and a few raised eyebrows from other Leaguers.

"Phantom," Batman said, his voice a growl.

Danny sighed, pulling out his phone. "Yeah, yeah, I know. Ghost King business doesn’t wait. Let me just—" He hit the answer button with a sharp jab.

"What?!" Danny snapped, glaring at the screen.

The room fell silent. They hadn’t seen Phantom lose his temper like this before.

On the other end, a smooth, deep voice oozed through the speaker.

"Respectfully, my liege, I ask that you reconsider my proposal on—"

Danny cut him off mid-sentence. "Not today, Satan." With an exasperated sigh, he ended the call and pocketed the phone without another thought.

The reaction was immediate. Superman chuckled, Green Lantern grinned, and Flash burst into laughter. Even Wonder Woman's lips twitched upward.

"Nice," Hal said, giving Phantom a thumbs-up. "Solid delivery."

Danny waved it off. "What can I say? He’s persistent, and I’ve got no time for his nonsense today."

But not everyone was laughing. Constantine sat ramrod straight, pale as a sheet, his cigarette dangling precariously from his lips.

"Danny," Constantine croaked, his voice barely above a whisper. "Was that the Satan? Like... Lucifer Morningstar Satan?"

Danny blinked, tilting his head. "Uh, yeah? Who else would it be? Dude’s been pestering me about a territorial dispute with the Infinite Realms for weeks."

The entire room went quiet again, and all eyes turned to Constantine. The seasoned warlock looked like he might pass out on the spot.

"You just hung up on the actual Devil," Constantine hissed, his British accent thick with disbelief.

Danny shrugged. "Yeah, and? He’s one of my subjects. I’m the Ghost King. I outrank him. If he wants to whine about his little hellish boundaries, he can take a number."

Constantine’s eyes darted around the room, desperately seeking someone to share in his existential terror, but the rest of the League didn’t seem to grasp the gravity of what just happened.

"You outrank..." Constantine trailed off, rubbing his temples. "Bloody hell, kid, you don’t just hang up on Lucifer!"

Danny smirked, leaning casually against the wall. "Oh, I do. And I’ll do it again if he calls during League meetings. I’ve got enough on my plate without playing arbiter for Hell’s bureaucracy."

Clark patted Constantine on the shoulder. "Relax, John. Sounds like Danny has it under control."

John groaned. "We’re all doomed."

Danny, unfazed, pulled out his phone again and started texting. "Now, if we’re done freaking out, can we get back to the meeting? Or do I need to block Satan’s number to make that happen?"

The League collectively laughed, except for Constantine, who was muttering something about needing stronger wards and a drink.

[angelgemy]

yeeeeee

[hsiiwg]

god I'm having withdrawals just from having a shitty sleep schedule, like the moment I get less than 10 hours of sleep I feel shitty the whole day and everytime I pass out for 12 hours it gets worse s'like living a whole day having to worry about my eye exploding despite knowing it most definitely won't. I wanna dip my eyes in hot syrup

[hsiiwg]

bro I going to my internship tomorrow and I can't fucking sleep. it's one in the fucking morning and I have to leave at seven aaaaasaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa

[hsiiwg]

doing parkour civilization fanart instead of doing homework lmao

[ardbar]

I think the concept of personal space in parkour civilization is different compared to the regular world.

People here have at least one block distance from eachother and even bigger of other levels. Everyone stays on their own block and don't dare to jump on a block person occupying. Mostly because because you just risk to fall off ot with that person, but if you do happen to share this space with someone intentionally it meens something special.

Sharing an already small space with another person? Risking to fall on to the lower parkour lever or even straight into the abyss? That meens you trust them, know that they won't betray you and push you off the block, that they will be careful to not jump straight on you and not fall into your demise. And this person trusting you to give them enough space, that you will catch them if they tip over the edge.

But the highest form of showing trust and connection here is probably jumping together on one block in sync, especially if you're doing it fast and without much effort. When to people move like a man and their shadow, not hesitating in their jump and being able to change direction without any delay on anyone's part - that takes skill and time. Time that they spend together, skill that they grew together.

It wouldn't be surprising if Parkour God and His Champion would also to do that, considering how devoted they are to eachother and ready to risk everything just to be always by their side

Bro why are you wasting talent like on my inbox; you belong on ao3, stuff like this would do numbers there lol

As I tend to do I am going to analyze this and give my take; I am going to break this down point by point. First when we come to your idea of personal space being different in Parkour Civilization, I think that is a super fascinating idea. In their world one wrong jump at least if you are a pro or a noob spells death, before evbo took over. As you said this would explain people having a different idea of personal space, the more room you have from other people gives you a more controlled environment for making jumps. Also while not a directly violent society it is shown that people don't view death the same way; they will kill you in a parkour battle if they need to or you refuse to surrender. This idea then can very easily be grafted onto people wouldn't have many reservation of pushing you into the void if it means they get to live; kind of like when people are ice skating and they start to fall so they grab the people around them, stabilizing themselves but causing others to fall. All of these points would imply or at least lend credence to personal space being a much bigger deal in their world; however, there is one thing this argument is neglecting there are places in the world without parkour.

