I understand it intellectually, but it still bewilders me on a spiritual level that people create separate tumblrs for obsessing over each specific interest, because I’m just here unendingly like BEHOLD, THE COLLAGE OF ME.
Today's Document

titsay

❣ Chile in a Photography ❣
Misplaced Lens Cap
Peter Solarz
d e v o n
PUT YOUR BEARD IN MY MOUTH

Origami Around
Lint Roller? I Barely Know Her

shark vs the universe
trying on a metaphor
"I'm Dorothy Gale from Kansas"
Aqua Utopia|海の底で記憶を紡ぐ
Jules of Nature

Kaledo Art

No title available
noise dept.
Sade Olutola
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will byers stan first human second
seen from India
seen from Australia

seen from Japan

seen from South Korea

seen from Malaysia
seen from Malaysia

seen from United States

seen from United States

seen from United States
seen from United States
seen from Türkiye

seen from Morocco
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from United Kingdom
seen from United States
seen from United States
@human-that-exists
I understand it intellectually, but it still bewilders me on a spiritual level that people create separate tumblrs for obsessing over each specific interest, because I’m just here unendingly like BEHOLD, THE COLLAGE OF ME.
FINALLY! My shop opens this week on April 8th @ 12PM PT! I have only 20 copies of my artbook left, so swoop in if you want one! Once they sell out, I'll offer preorders for a second run. Also, keep an eye out for apparel launching later this year 💗🤞
Inverted AU
Where the heroes and villains and villains are heroes and personalities are a bit flipped.
I believe I posted my initial iteration a while back, but honestly here's some stuff I have for it.
I have two pieces in Asitano Horror's Mononoke Art Circus show!
If you happen to be in Osaka, it is being displayed at Shinsaibashi PARCO. It's so surreal to think I just visited there a few months ago & now my work is on display there??? If you are able to go - please share pics! I wish I was able to see the show in person ❤
You can find more specific info about the show here: https://art.parco.jp/shinsaibashi/detail/?id=1755
i dont get offended at white people jokes even though im white because:
i can recognize white people as a whole have systemically oppressed POC in america, which is where i live
most people when they make white people jokes only mean the shitty white people and i am not a shitty white person
im not a pissbaby
my white friends that have reblogged this give me life
4. Sometimes I am a shitty white person and the jokes remind me to FUCKIN STOP
If ur white and like this post I fux with u
^absolutely
5. It’s hard to be offended when white people jokes involve bland food/tourist dads in socks and sandals/white girls in yoga pants obsessed with pumpkin spice/suburban PTA moms and other harmless and mostly true stereotypes while jokes about POC involve them being called thugs/criminals/slurs/uneducated/illegal immigrants.
i fucks with u heavy if ur white and you reblog this
5x11 Blowback AU
Where everything is the same except Harvey is Mike’s fiancée
“I’m his fiancée. Seeing him is not going to make me look guilty. Not seeing him will.” Harvey would not be kept away. He had already lot the firm he was not going to lose Mike too.
“No, what’s gonna keep you from looking guilty is you and I ripping up your letter of resignation,” Jessica retorted and Harvey wanted to hit her over the head because she was jut not getting it. Mike was Harvey’s world. The way the firm had been before. But now he realized he could live without it but not without Mike.
—
“Are you crazy? There’s no getting out of this!”
“I haven’t lost a case before, and I’m not about to start now.”
“This isn’t just some other case!”
“No it’s not! It’s a case involving the man I love and I refuse to lose!”
Mike stood there staring at him with wide ideas and Harvey could just see the gears turning around in his head. Understanding slowing coloring his features. His anger and fear faded replaced with concern and guilt.
“I know Harvey. I’m sorry. I forgot this is not just about me.”
Harvey’s eyes dropped and he looked away emotion making the room unbearable.
—
“However, I would like to introduce a motion to have Mr. Specter removed as attorney for Mr. Ross.” It took everything Harvey had not to stand up and slug her.
“What? On what grounds?”
“On the grounds that they conspired to defraud the bar association, every client they ever had, and the people of the United States. Also the fact that Mr. Specter is the defendants fiancée,” she sounded smug and he hated her more with every passing moment.
“There are no laws stating that a lawyer can’t represent their fiancée or family members for that matter. You have no grounds.”
“My chambers. Now,” the judge ordered.
—
“What I know is, the last time you came to me, I told you I never wanted to hear Mike Ross’s name again, and once again, here you are, asking me to do something for the person that destroyed our relationship.”
