am i the only one who, despite obviously loving the three pairings within polytrix, cant actually read anything about those pairings that doesn’t at least imply polytrix is a thing? like that’s my girl (x3) dont leave her out
will byers stan first human second
KIROKAZE
PUT YOUR BEARD IN MY MOUTH
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Show & Tell

Kiana Khansmith

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oozey mess
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Aqua Utopia|海の底で記憶を紡ぐ
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One Nice Bug Per Day
taylor price

titsay
TVSTRANGERTHINGS
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@huntrix-grey
am i the only one who, despite obviously loving the three pairings within polytrix, cant actually read anything about those pairings that doesn’t at least imply polytrix is a thing? like that’s my girl (x3) dont leave her out
Poppy laid on her side, watching the clock as it changed to 3:23 AM. Behind her, she could hear Celine’s even breathing, grounding and relaxing. But despite how calming the sound of her wife’s restful slumber was, she couldn’t help but feel wide awake.
The reason for this restlessness was situated across the room from their bed; a crib, empty, except for the small lion toy and light yellow blankets inside of it. Celine had placed their daughter in her nursery’s crib instead of the one in their bedroom tonight, and it was making Poppy’s skin crawl not to be able to see their baby, still only three weeks old, in front of her.
Perhaps she’d accidentally picked up more than just the girls’ separation anxiety about their respective partners, and had gotten their separation anxiety surrounding their respective children, too.
She sighed. Well, it might help her sleep if she could at least see her daughter again before she attempted to fall asleep.
Poppy crept out of bed as gently as she could, careful not to disturb her wife. It was the least she could do after she carried their child for the last nine months. She was just as careful with cracking open their bedroom door and closing it again, although she cringed at the slight creak of the hinges. She’d have to oil them soon.
She slowly walked down the hall towards the nursery, making sure to be extra quiet when she treaded past two doors in particular. Rumi’s old bedroom leaked noises out of it from the crack under the door. Loud snores, signaling Mira’s unconsciousness, mixed with Zoey’s soft voice mumbling nonsense in response to each snore to create a cacophony of sound, one that covered up Rumi’s own soft snoring. The next room over was even louder somehow, a byproduct of all three of their daughters having inherited Mira’s volume of snoring. The fact that their lungs were able to produce noises that loud when they were only a year old almost filled Poppy up with pride for her granddaughters.
(They had been staying here for the last month or so to keep an eye on Celine, and now, the baby, and would still be here for another few weeks. It was nice having them all here, but she could tell the triplets were antsy to get back to their own home, and she could see the mounting frustration on Zoey and Mira’s faces at not being to have sex as often while here. No doubt they were all eager to go home as soon as they could.)
The room after that was her destination. Poppy slowly cracked open the door. She was met with a gently glowing figure standing hunched over the side of her daughter’s crib.
It would’ve been a frightening sight to many. But to Poppy, it was just her older daughter watching her baby sister.
Rumi didn’t immediately turn to face her, so Poppy figured she just hadn’t heard her enter. “Hey,” she whispered, hoping to not startle her eldest.
The half-demon didn’t startle, and instead, she turned her head to face Poppy while she trudged over to the crib, a small smile on her face. “Hey,” she whispered back.
Perhaps seven years ago, Poppy wouldn’t have noticed anything wrong with her smile. But she knew Rumi now, loved her, considered her her own child. She could see the tension in her face, and how strained her smile was.
Something was wrong.
Poppy frowned. Once she made it over to her daughters, she peered down at Hayun’s sleeping face, and breathed a sigh of relief. Rumi let out a chuckle of understanding; she could remember her, Mira, and Zoey having been the same way about their three daughters, and now they could commiserate on this, too.
Once she allowed herself a moment of relief, however, she turned to Rumi, and placed a comforting hand on her shoulder. “What’s wrong, sweetheart?”
Rumi jumped, clearly not expecting to hear Poppy ask about her. “Wha- uh, nothing. Nothing’s wrong. Why do you ask?” She shuffled nervously.
Poppy squeezed her shoulder. “Because I can tell you’re thinking about something, and it’s a something that is making you upset.” Her other hand came up to cup Rumi’s cheek, and she was slightly delighted to feel Rumi leaning into her touch.
Rumi’s eyes bounced around the room, her face conveying conflictedness. Eventually, they landed on baby Hayun. She sighed in resignation. “It’s…it’s dumb…”
Poppy kissed her cheek. “Not if it made you upset, it isn’t.”
Rumi’s thumb rubbed against the wood of the crib. “It’s just…I keep looking at her. And then I look at how you look at her. And I wonder…” Her eyes met Poppy’s, nervous and wet. Whatever she was thinking about was probably gonna hurt some feelings, Poppy realized.
Poppy nodded. “Go on.”
“I wonder…” The half-demon took in a shaky breath, “If you ever looked at me the same way, before you…” Rumi’s lip trembled, and the wetness in her eyes began to spill over. “Before you left me. And then I realize you couldn’t’ve, because you wouldn’t’ve left if you had.”
Her heart broke in two. “Oh, sweetheart.” She cupped the sides of Rumi’s face and brought her down for a hug, one of her hands moving to rub her back while her daughter shook in her arms. Clawed hand gripped her sleep shirty tightly, but Poppy cared little about whether or not they would rip the fabric.
“Why, Eomeoni?” Rumi sobbed, “Why couldn’t I have been enough?”
“You were enough, Ruru,” Poppy replied, pulling away slightly to look her in the eyes. She kissed her eldest’s cheek, ignoring the salty tears that caught on her lips. “You were more than enough; you were perfect. You are perfect.” She rubbed away any falling tears (both Rumi’s and her own) with her hand. Her heart trembled painfully with every sniffle and whimper Rumi let out. “I was just too much of a spiteful, jealous coward to see it.”
“I’m sorry,” Rumi whispered, voice nasally, “I shouldn’t have…shouldn’t have brought it up.”
“No,” Poppy told her firmly, “You have every right to bring it up. It makes perfect sense you’d be thinking about that now.”
“Still, it feels mean to remind you of something that you grew past seven years ago.”
“You haven’t reminded me of anything. Even now, seven year later, there’s not a day that goes by that I don’t regret missing the first 24 of your life.” Poppy kissed her daughter’s cheek again. “I’m sorry, Rumi. I love you so much.”
Rumi tucked her head under her chin, a bit of a tough maneuver considering she was taller than Poppy by about two inches. “I love you, too, Eomeoni, I-”
A loud cry cut her off.
