warmer corners

Laura. I want to see things, do things, smell things, touch things, feel things. I write, cook and lie down a lot. I have a small and wonderful life.

[heavensghost]

lucky

[samuliottohenrik]

Second edition of Hilla Kurki's Almost All the Flowers in My Mother's Garden. New dust jacket riso printed at Vallilan seripaja. Published by Khaos Publishing

[weltenwellen]

Anaïs Nin, Fire: From “A Journal of Love”: The Unexpurgated Diary of Anaïs Nin, 1934–1937

[warmfigure]

my very talented friend emma came over recently and took photos of my home

i think she captured it so perfectly

[lionfloss]

By Kohl Donnelly

[eviecahir]

Right hand side of a recent BrainDump. Lot’s in this one; theres Homer climbing in the lounge room window, a cherry red coloured lamp I am on the look out for, Pokemon, ideal slippers, a negroni, a budgie screaming at itself in the mirror and a self-portrait of me in the sun in my jimjams with a tea. This original piece is available via my online store: 

https://eviecahir.bigcartel.com/product/orchids-and-slippers-swipe-for-other-side

[geopsych]

That one glorious morning.

[learnelle]

Pretty bookshops in France, vol. 2

[semioticapocalypse]

John Tlumacki. An unusually warm dday in Boston. 1985

[botanize]

Joel Meyerowitz - Dairyland, Provincetown (1976)

[ihatethistree]

My boyfriend is taking a shit and a work phone call. Stinky and efficient.

[teraokanatsumi]

[lionfloss]

External shots of botanical gardens by Swiss photographer Samuel Zeller

[thunderstruck9]

Bruce Cohen (American, b. 1953), Untitled, 1979. Oil on canvas, 66 x 42 in.

[fragrantblossoms]

Paul Jones (Australian, 1921-1997). Flowering Gum, 1984. 

[askebos]

“I’m very interested in emotions like sweetness, which have no place in the pantheon of educated concerns, and yet are very important to me. Sweetness is the opposite of machismo, which is everywhere—and I really don’t get on with machismo. I’m interested in sensitivity, and weakness, and fear, and anxiety, because I think that, at the end of the day, behind our masks, that’s what we are.”

— Alain de Botton

[nevver]

Meltdown (90% underwater)