Harvey could barely look at her. Here he was standing in front of his former girlfriend about to beg if he had to to keep her mouth shut about his fiancée. Especially since she was right. Mike was the reason for their breakup. Harvey was in love with him even back then.
—
“Just let me tell you something. They don’t have conjugal visits in federal prison. And even if they did, I know your fiancée’s type. He’s smart. He’s handsome. He’s cunning. He’ll let you take the fall and he won’t stick around no matter what he says.”
Mike tried not to let it show how much the Marshal’s words affected him. He knew that wasn’t Harvey. He knew that he was only saying that stuff to get in mike’s head to get him to confess. That he didn’t know Harvey and if he did he would never believe that for a second but still, it hurt…
—
“I might go to jail.” Mike had to make him see to understand. There where no guarantees. They might lose, they would probably lose.
Harvey’s eyes softened. “If you do I’ll be here.” He took a step forward reducing the space between them. “I’m never going to leave you.”
Mike knew in that moment exactly how true those words where..
Desperate times and all that.
The moment he agreed to do the delivery for Trevor, Mike had, quoth Star Wars, “a bad feeling about this.” But he couldn’t say no, and Trevor, the utter bastard that he was, knew that. Any other lifelong friend might’ve just given their best friend the money to help their only living relative. Trevor leveraged an illegal drug deal out of it.
But agreed Mike had, so he walked into the Chilton Hotel with a briefcase of pot and a thundering heartbeat.
*
Mike didn’t know if anyone else would’ve figured out that the cops were cops. Too often he had cursed his genius memory, a so-called gift that had brought as many trials and triumphs. But as he ran down the stairwell, formulating a plan of escape, he’d never been more grateful.
He practically crashed into the hotel room, breathless and sweaty and spilling truths that were probably better left unsaid. But for some unknown reason, fate or destiny or pure dumb luck, the redhead smiled and winked to someone out of Mike’s sight and offered him a drink like everything was completely normal.
Mike had but the briefest of glimpse of an expensive suit and a mole-dotted face before he was following a stranger into another room and further from the cop’s reach.
*
Mike gave the false name and shook the man’s - Harvey’s - hand and followed him deeper into the hotel room. Harvey turned and started talking but Mike heard nothing, too distracted by the way Harvey’s lips moved, the depth of his eyes, the robust body that Mike just wanted to climb like a fucking tree.
“Rick? Are you listening to me?”
Mike shook his head, forcing himself out of the daze. “Sorry, it’s just…”
Harvey raised an attractive eyebrow, and man Mike was totally screwed if he was finding an eyebrow attractive.
“You’re really handsome.”
“Are you … are you hitting on me right now?” Harvey asked, somewhere between incredulous and amused.
Mike smiled, tried to make it as seductive as he could. “Maybe. I’m never gonna get the job you’re interviewing me for, and you’re seriously the hottest person I’ve ever seen in real life, so I figured why not.”
Harvey’s lips were quirked, until he seemed to catch up with what Mike was saying. “Wait, why do you think you’re not gonna get the job?”
Mike chuckled, moving over to the couch and placing the briefcase on the coffee table. “Yeah, about that…”
*
Keep reading
harvey specter
“I don’t understand.”
“Which part?”
“Which part?” Mike asks incredulously. “How about all of it. Look, I get that you do this every day, or whatever, but this is a first for me. And this is my life we’re talking about, so…” He trails off then drops his head to his chest as his whole body seems to deflate at once. He sits on the edge of his dining room table and says, softly, “It’s a big deal.”
“Is that a no?”
Mike says, resignedly, “We both know the answer is yes.”
There’s a pause, and the man says, “Your grandmother is lucky to have you for a grandson.”
He stands, spins, looks out the window. “Yeah. I’ve done a bang up job of taking care of her.”
“You’re willing to sacrifice the possibility of your own personal freedom to make sure she’s taken care of. That’s not a small gift.”
He nods then turns his head to look at the man sitting in a chair across the dark apartment. “Why me, anyway?”
He just smiles. Harvey Specter, notorious mob boss, head of the Specter Family, just smiles at him. Like Mike should know better than to ask.
“So what do you want me to do?”
“There’s a rat in my organization. I want you to find them.”
“Someone’s actually stupid enough to cross you?” Mike just shakes his head. “And what makes you think I’ll be able to find them?”