Startled, the two of them pulled apart to look down into the crib, where Hayun had begun wailing, likely awoken by the sound of her mother and sister’s crying.
Rumi winced. “Sorry, sorry, I didn’t mean to-”
Poppy shook her head, “No, no, you’re fine.” She reached into the crib, and picked up her younger daughter, rocking her to calm her down. “Shh, it’s okay Hayun, Eomeoni’s here, and so is your sister. We’re alright now, darling, we’re alright.” She pecked the top of Hayun’s scrunched up forehead.
The baby did not stop crying, and in fact showed no signs of stopping. Poppy settled in for what was definitely gonna be several minutes of trying to calm her down.
Luckily, a savior arrived.
“Here, let me take her,” Celine said. Rumi and Poppy turned in sync to see her walking towards them from the doorway of the nursery.
“How long have you been awake?” Poppy asked, stunned, as she handed a still-wailing Hayun off to her other mother.
“Since not long after you left me alone in bed.” Celine glared at her, although there was little true anger in her eyes. Her face softened as it refocused on their baby’s face. She cooed at her as she rocked her, and, like a traitor, Hayun finally began to calm.
Rumi shuffled her feet awkwardly. “Um, Eomma,” she started, “How much did you…”
Celine hummed, not looking up from the baby. “All of it.”
“Oh.” Rumi’s eyes fell to the floor.
Celine looked up at her. She removed one hand from the baby, expertly holding her with one arm, and used it to brush away a few stray tears. “Rumi-ya, you have nothing to be ashamed of. You deserved much better as a baby than either of us afforded you. You’re allowed to be upset about seeing another baby get what you should’ve had.”
Rumi shook her head. “I’m not upset about her getting what I didn’t have. I’m just sad to think that I could’ve had it, too.”
“And you should’ve.” Poppy rubbed her older daughter’s arm comfortingly.
“You should’ve,” Celine reaffirmed.
Rumi leaned towards Celine, and she moved closer. Poppy shuffled closer to them, as well, until the three of them were pressed up against each other in a huddle.
For a few minutes, the four of the remained there, the three adults standing close together, and the infant steadily calming in the comfort of her mother’s arms, and with her sister and other mother watching over her. Poppy felt a warmth unlike she’d ever felt before. This was her home right here; her two daughters and her wife. Her family.
(If only Miyeong could be there with them.)
They were broken from their reverie by the sound of the door opening and a stream of line entering the room. Both Poppy and Celine had crept through a small crack in the door so as to not disturb anyone inside. This must be someone who had little regard for disturbances.
Sure enough, the three of them looked up to see little Hani standing in the doorway, rubbing her eyes with her tiny fists, one of which was covered in purple patterns. Her black hair was messy, and her dolphin themed footy pajamas rumpled. The little girl yawned. “Mama…?”
Rumi pulled back and stared at her daughter in surprise. “Hani, baby, what are you doing up?”
Hani didn’t answer her. Instead, she stared at her baby aunt curiously. “Why baby cry, Mama?”
Well, Poppy supposed that was actually an answer.
Rumi smiled at Hani, and walked over to her slowly. “Hayun is crying because she was woken up, baby. But don’t worry, your halmeoni is helping her calm down so she can go back to sleep.”
Hani nodded. She reached a hand out to her mother, and Rumi took it. “Can you help me go back sleep, Mama?”
“Of course, sweetheart.” Rumi bent down and kissed her little hand.
Hani tugged on her, but Rumi turned around to face her mothers and sister, smiling warmly. “Goodnight, Hayun, I love you,” she cooed. Her voice changed to a warmer, more mature tone when she addressed her mothers. “I love you, Eomma. I love you, Eomeoni. Goodnight.” She waved.
“Goodnight, Rumi-ya. I love you,” Celine said, affection clear in her tone.
Poppy waved, “Goodnight, Ruru. I love you, kiddo.”
Rumi looked down at her daughter, who was pouting at her mother, likely for not coming with her yet. “Can you say goodnight, Hani? Say goodnight to your grandmothers and aunt.”
Hani grumbled, but, like the sweet girl she was, she said, “Night, night, Hayhay! Night, night, Gammy! Night, night, Moni! Love you!” She waved to Hayun, Poppy, and Celine in order.
Poppy and Celine waved back. “Goodnight, Hani, we love you, too.”
Rumi gave them one last smile, and then she allowed herself to be dragged off by her one-year-old, shutting the door to the nursery behind her.
Celine kissed Poppy’s forehead. “C’mon, she’s already starting to seem sleepy again. Let’s bring her back to our room so we can go back to bed, too.”
Poppy chuckled; no doubt her wife knew why she had come here the first place. “Let’s.”
zoerumi week day 7: polytrix
Zoey 💚:
i knw im late!!! trffic sucks!!
im sorry!!!
gf will drop me off there
if thats ok!!!
Rumi sends back just a thumbs up in reaction to Zoey’s last line and leans back in her chair, taking a sip of her coffee as she looks out the cafe’s broad window into the street. It’d be a lie to claim she wasn’t curious about Zoey’s girlfriend — her other girlfriend.
Mira and Zoey suddenly relating to those like 1800s men seeing a woman's ankle for the first time memes but it's with Rumi's shoulders
Yet another wonderful contribution
Have they ever been to the beach together before
Imagine Rumi in a swimsuit the other two LOSING IT
They convince her to wear a bikini for the first time and no one is safe
okay so I was cooking with this. Why haven't I drawn anything this is a crime
I know the Celine was in love with Rumi's Mother and only told Rumi post canon headcanon is played for funnies but it just hit me how sad it is that in this scenario Celine had spent 25 years not being able to tell anyone that she'd lost the love of her life and is only allowed to grieve as a friend and not as lover to the public. Man that's heartbreaking
Headcanon - In case Celine never returned from a hunt, she had a large folder of papers both physically and digitally that were for a trusted lawyer (tied up in like 50 NDAs) to handle. The papers all had basic stuff like, what to do with Rumi, at what age to give her a notebook filled with information on the honmoon and demons, numbers and passwords for accounts set up specifically for Rumi only to use, etc. Celine had information for Sunlight Entertainment but she cared more that Rumi was set up and secure.
It wasn't until after the movie that Rumi actually looked through the papers while she, Mira and Zoey were there collecting some papers and found paper after paper after paper talking about what her favorite foods were, the lullabies she liked, her favorite teddy bears and how some of them could NOT leave her room, which flowers made her sick, what to feed her when she got sick, her favorite color, links to videos of the Sunlight Sisters and specific points to pause when Miyeong was on screen.
