This is a mood.
DEAR READER

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pixel skylines
he wasn't even looking at me and he found me

Kaledo Art
AnasAbdin

ellievsbear
RMH
🪼
Xuebing Du

JVL
noise dept.
PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"
Cosimo Galluzzi

@theartofmadeline
NASA

#extradirty

shark vs the universe
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@insane-wolprincess
This is a mood.
🔊 As requested by @oldonemaster
Every woman in every Disney/Pixar movie in the past decade has the exact same face
So when I saw this picture for the new Pixar movie Inside Out,
at first I thought the characters were three women and two aliens, but after seeing the trailer I realized the purple and red things were supposed to be dudes. After tracing their faces, I figured out why I was so weirded out:
The two male characters have extremely distinctive face shapes, while the three female characters basically have the exact same shape; round with a small nose.
Now everyone has read about the Elsa/Anna/Rapunzel face debate, but I wanted to see just how far this face thing went. And boy does it go far.
I took pictures of both male and female characters from recent Disney/Pixar movies:
And then traced both of them. Look at the diversity of male face shapes:
AND THE ABSOLUTE FUCKING RIDICULOUSNESS THAT IS SHOWN HERE:
WHAT
THE
FUCK
Just take a second to scroll up and look back at the original pictures in case you think I’m joking.
Apparently every Disney woman is a clone/direct descendant of some primordial creature with huge round cheeks and a disturbingly small nose, because there is no other explanation (yes there is(it’s lazy sexism)) for the incredible lack of diversity among these female faces.
DISNEY.
WHY DOES EVERY WOMAN THAT YOU HAVE CREATED IN THE LAST DECADE HAVE THE EXACT SAME FACE SHAPE? AND DON’T TELL ME IT’S BECAUSE WOMEN ARE HARDER TO ANIMATE. STOP ASSUMING EVERY WOMAN HAS A ROUND BABY FACE AND A SHORT CUTE BABY NOSE. YOU CAN’T KEEP GETTING AWAY WITH THIS. GET YOUR SHIT TOGETHER.
TL;DR: Boys in animated movies have faces that are square, round, skinny, fat, alien-looking, handsome, and ugly. The only face that girls get to have is some round snub-nosed baby face. That’s not right.
I lined up the noses once more to drive home a point.
This is what annoys me most with Disney/Pixar. It reinforces the idea that men can be charismatic in various ways, but women need to conform to one narrow model to be considered beautiful.
dreamworks often has this problem too (look at the women in httyd) which leads me to believe animators genuinely find noses and chins as a concept unattractive. which is just. really weird. we’re headed towards a platonic ideal woman where her face is completely flat
BEHOLD
THE “IDEAL” WOMAN
Have you considered
look i’d have made that reference bc i’ve seen images of that before but like
what even is it
where is this from
M O I S T U R I Z E. M E.
“Where is this even from”
How are we in a timeline where people just don’t know about the mighty Cassandra, Bringer of nightmares to children since 2005?
Is this a thing or am I just too weird?
I just discovered that non-binary dysphoria is a thing? And it makes so much sense to me? I consider myself androgynous and non-binary. I always struggled with things of me being female at birth and I thought I could eventually be ftm but that never really fit with me. And now it feels like an explanation for all these weird and uncomfortable feelings and situations... I am sitting here on my bed and having one of those moments of realisation. It's so weird but yet feels like this is an explanation for a big question I really needed. I hope that makes at least some sense and I hope other ppl with similar experiences find this random tweet so I get to know their stories....
PEGGY CARTER/CAPTAIN CARTER in Marvel Studios’ WHAT IF…?
Can I just state how much I love the fact that, as the fandom settles into itself again post tv show, artists are drawing Aziraphale being chubbier?
Every fandom I've been in before goes the opposite direction. Characters get progressively more streamlined, buffer, and younger as time goes on. There's nothing really wrong with that, people can headcanon and draw however they like. Whatever makes people happy and doesn't hurt anyone else is all good.
But Good Omens has beautifully looked at that phenomenon and said, "nah. I'm good." People have gone from a soft face and idealized physique to "THICC ANGEL!" even artists who started drawing him chubby have gone on to draw him straight up fat now.
It's fucking beautiful.
