nip over to troy, bit of rough and tumble, big horse, bish bash bosh, back home to ithaca. simple as

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@intsxn
nip over to troy, bit of rough and tumble, big horse, bish bash bosh, back home to ithaca. simple as
A 75 yo man proudly came into the cafe wearing an Ultra Maga hat. I excused my barista from the register to handle the transaction.
"The hat is customizable," he said, struggling with the velcro patch on the front. "If I need it, I have an ICE one too. I pick based off the business i walk into."
"Customizable is an important hat descriptor," I said. "what can I get you?"
"You wouldn't believe how offended people get these days," he said. "And I'm supposed to do something about it if you're offended? You chose to be offended!"
"We all have hundreds of thousands of decisions everyday," I said. I thickened my accent. "That's what my stepdad always said. But I can make one easier - we have a delicious Ethiopian roast available."
"Like if I told you you have a bull ring," he said, "because bulls have rings in their noses. Is that offensive?"
I laughed. "I've heard that before."
"It's a joke, but people get offended. Maybe you're offended."
I looked at him. I smiled. "You aren't trying to offend me though, right?"
Of course he was. I was being friendly and the friendlier I was, the faster he switched topics. He was saying anything inflammatory he could think of to see if I'd take the bait. After about 20 minutes of my redirecting and deescalating, he settled into a more normal interaction. He took up too much of my time showing me a product I'd feigned mild interest in to get him to stop talking about getting accused of inappropriate behavior at work. When we finally disengaged, he spent 10 minutes trying to catch my eye again. When he failed, he left.
There's this new breed of customer who insists on trying to incite political conversation through their clothing and, when that doesnt work, their snide little comments. If I owned my own business, maybe I would have given the guy the fight he wanted. But I work for a corporation and I love paying my bills so I deescalated.
Anyone wearing that type of shit and preying on workers for their own spank bank material is a brainless fucking sheep.
something i want to mention because i’ve seen it growing as a trend online is that not only do people do this just for their own gratification, but watch for glasses. smart glasses are a growing segment of the consumer market, and creeps like this are harassing people in public in order to gather content without the victims being aware they’re being filmed
good job on how you handled it, op!
i hate it when people mistake "etymology" with "entomology." like, i know where they coming from but it still bugs me
Cottontail Rabbit in the Snow by Joel Sartore.
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Basalt Pebble Carved as a Mouflon, Indus Valley, 3rd millennium BC.
Courtesy Alain Truong
IMPORTANT
i do think lobbying for data centres over climate goals should be considered a crime against humanity btw
Step 1: Remove filters in Reflecting Pool because Obama put them in.
Step 2: Give your criminal neighbor who runs "Greenwater Services" a $20 million no-bid contract to paint the pool.
Step 3: Fill the pool with water from the Potomac River, the phosphates from which cause algae blooms.
Step 4: Freshly sealed pool and extreme heat result in a super scum event
Step 5: Direct National Park Service to dump hydrogen peroxide into the pool which causes the paint to peel.
Step 5: Deploy US National Guard to stop people from taking photos of the swamp as a perfect metaphor for the administration.
you know I never put it together that he built his platform on draining the swamp and then like went and made a swamp and now refuses to drain it
6. Spread conspiracy theories that the Democrats have deliberately sabotaged the pool and arrest whoever pulls out the floating paint chunks as vandals.
Wait. So the Trump administration really cut funding to the program that would research and respond to the spread of New World Screwworm past the Darién Gap because they blamed it on climate change, and left the joint international program to Mexico and the Central American Countries... And are panicking now that it's reached Texas, and only now that the flies have already made it all the way from Panama to Texas are they building New facilities to produce the sterile male flies needed to eradicate the pest?
I'm sorry to everyone who lives on the entire continent.
America is Trump's pump and dump scheme. If he's not getting a third term then he'll break the country for whatever poor soul has to clean up his mess.
New World screwworm had been eradicated from the US since the 1960s, Elon Musk brought it back in a year.
Notably, DOGE cut the funding a few days before the US resumed imports of cattle from Mexico... the imports that had been suspended because of the screwworm outbreak in Mexico. So we've had a year of importing cattle from Mexico during a screwworm outbreak without monitoring the outbreak that we already knew about. Mexico's outbreak is pretty bad btw, and cases have been found not just in cattle and dogs but also humans. I assume the rest of Central America too. Not that many people seem to give a fuck about them ig.
In exactly the same vein, the department meant to deal with things like bedbugs...is now infested with bedbugs.
about to say something mean but i feel like every "male-specific" issue is something that also happens to women its just that a lot of you dont seem to see women as people
women are also feeling lonely and alienated from communities en masse women are also expected to stifle their mental health for the sake of perfomance at work, in relationships, for children ect women are also expected to work extremely hard to maintain a perfect body and perfect health and are punished for being fat/having hair loss/having health issues especially those that affect ones sex life women are also insecure women are also neglected by parents and teachers and authority figures women are also scrutinized for having emotions and punished for not meeting the gendered expectations of our class and expected to climb upwards and overcompensate while being punished for signs of poverty and we get the added bonus on top of, yknow, being women. your emotional issues are not a Crisis Attacking Manhood theyre the way our society is fucking built you just dont see women as people
Early morning Wales.