I’m so here for Rumi learning that sometimes love presents itself differently for some people. That yes, Celine made mistakes and struggled with Rumi’s demon heritage, but that didn’t mean she didn’t love her. I would pair this with one of my favourite headcanons: Celine keeps every piece of art, every card, every trinket and treasure Rumi ever gave her. They went to the beach and Rumi kept finding shells she proudly presented to Celine? They’re in a glass vase in Celine’s office. Wildflowers Rumi picked while they went on a hike? Pressed between the pages of books on Celine’s bookcase. There are boxes and boxes full of drawing done in crayon and washable marker, sticky notes with SE letterhead and scribbles made by a ballpoint pen, construction paper crafts and projects from both school and fun at home. Every little attempt at origami, from Rumi’s first crooked attempt at a crane to one she had done absentmindedly a few years ago out of a gum wrapper and left behind on a table on their plane.
(When asked about it Celine merely shrugs. “You made them,” she states like the answer is obvious, “You took the time and energy to make them. That matters to me.” Mira and Zoey both nearly break once Celine reveals she has similar hordes for them, too. Just not as big since she only had a few years to start collecting their “artwork”)
Mirror mirror part nine! First here, most recent here
For anyone just arriving: Celine swapped places with her evil, abusive AU counterpart, and has been attempting to fix things for Rumi’s counterpart, Sarang. Their relationship is currently tense, in between Celine’s arguable projection of main!Huntrix into mirror!Huntrix and mirror!Huntrix’s bluntly rejected proposal of therapy.
Annoying ass kid
Mirror mirror AU part seven! First here, most recent here
For anyone just arriving: Celine swapped places with her evil, abusive AU counterpart, and has been attempting to fix things for Rumi’s counterpart, Sarang. Her endgame plan is to get Huntrix through debut and then a murder-suicide of herself and her counterpart. While the girls have been bonding, Sarang just got to experience her first panic attack, and isn’t doing great. Also, the two universes are in contact via Derpy.
Zoey hovers. She can't help it - she doesn't know what to do but she can't do nothing while the newfound third of her soul is distress, and so she stays in the room and manages to do too much and not enough simultaneously.
And part of the problem is that Zoey is the problem she is currently trying to solve. Sarang flinches from them and has PTSD flashbacks because they were the ones to hurt her, and now they're the only ones who can even try to help her because she still looks like a fucking demon and so therapy is completely and utterly out of the picture. Every resource Zoey has looked at emphasized getting the victim away from their abuser and Zoey can't do that because she is the abuser and Sarang was kept so ignorant of the world that there is no way she can survive without them anytime soon.
Obviously, they've stopped with their previous behavior and they can try and support Sarang as she learns how to be a person, and remind her that she's a person when she forgets. But there's only so much they can do when it's likely that their very presence feeds into her triggers.
...Her triggers. That's one way that Zoey can help. She can make a new notebook, keep track of what triggers Sarang (bullet point one: any sort of violence directed towards her by them, no matter how playful or harmless), record what works and what doesn't to bring her out of her flashbacks. Zoey can be scientific about it, can help give Sarang tools manage the consequences of the damage she herself caused.
The outline of a plan, something to do to help, makes Zoey feel like there is ground underneath her feet again. Makes her feel like she can be something beyond the monster that caused this damage in the first place.
Mira returns with the muzzle shortly. There is a desperate relief on Sarang's face as she reaches for it and Zoey is keenly aware that she has been deliberately conditioned into needing the damn thing to feel secure. It's the most obvious symbol of what has been done to her remaining - even after she's left the kennel, she still wears part of her cage.
The corner of Celine's mouth twitches downward as she watches Sarang buckle the muzzle on. "Sarang, your room is a safe space for you to rest and recover whenever you need it," she says. "You can always return here, for whatever reason, no matter what you are doing before. Likewise, you can always leave it whenever you wish - it is not and will never be a cage."
She rests her hands on Mira and Zoey's shoulders, and gently guides them out of the room. "Come, girls. Let's give her some space. Sarang, we'll be in the living room. Feel free to come join us, when you feel comfortable doing so."
Sarang looks up at them and nods once. The last Zoey sees of her as the door closes is her picking up the plushie and regarding it with an expression that Zoey cannot interpret.
Sarang does not know that she has ever felt something like Zoey’s stuffed turtle before.
She has gotten so many more soft things since everything changed, of course—hotel room blankets and new clothes and even the feeling of her own hair and skin, once Celine explained to her how to use the toiletries like a person, including the conditioner and lotion.
The fabric of Zoey’s turtle feels a little like one of the hotel blankets, the one that was not a duvet, and a little like the skin on Sarang’s cheeks, where the hair is very thin and soft, and nothing like either. She doesn’t have good words for it.
And Zoey just… gave it to her. Claws and all. And then left it with her.
Real turtles do not have fur. They are reptiles, with shells made of bone covered in keratin. Sarang knows this because Zoey has said it, because Zoey loves turtles.
Sarang holds it again, close to her chest, and presses her face into it. The stuffed animal squishes against her muzzle, safely away from her teeth.
Of course you are broken.
Sarang, ungrateful creature that she is, still feels awful, no matter that Celine promised they would fix her.
She feels restless and sick, and she doesn’t want to stay still but she doesn’t want to go anywhere, and definitely not to eat, where she will have to take her muzzle off.
She kicks at the sheets and then feels worse, hurrying to right then again before anyone sees, checking that no damage has been done.
“Everything is fine,” she tells the turtle. “I put the bed back how it should be.”
And that feels nice, so she keeps telling the turtle things.
This is how the dresser is. This is her window. This is her carpet—the fur-fabric is much thicker than his, but not nearly as soft, and no, she does not know the word, but she doesn’t think people say that carpets have fur.
When she has introduced the turtle to her whole room, she feels much better.
“I hope you will remember me when you go back to Zoey’s room,” she says, even though she knows the turtle will not, because it is not alive.
Unfortunately for Sarang’s plans to go and calmly return him to Zoey, and thank her for how much she has helped, this is when the tiger begins welling up out of her floor.
Celine is partway through an explanation of the logistics of debuting when a loud SLAM echoes through the hanok. As all three of them whirl to face the bedrooms, Sarang comes sprinting out of the hallway, still clutching the stuffed turtle to her chest. She skids to a stop, scans the scene in front of her, seems to come to a decision, and dives behind Mira.
