Come sempre,
Da sempre
siamo attratti
dalle
Illusioni.
Neghiamo
la realtà e
preferiamo le
proiezioni.
-A. M.

pixel skylines

Andulka
EXPECTATIONS
Lint Roller? I Barely Know Her
let's talk about Bridgerton tea, my ask is open

oozey mess
KIROKAZE

gracie abrams

@theartofmadeline
Cosimo Galluzzi

Kiana Khansmith
No title available

bliss lane
Today's Document
h

Game Changer & Make Some Noise
YOU ARE THE REASON
Cosmic Funnies

ellievsbear

izzy's playlists!
seen from Venezuela

seen from United States
seen from United States

seen from Colombia

seen from United States

seen from United States
seen from Brazil

seen from Lebanon
seen from United States
seen from Latvia
seen from Costa Rica
seen from United States
seen from United States
seen from Brazil
seen from United States
seen from Czechia

seen from Brazil

seen from Tunisia

seen from Canada
seen from Saudi Arabia
@ilmestiere-divivere
Come sempre,
Da sempre
siamo attratti
dalle
Illusioni.
Neghiamo
la realtà e
preferiamo le
proiezioni.
-A. M.
Time Witness by Stefano Barattini
Stefano Barattini’s project refers to transition spaces, places sometimes left behind, exposed to a possible mutation. These places go back to a vague time, exploring an abandoned condition of which we appreciate the aesthetic dimension.
The search of these places has expanded without interruptions, including a large variety of typologies such as: sanatoriums, villas, farm houses, mental hospitals, factories and prisons in a state of complete dereliction. The main cultural purpose is to keep photographic traces of an artistic and architectural heritage which is going to be lost in demolition, destruction or severe renovation.
David Bowie outside the Carlyle hotel in New York in the early 80s.
Photograph: Art Zelin/Getty Images
Photos by Stefan Almers
http://cattogallery.co.uk/cattobelow/exhibitions/stefan-almers-bowie-photographs/
(poesie urbane)
Rolling Stone Readers’ Poll: The 10 Best David Bowie Songs
source
Hagopian Ink business cards are just beautiful!
Back in the U.S.S.R.
German photographer Peter Ortner has spent seven years documenting 500 bus stops across former Soviet countries, including a triangular pavilion, a winged shelter and several colorful mosaic designs.
Ortner visited seven former-Soviet territories including Uzbekistan, Azerbaijan, Georgia, Armenia, The Crimea Peninsula, Ukraine and Moldova to create the Back in the USSR photo series. Unlike the grey concrete buildings often associated with socialist architecture built throughout the 20th century, Ortner found an eclectic, colourful micro-architecture that emerged on the roadside.
Described as “jewels”, the bus stops allowed the architects to experiment free from the pressures of socialist Moscow. “This underlines the autonomy of the republics and ostensibly goes against the centralism of Moscow,” said Ortner. “It seems as if a little free space for architecture opened up here, in the face of all centralist planning.”
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November 25, 1991 | Hilversum, The Netherlands
David Bowie performing on stage as the Thin White Duke, 1976.
omg look at this cutie
Photo’s © Ray Stevenson
Winter In Squares
German photographer Kilian Schönberger has captured stunning winter views through rural Central Europe. Snow, frost and ice have transformed the landscape, everything appears like an ink drawing. The photos were captured in Germany, from the coast to the Alps.
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David Bowie, Palace Theatre, Detroit, David Slania, 1974
The Art of Fred Guillaud
Fred Guillaud (b.1973, France) is a photographer, architect and teacher living in Barcelona, Spain since 2000. His urban landscapes shot exclusively on film are admired for their atmospheric banality and visual appeal.
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A lad insane