Not really sure what makes Good Omens like that, but it's my favorite fandom so far if only for the absolute adoration people have for the soft, chubby angel who's just enough of a bastard to be worth drawing.
Anyway, just something I've seen a lot more of lately and I'm happy.
Okay HOLD THE FUCKING PHONE
You're telling me that extended scene wasn't even planned??? They just took a knee?? Are you JOKING?? AM I CRYING??? YES??
They don’t suspect a thing.
My two moods when someone mentions Tony Stark
Love is not an emotion, …love is a promise.
Been awhile since I’ve done a fully rendered piece and I’ve been so inspired lately so what was supposed to just be a sketch turned out as a little bit more of a undertaking. Crowley seems to be my muse.
Prints available on my society6 shop! https://society6.com/robinrblake
Thinking of doing an Aziraphale companion piece, thoughts?
louisa may alcott, w. h. auden, jane austen, james baldwin, charlotte brontë, lord byron, truman capote, willa cather, emily dickinson, e. m. forster, langston hughes, christopher isherwood, henry james, federico garcía lorca, christopher marlowe, herman melville, edna st. vincent millay, wilfred owen, marcel proust, mary renault, arthur rimbaud, siegfried sassoon, william shakespeare, gertrude stein, alfred lord tennyson, henry david thoreau, walt whitman, oscar wilde, tennessee williams, virginia woolf
what do all these beloved classic authors have in common? that’s right. none of them were straight. not a one. every single author on this list experienced same-gender romantic attraction during their lives. literary tradition is a hundred times more queer than what your high school english class would ever let you know
doodles
They’ve both been women before. It was a while ago for Crowley, even longer for Aziraphale.
But it has happened.
Aziraphale mostly does it out of necessity. They’ll change their gender presentation every other century or so, when they really have to, but mostly they just present to humans as masculine, because it’s so much easier. They prefer to remain sexless, thank you very much. It’s nicer and cleaner and more convenient that way. Azira’s heard the humans call that sort of thing ‘agender’ before, and they like it very much.
But Crowley? Crowley adores gender. They find it charming. Quirky. They always want to try on something new. They get twitchy when they’re stuck presenting one way too long. It just doesn’t feel right. So they’re always switching. Man, woman, nonbinary, bigender, pangender… Crowley’s always somewhere in-between all of them, really. They adore every last one.
Right now, Crowley’s decided to be a woman for a little while. She hasn’t been one in ages. And Azira, bless their angelic soul, decides to be a little more feminine, too. Because the last time Azira presented femininely was sometime around the Old Testament, and they figure it’s time to switch things up a little.
Crowley likes being a woman. She really does. She loves dresses and long red hair and making her voice just a little bit higher. She adores makeup (not to say she doesn’t wear it when she presents masculinely - but there’s something different about wearing it as a lady, isn’t there?) and she tries a new shade of lipstick every day.
When Azira presents femininely, not much changes. They still wear a suit most of the time, and most of the time it’s not very different from when they wear a man’s suit. But they’ll do things like don kitten heels and maybe move their voice up a bit higher (though still keeping it rather neutral) and maybe, just maybe, on the rarest of occasions they’ll wear a skirt. But they never go all out, not the way Crowley does, with the pronouns and the anatomy and all that. That’s just a bit much, in Aziraphale’s opinion, although they love that Crowley gets so enthusiastic about it.
Like, there was one day when Azira was just quietly reshelving books in the shop (moving titles around so that frequent customers wouldn’t be able to actually purchase them, normal business practices) and Crowley came in dressed in a marvelous gown and was just so incredibly excited, because “Ohmygod angel did you know the humans have a word for this gender? They call it ‘demigirl’ and I think it’s marvelous and I’m trying it out and I do absolutely adore it!” and Azira had Crowley sit down and they got her a cup of warm coco and listened to Crowley go on and on as they reshelved books.