As Mira is processing all this (and if there is a part of her that's afraid of the demon lurking behind her unprotected back, there is also a much louder part of her that is preening that Sarang chose her to hide behind), the cause of the furor enters the room. The tiger plods gamely along, bird perched on its head.
"Oh, hi, Tiger-ssi!" Zoey bounds up to him and gently divests him of the plastic baggie containing the note from their alternate universe counterparts. Missive delivered, the tiger wanders over to a sunbeam and plops himself down.
As Zoey opens the letter there is a tink as something small slips out of it. Mira, who has repositioned herself so that she is still between Sarang and the tiger's new location in the room, can only get a clear view of it once Zoey has bent over and picked it up. It's a USB drive.
Zoey finishes opening the letter and scans it. "Okay, so. It looks like alternate-me and alternate Mira had a LOT to say about musical and fashion trends from now until 2026, so they've compiled all that information on the flash drive, along with samples of their songs and choreography."
"I don't think we should be copying their music," says Mira, uncomfortable with the idea.
"You won't be able to," says Celine. "Almost all of Huntrix's songs were written for Rumi's vocal range as the main vocalist. Also, since you'll be entering industry within a typical company you won't have much control over your lyrics and choreography, at least at first."
"Yeah, uh," Zoey says, "that's also what they said. Rumi being the main vocalist, I mean. They suggested that Sarang sing background vocals or harmonies or something.
"By the way, Sarang, they said that they love that name for you!"
Mira is aware, suddenly, of the heat of Sarang's body as she huddles up behind her, the gentle puffs of her breath on the exposed skin of Mira's shoulder, exposed as it is by her fashionable asymmetrically cut shirt. She feels as well as hears Sarang's pleased hum.
"For Rumi's medical information, she says she cannot get blood transfusions for some reason? She doesn't remember exactly why. Presumably it's demon related?"
"She has RH null blood," says Celine. "Or at least, that's what the doctors told me. She's also allergic to several chemicals commonly found in antiperspirants, which limits which brands she can use." She levels a look at Mira and then at Zoey. "If you have questions about Ru--Sarang's medical condition, you can ask me. I was the one taking her to the appointments."
Mira and Zoey exchange sheepish glances. Sarang, still curled up behind Mira, is spared the full weight of Celine's Gaze of Mild Disappointment.
"Also! We asked about Rumi's patterns fading," Zoey says, a bit rushed to move off the topic, and Celine freezes. "And she says they faded when she accepted them as a part of herself and stopped feeling ashamed? Um. Hm. She spends a whole paragraph talking about how demonhood is intrinsically tied to shame. I don't remember any of this any of the Hunter documents?"
It doesn't make much sense to Mira. Demons kill people, and none of the demons that Mira has ever fought so far has seemed particularly ashamed of that. Except Sarang, who hasn't killed anyone (except Miyeong maybe?) and definitely feels shame about being a demon. Half-demon. Whatever. But that means that the only good demon Mira has ever met is the one who is ashamed of it, which sounds like the exact opposite of what Rumi's talking about.
She looks over to Celine for guidance, but all the blood has drained from her face and she looks as if she has seen a ghost. Zoey notices as well, and as she opens her mouth to ask--something, Mira will never know--Celine's arm darts out lightning quick and grabs the letter. Zoey yelps and tries desperately to hang on to it, but Celine meets her eyes with a stare so intense and expression so distraught that Zoey lets go.
Leaving Celine - acting weird again - in possession of a reply to a letter in which they asked their alternate selves about her weird behavior. Shit.
Celine scans the letter, furiously searching for Rumi’s explanation, needing to see the condemnation for herself.
Instead, she finds her own name first:
It’s my fault. I did something to hurt Celine pretty badly a few months ago.
Her vision blurs, a breath choking in her throat.
The very idea that Rumi would blame herself—
Her stomach lurches. She bites her tongue, hard, just like she’s seventeen again, and it holds back the nausea.
She keeps looking, trying her best to ignore—
I did something to hurt Celine pretty badly a few months ago. I don’t know what kind of mental state she’s in, but if she’s letting you see that she’s hurting, then it’s not good. I definitely wouldn’t tell her she doesn’t care about you again.
(‘Definitely’ is underlined.)
They need to be free to be honest; Celine doesn’t know why Rumi would say such a thing—is Celine being manipulative even from another world?
Finally, she finds it.
Rumi’s careful handwriting describing how a demon is controlled by their shame—how their belief that they are wrong and bad only makes them worse, whether directly (a demon resigned to their selfishness will hurt others unrepentantly) or indirectly (I would’ve done anything to keep Mira and Zoey from finding out—and I did)—but by recognizing that they are, like anyone else, a collection of both good and bad and capable of choice (In my case, choosing to embrace the truth rather than hiding) they can be…
You can take possession of your own soul once more, Rumi writes.
Because Celine had stolen it from her for all those years, buried it away under all of the shame she taught.
“Celine?”
Something brushes against her, and Celine jumps backwards, arm jerking up to block an incoming blow.
She stares at Mira. At Sarang, who didn’t make it all the way over, huddled in the open space and eyeing the tiger so fearfully.
“You’re crying,” Mira says, quietly.
“I’m sorry,” Celine says.
Zoey hates it when adults cry. It reminds her too much of the last, miserable months of her parents' marriage, of her mother slumped over in the kitchen bemoaning all the suffering in her life as Zoey tried awkwardly to stay small and out of sight (as she was, after all, the source of much of her mother's suffering, in ways that her mother would explain in great detail if she saw her).
She wonders if it's just part of the experience of parenting, of family. Zoey had hurt her mother (and her father, though he didn't discuss it; had just been relieved to hand her off to Celine). Mira's parents had hurt her. Their Celine wasn't family to Sarang but had abused her horribly. The Celine in front of them had tried to parent the half-demon and Rumi had apparently hurt her quite badly, for Celine to be crying.
(A part of Zoey wants to know what Rumi even did, to shake their stoic mentor so severely. Another part does not want to sit through an adult detailing all the ways their child has hurt them, she has had too much of that already, she cringes at the very thought of Celine doing that to her, to Rumi. (But then again, their Celine has done so so so much worse to Sarang. Orders of magnitude worse. So.))
But Celine doesn't seem like she's about to start explaining how Rumi ruined her life. She's taking deep, even, deliberate breaths and blinking rapidly. (And a shameful part of Zoey is glad. They can just. Move on! Move past it. Maybe stop taking letters from their alternate selves because they somehow always manage to make things worse!)