In this universe the outside world is a majority parkour, this is of course reflected in other parks of their society with things like transactions being parkour and in the architecture. However on the note of architecture while parkour is incorporated there are still large area's with zero jumps. This raises an interesting issue. While outside people want as much space as possible, so would this also be reflected while inside where jumps aren't as plentiful? Would people let down their barriers if they think they are safe, or does life harden them to never trust the people around them even when they don't pose a threat? Honestly I don't have an answer to this that satisfies me; I don't know enough about behaviors or habits and how they form to give a well informed answer. One would assume that when you are almost always in a situation of life or death a moment of peace wouldn't make you drop you walls, however the people in this world don't act normally.

Evbo for example loves parkour, everyone does, and death is seen as not really something that is important even back when it was permeant. So would these people view this as a life or death situation or just another day? I think a parallel to real life would be driving, by all measures it is very dangerous but a huge number of people do it everyday; every time someone steps behind the wheel of a car their chances of dying that day skyrocket but we don't care. This might also be the way people in their world view doing jumps. Of course its dangerous but its life and they don't know anything different than it. Of couse when we drive we follow rules, more or less. I could see this being the same as traveling with parkour there are rules you follow but once you get to solid ground then you can relax. This is all to say that while personal space is important outside, once inside it becomes more akin to how we view it. I feel like i've bled this point dry so I'll move onto another thing you brought up which was doing parkour simultaneously or on the same block.

Even if doing parkour is just a common task to these people I still think they would see doing it on the same blocks as someone a very personal thing. If I once again make a parallel to the real world and automobiles this might be something similar to riding on a motorcycle. It is a much more dangerous thing to do and requires close contact, if you have any sense you would need to have a huge amount of trust in the person you are doing it with because if either of you screw up it could mean certain death. As a certified Mavbo shipper I of course think this would translate into their relationship. However, I'm going to take it a step further.

I don't think EMF would fear doing any jumps. His best friend, his love, is the god of parkour. He is loved by the very concept, so would he ever be hurt by it? Would he believe that Evbo would never let his domain bring harm to him, even if he makes a mistake does he have complete faith in his god to make it okay? I would think so. I think this is especially true when we consider the type of person Evbo is. He is someone that does dangrous insane things knowing the risks but has faith that he will succeeded. Seeing this same philosophy being practiced by his most devote, I don't think he would let that trust in him, in his idea be misplaced.

While I do have more to say on this topic I have to return to doing work. My books on arbitration law wont read themselves, sadly. I hope this was an adequate response. Also I was being serious earlier assume you are the same person as all of the other askes your writing has a lot of emotion in it and is very compelling. I could def see it doing very well in fanfic spaces, but you do you.

[stealingyourbones]

Can anyone help me find if there’s an actual canon of the no meta rule for Batman?

For all I can remember it’s always been fanon but I’m trying to find if there’s any comic panels that reference it or imply it.

[stealingyourbones]

Thanks to @nerdpoe and @love-has-no-labels for their help! :D

[the-witchhunter]

This is my favorite fandom game to play “where did this popular trope come from”

[stealingyourbones]

Fr dude it’s genuinely so fun and fascinating to go down the rabbit hole and see why. Next up: Tim Drake’s caffeine addiction.

[1001aus]

Quick update on the Tim Drake caffeine thing: the coffee is fanon but he drinks this fucked up soda instead.

Edit: this post has sources for both Tim and Barbara

https://www.tumblr.com/fantastic-nonsense/662388963417407488/so-heres-the-thing-wellthree-things-one?source=share

Adding the link because it wouldn't let me embed it

[1001aus]

Okay, some further digging down the "zesti is a fucked up soda" rabbit hole turned up these pages from Psyba-Rats (1995) #3

It's magically addictive (although the well is destroyed in the ensuing fight in the following pages, so that stops being a problem), but presumably doesn't have any special caffeine level or other stimulant.

tl;dr Tim Drake is raw dogging life with neither sleep nor caffeine.

[srsly-idontknow]

But now the question is: where did "sleep deprived Tim" come from?

[stealingyourbones]

Like the Batfamily, he has bad sleep habits in general

But none of it is the insane “78 hours+ awake” that a lot of fans have blown it out to be. In a lot of comics he’ll pull an all nighter and be awake for 48 hours but nothing ridiculously extreme

[the-witchhunter]

It’s really fun to see other people play this game

There’s just something fascinating about examining the source of a trope and seeing how it evolved into its modern fandom version. Seeing what gets simplified, what gets exaggerated, what got added is just very interesting to me

It’s like looking at fossil records and seeing the shift as one species becomes another, or going to the Galapagos and seeing how the species became two versions

I think the Galapagos metaphor works especially well with the crossover fandom because not only do we have source material to compare it to but also the non crossover fandoms to compare them to 

[vests-randomness]

Tim canonically probably sleeps more than the other bats. It's just all done in catnaps in the most random places (like an actively moving rollercoaster)

[stealingyourbones]

The amount of times in comics he’s fallen asleep in the most bizarre of locations is countless. Who needs caffeine fueled Tim when you can have Takes Nap On The Roof Of The Batmobile Tim?