After I suspected a climate connection to tooth decay, I conducted systematic saliva pH testing across my patient population and documented
agricultural workers in punjab who have to labor in 45°C (113°F) plus heat are losing their teeth as their bodies prioritise cooling through respiration and minimise saliva production.
(h/t @stylo-90)
The rule could have heavy impacts towards trans people across society.
Last week, the Trump administration quietly released a sweeping new federal rule that would use funding threats to force institutions across the country to reject transgender people. The 400-page proposed regulation would codify the administration's anti-trans executive orders into binding federal policy, imposing a blanket prohibition on federal funds going toward "gender ideology"
The proposed rule, formally titled "Regulation for Federal Financial Assistance," rewrites the government-wide framework governing all federal grants across every agency. Among its most consequential provisions, it requires that before a federal grant recipient can receive money, the award must pass a "pre-issuance review" conducted by a political appointee—not a career expert or peer reviewer—to ensure it is "consistent with applicable law, Federal agency priorities, and the national interest." The regulation explicitly instructs these appointees to screen for "denial by the recipient of the sex binary in humans or the notion that sex is a chosen or mutable characteristic." [...] An institution that acknowledges transgender people exist—through its policies, its training, its healthcare, its bathroom access, its HR procedures, its name-change processes—could be deemed to "deny the sex binary" or to “support the notion that sex is mutable” and have its federal funding blocked.
Importantly, the gender ideology prohibition has no age limitation—hospitals could be targeted not just for providing care to minors but for providing gender-affirming care to adults, because prescribing hormone therapy to a transgender patient of any age could be deemed promoting the belief that "sex is a chosen or mutable characteristic."
THIS IS OPEN TO COMMENT UNTIL JULY 13, 2026
This is all very bad and horrible, but I want to be clear that it’s worse and more sweeping than just eliminating trans research.
This torches everything. And I do mean everything.
A very abbreviated list of its ramifications include (but are not limited to):
ending funding for ALL DEI related initiatives
allowing the government to terminate grants at any point for any reason
preventing researchers from publishing, going to conferences, and being part of academic societies
requiring that topics must support the president’s agenda.
What this means, and if anything I’m under selling it, is the death of science and research in America. It allows the government to restrict any topic they please at a whims notice, putting officials who have no background in the topic in charge of deciding funding continuity. It controls what gets researched and if/how researchers are allowed to share their discoveries. There are no books to burn if the government never allows them to be written. This is fascism plain and simple.
Please, if you only ever write one public comment, this is the one to do.
Bringing back this guide to writing an effective public comment. This gives you the basics you need to know, what you need to include, a basic outline you can follow, etc.
Public comments are not a vote, it is a chance for you to say "here is an issue with this law I think you need to address" and provide justification for legal challenges if it goes forward:
"Comments raise the bar that agencies have to meet when making a rule; “if an agency fails to adequately respond to significant, relevant comments in a final rule, members of the public may seek to challenge the rule in court on that basis and claim it could be struck down.ˮ"
But also, if possible, don't stop at writing a comment. Don't stop at calling your representatives. You should ideally be talking to people in your community about this and organizing resistance on-the-ground; there is a good chance people are already doing that even if you aren't hearing about it.
Also, please keep in mind, this is 100%, without a doubt, wholly unconsitituonal. They will try to enforce it regardless, but that does not make it legal. Do not treat this as law because it is not.
Would you be willing to tell a little bit more about what blind spots authors of kids' books have in their work? (You mentioned it in your reply to the author asking how to get their book into their local library, which I found very kind and informative).
For me, I would say the most common blind spot I run into from would-be children's authors is if the book is written from a place of authority, correction/dogma towards children rather than joy, genuine help/compassion, or curiosity.
For me, the author whose works most exemplify this is Julia Cook. Not only are her book's illustrations ugly as hell, but they heavily focus on correcting bad behavior in kids, usually with an overarching theme of "You're having a hard time making friends because you're loud/annoying,/unable to take responsibility/any number of things that it's perfectly natural for a kid to be because they barely have a concept of self yet, let alone awareness of other peoples' experiences and needs." I feel these books ultimately operate from a place of shame towards their audience and it's baffling to me that so many parents are like "Yes! That's exactly the book my kid needs!" On top of all that I feel like Julia Cook's books are also overly-texty. I think the blind spot here is that a lot of would-be kid's authors think they've figured out an approach to correcting kids' behavior, but they actually haven't been able to separate their own frustrations from communicating more constructive ways for kids to build social and emotional skills, which is how you end up with a book from at first glance makes me (a librarian) ask, "Do you hate kids, or something?"