As Mira pulls the letter out of Celine's loose grip and starts furiously speed-reading it, Sarang cautiously approaches Celine. She holds out Logger-nim with both of her hands.
"That's very sweet of you, nae sarang," says Celine, only slightly wetly, "but Zoey gave him to you."
"I talked to him, and it made me feel better," Sarang says, and Zoey is so so glad that her idea - her stab in the dark at providing emotional comfort - worked. "I don't need him anymore. You could, um, maybe you can try, uh. I just thought..."
Zoey can't see Sarang's face from this angle, just the back of her head, but presumably something in her expression drives Celine to reach out and take Logger-nim. She looks awkward, standing there holding him like she doesn't know what to do with him, and it'd almost be funny except for the fact that she was just crying and that's just inherently distressing.
"What the hell did Rumi do!?" exclaims Mira, and Sarang flinches. "Not you," Mira hurriedly clarifies, "the other world's Rumi."
"Nothing," says Celine. "She did nothing but her best."
(And Zoey is glad, so glad that Celine isn't jumping to lay the blame on her daughter but also--)
"Rumi certainly seems to think that she hurt you somehow," says Mira, and Sarang whips her head around to stare at her.
Celine shakes her head. "I don't know why she's blaming herself for that night, but what happened between us was not her fault."
"What did happen?" presses Mira.
A hint of steel enters Celine's expression. "It's not relevant to you girls. There's no risk of it happening here."
Mira opens her mouth, but stops when Sarang takes a deep breath.
"So you can stay here then," Sarang says. There is a calculating look in her eyes that Zoey has never seen in her before, but also the sort of desperate relief of someone treading water who has just spotted a rope thrown to them. "You can stay here forever and you won't get hurt like that again." She pauses. Blinks. Licks her lips. "And I won't get hurt again, because you'll be here. And Rumi and her Hunters are successful and have their Honmoon and don't need you and so they'll be fine." Sarang stops and schools her face into a pleading expression that reminds Zoey of a starving Victorian orphan. "I--We need you and they hurt you and so it's better for everyone if you stay!"
Celine’s expression twists in what Mira can only identify as undisguised horror, shuddering and broken.
And then it’s gone, morphing into pain, into sympathy, into careful weight as she sets the turtle aside and gently puts her hands on Sarang’s biceps, running her thumbs over the skin there soothingly in spite of the tears still stuck on her face.
“Nae sarang, it’s more complicated than that,” she says.
(Mira… does not like the sound of any of this. It’s got her on edge, like she’s a dog and someone just forced their hand the wrong way through her fur. Something is wrong between Celine and the other Rumi, and Celine is lying to them about it. Again.)
“People hurt each other all the time,” Celine says. “Even when they don’t mean to. I hurt you.”
Sarang scowls. “N—“
“Just this morning,” Celine continues, steamrolling right over her, giving her a knowing, maternal look, and Mira doesn’t like it.
“So?” she asks.
Celine’s gaze jerks to her.
“So, what, you can’t be trusted around Sarang and you have to go back?” She throws out a hand, gesturing to Zoey, the words suddenly flowing out of her, unstoppable. “What happened to living with the consequences of our actions? Why do you get held to a different standard? If you don’t want to be around us, then—“
“That is not what I mean,” Celine snaps.
“Then just say it!” Mira snarls, and suddenly she realizes that she’s on the edge of shouting and her heart it beating out of her chest and she can’t—
She takes a ragged breath. Her eyes feel too wide. Stupid, she always does this, fucking—she always loses control of herself.
Sarang is shaking. And Zoey—Zoey hates it when people start yelling, because her mom—
Stupid.
“Some people don’t change,” Celine says, quiet, broken. “Some things you don’t fix. I have failed enough, as a guardian and… and as a Hunter, to know that sometimes, the answer is to cut a corruption out at the root.”
Oh.
Right.
Of course.
Of course Celine’s just been waiting to go back to her own world. Of course. Mira could never—she doesn’t deserve a family. A future.
Of course.
"You're going to cut me?!" Sarang exclaims. Even as she says it, she knows it's off -- Celine and Master are consistent people. Celine has been consistently kind, Master consistently not. And this is Celine, she knows it, but what she's saying -- that's how master used to talk, all the time, about the demon Sarang.
"No!" Celine's eyes are wide and her face twists with the force of her denial, and Sarang is relieved, she is, she knew it, but still. It was the same face, saying the same words, about corruption and cutting it out of the world, and Sarang knows that corruption means -- it means the taint inside of her, it's what Gwi Ma does to humans, it's what makes demons.
"No, Sarang, no, she's--" Mira angrily shoves her hair out of her face. "She's talking about us."
"She's gonna cut you!?"
"No!!" Celine nearly shouts, and Sarang cringes. It's reflex -- if Master was raising her voice then things were bad -- and Celine is not Master but they sound the same. Celine reaches an arm out towards her but then pulls it back and shrinks away. "Mira, this is not about you."
"What's this about then?" Mira spits. "You're talking about... about 'corruption' and we're the ones here with Sarang's blood on our hands. We're part of why she can't even play dodgeball, and you have your versions of us to go back to, better--"
"The responsibility for your actions is mine," interrupts Celine. "Everything that happened in this house is my fault. You were children, trusting the guidance of your elder. The responsibility does not lie with you, but with me."
"What are you talking about!? Your fault!? You showed up two weeks ago! You're not our seonsaengnim."
There is a touch on Sarang's upper arm and she flinches. Zoey pulls back her hand for a moment, and then grabs Sarang's hand and pulls her gently but insistently out of the room. Once they are in the hall, Zoey slides the door to the living room closed and shoots Sarang a wan smile.
"I thought you might wanna get out of there."
"Celine's not going to cut Mira, is she?" Sarang worries. She can still here them, through the walls.
Zoey shakes her head. "No. Celine never--" she cuts off, cringes. "Not with us. Our Celine never hurt us outside of sparring, and I don't think this Celine would either."
In that case... "I don't understand," Sarang says. "Who is she going to cut?"
Zoey's mouth pulls into a flat line and her brows draw together and she does not say anything at all.
“You’re not our seonsaengnim,” Mira says.
“She and I are far closer than you’d like to think,” Celine answers, with a wavering sort of steel.
She recoils. “The fuck is that supposed to mean?”
(Somewhere, distantly, she notes that Zoey and Sarang have left the room. That’s good. That awful, because Mira has scared them off, just like she always does.)