“You have an incredible mind and a sweet face. You’re good at making friends. It’s been my experience that people like you tend to be good at loosening lips.”
Mike’s face heats up and Specter smiles, shark like.
“You really think your people are going to open up to a newbie at the bottom level of the organization?” Specter just stares at him for a moment, patiently. Finally, Mike gets it. “No…they wouldn’t. And you know that.”
He says, “See? You catch on quick.”
“Yeah…it’s this brilliant brain.”
Crap. Mike always knew he had shitty survival instincts, but sarcasm? He’s not going to survive long in mob captivity.
Except Specter is grinning even wider now, as if he’s pleased.
“So what’s the plan?”
“You’e going to come in near the top of the organization.”
Mike walks over to sit down on the sofa, leaning forward and bracing his arms on his knees. “Isn’t that going to make them trust me less?”
“Quite the opposite. Every single one of them will want to be best friends with the boss’ new boyfriend. With that face and no history in an organization like ours, they’ll think you’re prime for the picking.”
Mike sits up. “Your boyfriend?”
He nods. “We’ll move you in to my condo in a couple of days.”
“Your live-in boyfriend?”
Mike looks around his apartment. It’s small, yes, but it’s his. But…not anymore. Nothing in his life will be his anymore.
Specter is almost gentle when he says, “I have too many enemies, Mike. If I left you here to fend for yourself, I’d never see you again.”
Mike swallows, looks up and says, as firmly as he can manage, “I’m not going to hurt anyone for you. I’m not going to kill anyone for you.”
Specter meets his eyes and says, “Agreed.”
Mike nods to himself.
“You’re not muscle, Mike. You’re too important for that.”
“And Grammy?”
“She’ll be moved to her new residence tomorrow, just a few minutes away from our place.”
“Our place,” Mike parrots softly. “This is going to take me a minute to process.”
“I’m going to take care of you, Mike.”
“You mean in the biblical sense or the ‘they’ll never find my body’ sense? Shit.” Mike closes his eyes. “Sorry, boss.”
“It’s Harvey, Mike. Not Boss.”
He looks over at him. “I thought everyone called you Boss. Or Mr. Specter.”
“They do.” Harvey reaches his hand up and loosens his tie, leans into the back of the chair, as if he’s content to stay for a while, here, with Mike. As if he has nowhere else to be. “You don’t.”
“Okay. Harvey.”
Harvey smiles, soft in the darkness. “There you go. Step one.”
He’s probably the most dangerous man in New York. And Mike is definitely a fool for saying yes. But it’s Grammy. Of course he said yes. He was always going to say yes.
Mike pulls the last two beers out of his fridge, holds one up toward Harvey. Harvey nods, and Mike uses the edge of the counter to pop the caps off each one. He hands it to Harvey by the neck and Harvey takes it, eyes locked on Mike as he tips it back.
“And what’s step two?”
Harvey just smiles.
Mike hadn’t meant to adopt him. It’s not like he was dying to big brother someone through life, to impart his wisdom and knowledge and basically prevent them from falling on their face. Harold is a grown ass man, and he can fend for himself.
Except he really, really can’t.
Keep reading
Cosmic alignment…
Fuck all of the good luck posts out there. Reblog this to immaculate your vibes
hold onnnnnnn …
I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw, a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently
Some types of unreliable narrator:
The Watson: is present for the event but does not have the same level of perception as protagonist
The Lemony Snicket: isn't present for the event, reconstructs the facts based on later research, can get things wrong or incomplete
The Ted Moseby: is present for the event but has romanticised and embellished their memory of it through nostalgia to an extent that you cannot fully believe it; is also prone to misremembering or outright forgetting details.
The Katniss Everdeen: is present for the event, is the protagonist, but is completely foreign to the world and out of their depth so they don't quite understand a lot of what is going on.
The Rose Quartz: is present for the event, but due to their personal agenda or feelings of shame hides and embellishes what actually happened in favour of a version that paints them in a better light.
The Big Brother: overwrites what actually happened in favour of propaganda.
The Jonathan Harker: is absolutely clueless about what is going on around them and the genre they're in so their perception of events is tinted by their own naivety.
The Goob: the narrator's own emotional bias clouds their judgement of what really happened.
The Tyler Durden: the narrator is suffering from hallucinations and doesn't realise it.
The Pi: the narrator has survived a traumatic experience and copes with it by turning it into a wonderful tale.
What do you all study when you're doing art studies??