A better example of a book focusing on social skills and emotional regulation in kids would be the "Big Bright Feelings" series. These books actually center the kids' emotions and experiences and are really compassionate with regard to where these feelings come from. Also, in my opinion, the illustrations are cuter.
Like, Ravi's Roar is focused on anger and emotional regulation, but it takes time to build up all of Ravi's frustrations throughout the day and actually gives Ravi some credit with how much he's tamped down/swallowed up before his anger finally gets the better of him because guess what! Kids are dealing with a lot! So much is new to them! They don't have an emotional baseline for so many of their experiences! It takes time to tell kids that it's okay to be angry, to show the adults reading how to support kids and steer their anger in a constructive way, and the metaphor of Ravi turning into a tiger makes the story feel both more accessible and more broadly applicable.
Another blind spot which I think is tricky is adults like and agree with this book, therefore they think it is up to children's standards. You see this a lot with a lot of well-meaning independently published liberal books (about community gardens, voting, recycling, etc.), and to be fair, how much a kid relates to or values a book can vary wildly depending on the kid and their state of development, but like the above point about dogmatism in children's books, you can tell when an author is assuming a lot about their audience's priorities. And again, with a lot of independently published titles, you often get this combo of too much text and mediocre illustrations,
I love a community garden. I love indigenous ethnobotany. But if you're going to go this high-concept for a young audience, I mean this with all kindness, but you're going to want to get an illustrator with enough of a professional background to be able to tell when their illustration's background is a busy mess.
Sometimes the enthusiasm of the adult reading the book to a child can bridge the gap, but speaking as someone who's done her fair share of story times, kids can absolutely tell the difference between something they want to do, and something adults are trying to convince them they want to do. Again, this is definitely a more subjective blind spot, and some books can make up for text content that doesn't quite land with their intended audience by having illustrations that capture the imagination and bridge that gap--like, I loved the book Weslandia as a kid even though the concept of "This kid created his own staple crop-based civilization" kind of flew over my little head at the time because I was so enchanted by the illustrations and I think there was also the factor of Wesley, the main character, operating a lot on his own curiosity and drive. It's a book of solitude and curiosity and discovery and invention eventually blossoming into something you can share with others. As a kid so frequently distracted by my own imagination that I had trouble connecting with peers, that emotional honesty landed with me even though other parts of it were a little high-concept.
I think the takeaway there is, you don't always know how a kid might connect with a book, if they connect at all, but kids are way more emotionally perceptive than we give them credit for. They know the difference between when something is being shared and something is being taught, and if the ultimate goal of a book is connecting with a kid, you want to share more than you want to teach.
Okay just to add on to this because I feel like in terms of content, Weslandia doesn't quite hit the mark in terms of looking at the ways that "No Place for Plants" falls short (and also it's an older title) but anyway--if we're going to talk about a well-executed children's book that features a pretty context-dense concept like indigenous ethnobotany, we can look no further than the Caldecott Winner Berry Song.
Berry Song basically has the reader join a little girl and her grandmother on a foraging trip in the Pacific Northwest. The book expresses gratitude and responsibility towards the land through joy and wonder. It doesn't feel the need to whack kids over the head with "Pollution bad! Forest good!" Again, it's about sharing more than teaching, giving kids the space to make their own connections and judgments with the material. It makes you feel safe while simultaneously making you feel like you're a part of something much bigger-- I think that's also another mistake a lot of would-be children's authors make: trying to jam too much into their book's overall thesis. Kids are capable of grasping nuance, but if a book starts jamming in too many "Yes but's" and "yes, however's" and "Yes, but on the condition of--'s" it muddies up the impact and fucks up the book's overall execution fast. Walk your book's thesis back to its original "yes" and you'd be surprised at how much content you get out of that core concept alone.
Supplemental: While yes, I do consider Julia Cook's illustrations ugly as hell, that isn't to say that illustrations in kids books can't be ugly or gross. In fact kids can very much revel in the grotesque, but there's a big difference between when the grotesque is something that is eagerly being shared with the kids and when the grotesque is, as we see in "Baditude," basically being used to beat kids over the head with criticism. I think also her illustrator just... isn't very good on a technical level. The over-rendering, the lack of composition to exaggerated proportions... these do not speak to a developed style. Meanwhile "Here Come the Aliens/The Aliens are Coming!"shows that a developed visual style can make the disgusting delightful.
This image can practically trigger misophonia, it's so vivid, but I remember loving the disgust and chaos of it as a kid. There's a sense of movement as the aliens shove each other around the table and send bones flying. Like!!! This is a professional illustrator! This is what lifelong training in composition and medium can do!! And that isn't to say that self taught-illustrators can't be great but it's terribly presumptuous of adults to assume that kids can't tell the difference between good and mediocre illustrations on a technical level.
(Manet’s Bar at the Folies-Bergere (Getty Center Exhibitions)から)