Celine looks at her flatly. “What do you think it means?”
And Mira—fuck, Mira hates that. She’s been the idiot kept in the dark too many fucking times. “Just tell me!”
“She asked me to kill her!” Celine all but shouts. “Rumi got on her knees and told me to kill her like the demon she was because she knew—“And she stops. Blinks against the tears, looking far smaller than she should. “—she knew that I had never been able to love her right. That I have never loved anyone right.”
Mira stares.
Celine shakes, turning away from her, hiding her face, fingertips sliding over the new note. In a whisper, she adds, “I took her soul.”
Finally, stupidly, slowly, Mira asks, “But… Rumi’s… alive?”
Celine nods, sniffling.
Which means… “So you didn’t try to kill her.”
“No!”
Mira looks at Celine. Celine looks at Mira. Mira is pretty sure that Celine has not just figured out that this automatically makes her less shitty than their Celine, at least, and probably Mira herself too.
“That automatically makes you less shitty than our Celine,” she points out.
“Language,” Celine says, which means she’s probably coming back to herself.
“That automatically makes you less bad than our Celine,” Mira corrects.
Celine purses her lips, and neither agrees nor disagrees.
When this version of Celine had first sat Mira and Zoey down and started methodically walking them through how to kill her, days (oh god, it feels like months) ago, it had horrified Zoey but it had made sense. Quite frankly, she's terrified of what will happen if their Celine comes back. Sarang's just beginning to figure out what kind of person she wants to be - there's no way their Celine would stand for that at all. Best case scenario, she builds a new kennel and tries to beat the personhood out of Sarang again. Worst case...
Zoey doesn't know if she can do it - just thinking about it makes her nauseous - but maybe, if it were to protect Sarang...
It'd just be like killing a demon, right??? Zoey's killed tons of those, and according to Rumi they are people after all, so it shouldn't be that different?
Oh GOD. Fuck!!! If demons are people, Zoey has killed so many people.
But like. If she hadn't killed them, they would have killed other people! Non-demon people! And fed them to Gwi-Ma, who is definitely evil! So it was the right thing to do, still. Objectively. Right?
Right???
A light brush against her upper arm jerks Zoey out of her rumination. she refocuses on the world around her to see Sarang staring at her with concern visible in her big brown eyes (only slightly shot through with gold right now).
"Sorry!" Zoey summons a smile. "Sorry! What were we talking about?" Her brain helpfully supplies a transcript, and she remembers where her train of thought had been heading before it derailed. "Right! Cutting! I, uh. I think Celine's gonna cut herself."
It makes horrible sense. During that conversation several days ago, Celine had mentioned that she planned on killing their Celine herself if she could. Which is fucked up!!! But during the conversation just now, this Celine hadn't sounded like she was talking about their Celine. She'd sounded like she was talking about herself.
And this Celine's mind had immediately leapt to murder when discussing how to deal with her alternate self. She didn't seem to spend much time thinking about any other possible solutions. It makes sense. She's a Hunter. Her skillset is singing, dancing, and killing. And they certainly can't sing their way into making their Celine treat Sarang well, so...
Their Celine used to talk about Sarang like that, calling her 'corrupted', and held no regard for her life - it was an unspoken assumption that the golden Honmoon would end her. Which means that if she's using that same sort of language to talk about herself, and she only has those tools at hand...
Zoey meets shocked golden-brown eyes and says, "I think Celine's planning on killing herself."
“But…” Sarang’s words fail her. She stares at Zoey for a moment, trying to wrap her mind around the concept, trying to find any kind of support to wrap herself around, any direction in which to move.
And then she bolts, straight back into the room from which she’d just been led, diving straight for Celine before her training and sense can catch up with her.
She wraps her arms around her, tight, doing her very best to mimic the chains that Master had put her in so many times.
Celine’s wrists twist, and its—Sarang’s rudimentary grip is broken before she can even think.
“I—Sarang, what—?” Celine blinks at her, her hold on Sarang’s wrists loosening.
(Sarang’s good sense catches up: there is no world where she could’ve held a Hunter. She is lucky that this didn’t result in a lot of pain.)
(But it did not, because Celine is kind.)
“You can’t die,” Sarang says, desperately. “You can leave if you want, you don’t have to stay her with me, it’s okay, but you can’t kill yourself, please, you can’t.”
Celine blinks again.
“You’re good,” Sarang tries, even if her words are clumsy and dumb and not worth much at all. “You can’t kill yourself.”
“I… Sarang…” Celine says.
“Also, I’m pretty sure you can’t argue with her about you being less bad than our Celine,” Mira says, which Sarang hadn’t even known was a question.
She nods fervently, half-burying herself in Celine’s chest in the process—it might be smarter to get away before Celine’s patience runs out, but she would rather press her luck and make sure Celine’s alive, right now.
“You know, since you never met her and Sarang had to deal with her for her whole life.”
She nods some more.
Celine hesitates, and finally, her hand lands in Sarang’s hair. The warmth spreads down from it through her entire body.
Minutes pass in silence as all of the girls stand there. Zoey against the wall, Mira in a stand off ready to fight something. Celine standing with Sarang. "You need to protect the Honmoon." Celine said, gently. Her voice becoming calm. "That is the job of a hunter, of all hunters throughout the generations." She stood there, in the living room, a hand in the purple hair.
Mira looked up at her. "So?" They were told this already, by their Celine. It was why they trained, practiced, rehearsed. They would become a group, together, be as one, a family.
"So," Celine continued, her voice stilling, her hand resting on Sarang. "it means that as hunters you have to protect the Honmoon, and not let it weaken or be damaged. You need absolute faith and trust in each other. You have to work together. You three are a team and need to protect each other so that nothing can separate you or break you apart. Even me."
"But that wasn't you." Mira said, keeping her voice even, not wanting to scare Sarang.
Sarang, who also says. "You are nice. You won't hurt me." She did hurt, but it never lasted. And she apologized. Unlike the other one, who she didn't want back.
"The Honmoon is all that matters." was all that Celine said. This was what she told her hunters, the hunters she hurt, these were the same but not, and her girls did it. She maybe better than the Celine that they knew, but that did not make her the good Celine. She made Rumi think it was okay to ask-
"Girls. May I please go to my room?" she asked, calm, even.
"Yes." Zoey just wanted this to stop. This conversation. This day. to go back to the practice room where they played and danced and ate fruit.
"No." Mira knew this would fix nothing, and after what she was talking about, this woman was not leaving her sight. If Celine could not take charge, she could.