“And did you know they’ve got support centers for people like that in London, now?” Crowley said. “That’s where I learned the new word. These support centers are great. Got programs for humans who are… oh, wuzzer word… transgender, yes that’s it! And if you’re anywhere under the trans umbrella you can go and get support, and help if you’re in trouble? It’s absolutely marvelous ‘Zira we ought to go sometime, y’know, miracle the place up, give them some more money, they’re a charity ‘Zira you could do it and put it down on your report…”
And this sort of thing happens quite often, actually, and Aziraphale is always so happy to listen to Crowley go on an on forever about the things she’s learning. One day Crowley comes back with a few stickers and some flags for Aziraphale, saying “I picked these up for your shop, figured you could put them in the window,” and Aziraphale asks what they mean.
And Crowley explains how the sticker with the blue, pink, and white striped pattern means ‘transgender’ and how the one with the rainbow means ‘gay’ and how Azira might want to stick them on the door of the shop to let people know they’re welcome, and Aziraphale says something like “That sounds like a lovely idea, dear girl,” (because Crowley is indeed presenting as a woman at the time) and so they put the stickers on the shop window, and they hang some of the flags Crowley got them inside, and Azira thinks they look rather nice.
“Thank you, dear,” they say to Crowley, giving her a little kiss on the cheek. And Crowley’s blushing behind her sunglasses and she says a quick “No problem” and Aziraphale has to hold back a giggle because it’s just so amusing how flustered Crowley gets sometimes.
Then Crowley has to go off on business, and Aziraphale keeps up the shop like usual. But some things change.
Aziraphale starts noticing that younger customers are beginning to frequent the shop. Even if they don’t buy anything, even if they just sit on one of the sofas or soft plush armchairs with a book and or a laptop or their homework, and they just kind of hang out. Azira’s not used to getting people in the shop at all, really. Not people with short dyed hair and small rainbow pins and chipped black nail polish and handmade bracelets with similar patterns on them as the ones on the flags in her shop. Normally, the smell of mildew and the bad lighting and the cramped nature of the shop scare teenagers off. Now, there’s a few who may as well live there.
It becomes so commonplace that there’s almost always a group of four or five that hang out in the shop every evening, and Azira starts to extend shop hours a little later so that the kids can stay. The angel learns their faces and offers them coco and recommends books, and the teens are surprised, because the bookshop owner’s never talked to them before. But they accept the coco because it’s coco and they keep up conversation with Aziraphale about school, and Aziraphale grows to really enjoy their company.
One day Crowley comes in when Azira’s talking to the kids, and this time Crowley’s presenting masculinely, and he comes in and gives Aziraphale a little hug and a little kiss and the kids are shocked to see how casual the two of them are together.
“This is my partner, Crowley,” says Aziraphale, introducing Crowley to the small group of teenagers.
“Hullo,” says Crowley.
The kids are too stunned to say anything, because they’re not used to seeing older people in queer relationships. It’s not something in their media, in their lives, it’s not even something they see in their future - most of them are living in homophobic households and can barely imagine themselves living another year.
“I think I’ll be closing up shop a little early tonight,” says Azira.
Another time Azira’s taking inventory and the group of teenagers is in their shop again, eating some snacks Aziraphale put out for them (because Aziraphale thinks everyone needs snacks) and Crowley comes in again but this time she’s a woman, wearing a short black dress and killer heels and she says “Hello angel,” and then greets the kids as well, and now this group of queer teens is absolutely losing their shit over how excited they are because holy shit Crowley’s fluid and they’ve never met a grown-up genderfluid person before, and it’s crazy. And they ask Crowley how to bind and how to come out and how to deal with casual homophobia and Crowley’s spent enough time in the community to have pretty useful advice to give them.
It’s wonderful, really, how happy Crowley can make people just by being herself.
Aziraphale’s inspired to start a bookclub. Not anything big. Just a little one, a bookclub for the LGBT kids who frequent their shop.
They meet almost every day.
Azira serves coco.
A true fashion hoe