Heeeeeyyy, I love me a good fucking STUDY
for environments:
shot deck is a massive database of film shots searchable by grading, tod, shot type, characters and content! Studying from films really helps improve your values and composition as the shots are usually very carefully constructed! It helps you find ways to maintain realism while still packing mood and narrative into your work!
master paintings! I recommend the orientalists like Jean Leon Gerome in particular their environments had great compositions and throw around a ton of colour and light! I like the modern artists Craig Mullins and Richard Schmid also, as there is so much impressionist lost detail and simplicity yet the environments feel so real.
The 1960s era disney background artists like eyvind earle are a masterclass in stylisation and simplification and make a wonderful choice for studies. (That being said modern disney visdev artists like Nathan Fowkes are just as fantastic to study for the same reason)
architectural photography can be a great resource too- I love to look for work by urbEX people!
thumbnailing and comp studies- trying to break down a photo into as few values as possible and still have it be readable- this really helps train your brain in the relationship between light exposure and local value.
Im begging you if doing it in colour is too hard to start with just do it in black and white!!!!! Greyscale painting is an essential step in learning to paint and understand lighting scenarios!! Colour is hard!!!
there is no substitute for going outside and doing some plein air painting- really looking first hand at how the light effects different materials and objects, how it bounces around, what edges your eye naturally loses in certain lighting scenarios. Just go outside and draw and try to notice stuff.
for characters:
figure studies!!!! from life if you can but if you cant there are a ton of great resources out there- personally I love croquis cafe and posespace, but if you can afford it (and are interested in intense anatomy study) then scott eaton has a site called bodies in motion which is fantaaaastic. I think by now everyone knows nyx and senshistock, I also use a lot of grafit studio photorefs to study more complicated poses!!
Master studies (again). I particularly like to study the work of John Singer Sargent, Joaquin Sorolla, Edwin Austin Abbey, Alphonse Mucha (his le pater compositions are out of this world), any of the New Rochelle artists (e.g rockwell, tom lovell, those 1950s illustrators REALLY knew their shit).
I literally have a resin skull on my desk that I've used to do quick studies with different lighting, just 10 mins a day back when I was doing it and it levelled up my skill a lot!.
Material studies are essential to leveling up your character painting!!! Look at fur, look at metal, look at the way something embroidered reflects light vs tooled leather!!
gesture studies! Look at a dynamic pose and see how you can exaggerate the motion in away that captures the sense of movement. This is tricky to start with but its really worthwhile especially when you combine it with other exercises. Mixamo is a cool library to look into for this kind of thing as you can pause and rotate the models in the middle of their actions!
breakdown the work of artists you admire- it's ok to study other living artists (and try to reverse engineer how they are making their decisions) it's a very effective learning tool! Really figure out what it is about that persons workflow you like, and how you might incorporate that element into your own. Obviously, dont post studies of living artists work!
The most important thing is that when you do a study you go into it knowing what you want to learn. Dont try to do everything at once! It's ok to focus on the muscle structure and not give a damn about the gesture. It's ok to focus on the texture of the fur and completely ignore the characters face.
The best way to keep doing studies is to find refs you like- things you are interested in and that capture your imagination! Follow your curiosity and remember that just a tiny little bit a day makes a huge difference.
Gunna take a sec to recommend the tutorials of Devin Korwin. He talks about how to study and how to breakdown art fundamentals in a way that is at once both very advanced but also digestible. I highly recommend his pdfs!
I am not the same person.
I’m fifty papers in to this round of grading. Please enjoy a selection of out-of-context comments I’ve left on students’ papers so far:
Further updates as warranted.
Important update as we hit paper 70.
Memo to all college writers. If you’re going to write a paper on country music for a born-and-raised Texan professor, make sure you’ve got your facts straight.
And with this, I conclude my first round of freshman grading. Hallelujah. In general, I’m quite proud of the work they turned in. Importantly: not a single person failed.