"No." Sarang was always allowed to say no. If she explained why. But she didn't know how. Her mind was running like when she ran with her no don't stop can't stop, her chest was tight the ball hurt and then she fell but she was okay. Celine's voice was even, calm, like the other one when she wanted you to answer a question. When she expected you to know the answer. When she needed to get ready for her punishment. But this was different, she was different, this Celine was good. How can Sarang put it into words? If she can't say why it's a no then she won't be read to tonight. She wanted that, even though she got it when she took the note, and that was bad bad bad.
"You cannot go because, we need you." Sarang says. It is all she can think.
"You are...our mentor. and manager." Zoey reinforces. Her voice is quiet, and head down, but her voice was still there.
"I'm working on the new manager, someone I hope is good to you and I know will be an excellent manager."
"No." Sarang said again. But she had words. "We want you."
Who could ever want me after all of the hurt that I have caused?
---
*bow* thank you for @secondtolastrow for inspiring this, it is giving me a place to put Celine thoughts.
Celine finds herself thinking—loud and intrusive and how could she get distracted at a time like this?—of trying to explain to Rumi that no, she couldn’t have dessert just yet. Or yes, Cece was very sorry, but she wouldn’t be able to pick her up that day, she had to work.
And Sarang is not Rumi, but—
(Can she keep herself from treating her that way for ten minutes?)
All of this stumbles out as “I need to lie down.”
“Yeah, well, we’re still not gonna leave you alone,” Mira says, and Zoey says something about water, and the next thing she knows, Celine is in her bedroom and—
—and Sarang is kneeling on the floor.
“No, you don’t need to do that, please, you shouldn’t—“ she says, and all of this is clumsy and her head hurts and Celine had a plan, it was ugly but it was graceful and it would’ve worked.
And now Sarang is climbing onto Celine’s bed and looking at her with big, wet eyes. She doesn’t understand that she wouldn’t really miss Celine if she were gone, that it would be better for her.
Celine should explain. That she meant that Sarang didn’t have to stay, and never had to kneel. The way she’d explained so much better those first nights after coming to this world, because Sarang might not have ever been in her bed when Celine woke, but she’d come to understand that the second bed was for her.
But Celine climbs on, giving Sarang plenty of space, and thanks Zoey for the water.
Zoey looks like she’s about to cry too. Even Mira, when Celine looks at her in the doorway. Celine should fix the situation. She should tell them not to worry about her. To go do something else.
Her words seem to have abandoned her. It’s been a long time since she was in such a state.
Nonetheless, like she can read Celine’s mind, Mira’s face hardens a bit and she walks over to settle herself on the chest at the foot of Celine’s bed.
It’s not—
They’re only children. It’s not right for them to be looking at her with such worry.
Apologetic, and disgusted that all she can do is something so small, Celine reaches out a hand across the bed.
As she closes her eyes, Sarang clings on, foolishly mistaking her for a safe port in the storm.
Blood cult Rumi things:
Learning about the history of paper planes and how they’re actually older than planes, people used to call them paper darts! She thinks this term is clearly superior
Vaccination arc where she’s delighted by how accessible medical care is now and by how good they are at medicine now but gets really concerned and confused when someone mentions how the vaccination regime is mandatory—surely that can’t be right? Everyone is different, how could one apply the same treatment to all people and expect good results?
Getting really offended the one time Zoey compares her to a knight bc she is not a dog of the state thank you very much and totally missing that it’s because she’s a gallant and romantic hero
Being used to going to sleep after dark (bc it was expensive as shit and very hard to provide any light) and getting up around sunrise (you’ve got shit to do!!!), and thus will conk out on Mira and Zoey and force them into a more reasonable sleep schedule
Also verrrry confused by the way time is measured with such precision and the fact that the start/end of a day is now midnight. Like it’s cool and all but what the fuck do you mean you changed how time works
Killed a man for the first time at fourteen. That’s previously established but still
No but like (as @serpentbeardwrites and i were discussing in the dms)
Rumi learning about the style of plate metal armor usually used to portray medieval knights and just being like “oh i could shell them like abalone” totally disgusted at the comparison still
The girls getting to go to the beach and Zoey and Mira teaching Rumi how to swim freestyle bc it didn’t start becoming widely known until the 1800s and she’s so impressed with how efficient it is
Once she stops losing her mind over modern swimwear, anyway
(Both in the fun way and the “sensory issues are making this hell all of this is evil” way)
Mira giving Rumi a box of glow in the dark stars. My parents never let me have these I always wanted them, and Zoey wants to know what the constellations were like. It’s no big deal if you don’t want them ofc it was stupid
Rumi just sorta staring at the box for a minute before she’s like. “You do not think… it is indulgent of me? Towards this weakness sod my spirit?” and Mira’s like “Rumi what the fuck I just want you to get some sleep”
And then they put up the stars together :) with lots of very necessary touching :) Rumi has to show Mira exactly where the stars were after all :)
Rumi making a whole star chart and precise coordinate grid of her ceiling and Mira and Zoey sitting there watching her feeling Extremely fucking soft about it
Rumi casually lifting Zoey up by her hips so she can get the ceiling. Of course this is the easiest way to get there why would they drag a chair in? Someone could fall!
And there’s not even a hint of exertion just. Up
"Gee Rumi how much do you bench?"
Rumi doesn’t know what they mean and Celine’s place doesn’t have a gym so they just wander around lifting different objects until someone gets the bright idea to look up the closest gym
And go check out their weight room
I wouldn’t be shocked if I suggested this kind of AU already but I’m curious about an AU where Miyeong and Thirdlight do die and Celine just….doesnt really know what to do with herself anymore. During one hunt, she ends up helping a smaller demon because she physically doesn’t have the energy to fight any more. She just doesn’t realize that smaller demon was a child (Rumi).
Days later, Celine still hasn’t left her house and suddenly hears banging on her steps. She assumes it’s just an animal or the wind but she still decides to go check and opens the door to the same little demon from before staring at her with a giant grin and basket of fish. Celine is determined to go back into her house and collapse onto her couch but the young demon is determined to thank Celine somehow for saving her life.
(Rumi’s reaction to Celine rejecting her gift)
- @raidintombs
Rumi just wants this human to accept her gifts but she never does. She either tosses them into the forest or ignores it and it just pushes Rumi to keep coming back and trying to get Celine’s attention. She wants either her attention or for the human to be happy, either one would be enough.
As far as Celine accepting her gift (and Rumi) that’s gotta happen when Rumi comes to the house with a gift and Celine isn’t home. Celine returns hours later and finds Rumi shivering on her steps and brings her inside. Finally using the food Rumi brought to make a meal for herself and Rumi.
- @raidintombs
Celine returns to the house, she’s tired, hurt and a little drunk. Her whole plan was to just go into the house and fall into the couch and not get up for hours (maybe tend to some of her worse wounds first but she can leave the others alone for now). It’s not a great plan but it’s one that has worked before and will probably work again.
Imagine this is the first time Celine has sat at the table to eat since Miyeong and Third’s death? She gets home, sees Rumi and she doesn’t really have the strength to tell Rumi to leave so she lets her stay and makes her some food, putting her own gas station food to the side for now. When she’s done cooking, Rumi is at the table because “isn’t this where humans eat?”. Celine gives her the plate of food before sitting down herself to eat. Even eating Rumi still has questions but this time it reminds her of sitting at the table with her former soulmates and how they’d laugh and talk for hours.
Rumi falls asleep not 30 minutes later and Celine tucks her in on the couch. (The child demon might be working her way to endearing but she’s not allowed in Miyeong or Third’s room ever and her own room is not in a good enough shape for Rumi to sleep there). There, watching Rumi, who’s happily curled up under the blanket, Celine falls asleep for the first time in a long time not completely in pain.
Also you do not have to apologize for the word vomit! I love these ideas!
How much discourse do you think there is in the kpop demon hunters universe over Huntrix's breakup? I assume half the fans are analyzing every second of footage from the last three years looking for signs of tension and arguing about the whose fault it was and half the fans are posting that it's actually kind of fucked up to ruin the Idol Awards with a fake onstage breakup just to build up to dropping a new song, even if it is kind of a banger
@sagewiththyme You know that's a fascinating point because I figure the two options are a) no one really remembers what happened at the end because of magic bullshit or b) they play it off as a really elaborate but fully planned performance.
And the second one - can you fucking imagine.
Imagine one of the most popular bands in the world have this ongoing lore bit that they're actually demon hunters and they're always referencing it in their songs. And then one day a new boy band pops up and gets wildly popular with an over-the-top-cutesy hit. They're so soft and sweet and respectful. They're called Saja (Lion) Boys and they're all like "join the pride!" How cute!
And then they announce a new concert and you get there and it's fucking this. They're all dressed as demons/grim reapers. Surprise, "Saja" meant Jeoseung Saja all along! They're singing about how they're here for your soul and they relish in your pain, just a stunning 180 from their previous personas.
And then while you're trying to process the emotional whiplash the fucking demon hunter band bursts in and beats the shit out of them with the most insane pyrotechnic show you've ever seen in your life. They "kill" the boy band demons and then you never see them again. The whole band was a fucking psyop for Huntrix to play up the "demon hunters" bit.
I would never recover. The cheesiest fantasy power metal band has NOTHING on that level of commitment. I'd be stanning Huntrix for the rest of my life.
[ID: A comment by @sagewiththyme that says, "Didn’t they also say that the Saja boys were fighting onstage and that’s why they swapped time slots with the girls? Double breakup and makeup type thing". End ID]
"Yeah, the Saja Boys were a fake band. We paid them to steal the limelight for a little bit while Rumi's voice was out of commission. We thought it would be a cool setup for a triumphant return, you know? The cute little Lion Boys end up being secret demons trying to steal your souls, and Huntrix steps in and slays them in a triumphant return? ...Yeah. We planned it all, the songs, the heel-turn, the special effects, the whole shebang.
Except, uhhhh. We didn't expect them to get so popular so fast? They For Sure weren't supposed to make it to the final round of the Idol Awards. Like, for Legal Reasons. We were almost visibly panicking on stage when they announced that! I mean, do you know how it would look once it eventually came out that Saja Boys were working for us? "Oh, you planted a fake band so you could win the competition!" No joke. I mean, that is a pret-ty clear conflict of interest there. You know?
The Idol Awards are all about the fan's choices, and we just accidentally rigged the game.
The Saja Boys had to win the Idol Awards, now, but there was no chance. They only had two songs, Soda Pop and Your Idol. We couldn't have them push up the debut--I mean, we thought about it, Your Idol's a banger song and it totally would've given us a run for our money--but we'd have to follow it up with This Is What It Sounds Like, first off, and second, 'killing' the Saja Boys onstage would be like. The Media equivalent of announcing we won, like the Fans didn't have a choice in the matter. At the Idol Awards? Ha. Yeah. That's a no-go.
And I mean. Soda Pop is catchy but not that catchy guys, c'mon. We were totally gonna cream them with Golden.
So we were all scrambling. Rumi and Mira and I were trying to write and choreograph a brand new song, Takedown, something good but not Good Enough To Win, to maybe prolong the Rivalry, you know? To make our comeback all the more sweet. But it was all such short notice, and the song wasn't working, and Huntrix never gives a shoddy performance, on principle. We couldn't do it. But it was looking like the only way we were gonna legitimately lose was if something... happened during the competition.
And then Rumi had this brilliant idea..."
Memes
And then it becomes even more complicated once it’s been awhile, and it becomes clear that no one’s heard anything from any of the “real” boys since the awards.
Like, obviously the Saja Boys weren’t a “real” band, so it makes sense they’re not coming out with new music, and since they’re “dead”, of course all their official band accounts have gone quiet, but like… someone would have had to be portraying the band members, right? Even if you wave that off as them being some of the same actors who portray the “demons” at their concerts, someone would definitely have to be lending their voices for the songs. Who were they? They couldn’t have been well-established in the industry, otherwise they’d have been recognized too quickly and the ruse would have been up, and something like this would have been a huge break for new performers.
So why’d they just disappear?
Where are the actors?
I’d imagine this would never gain too much traction within the fandom, but it still lingers long after the dust has settled and the scandal clears up. Go deep enough into the comments on any HUNTR/X-related posts, and you’ll find someone commenting #WhereAreTheBoys.
Also, what if the movie was released in-universe after the fact as like a dramatization of the whole thing. I’d be losing my damn mind.
Mira: I realize many of you are worried about Rumi’s new tattoos. We are aware of the…uncomfortableness that you all may be feeling and while we appreciate everyone coming up and telling us about their worries-
Person: I-
Mira: The next person who does, I’m gonna have to murder.
Chapter 5 is out now!!
I have a flight to catch, but I can’t leave for a week without updating something for y’all, right?
Mira core