Hii! While I'm taking a break after uni and looking for jobs I would love to take some commissions for some sort of income rn! i will do any fandoms, and ocs and also shipping comms for canon/canon or canon/oc or oc/ oc or self inserts or literallyyy anything ^^
Here's a link to my VGen! - https://vgen.co/zoppzoop
And my Ko-Fi if you'd like to support me! - https://ko-fi.com/zoppzoop
Shout out to all the Black ppl that can no longer participate directly in the fandom they love because of the stresses of racism 👍🏾 you contain multitudes of value and I'm sorry that the color of your skin and the power of your voice makes people not want to acknowledge that.
Hello, how are you? I hope I am not bothering you.
I am writing to you as I am living through the hardest moments of my life. Hashem is slowly dying in front of my eyes and our children. He needs an urgent surgery, and I am helpless to save him.
Please, your donation and sharing of our story could be the reason my husband's life is saved. Our children deserve not to lose their father.
Verified by @/gazavetters #53
@qamar2026
I am sorry you have to work so hard to reach out and hear back. I hope the best for your famile, and pray everything turns around for the good very soon. For everyone,
Here's the link for donation: https://chuffed.org/project/180579-samars-urgent-plea-save-qamar-and-omar
Please please consider donating however small amount you can, to save Hashem's life. Please click here to know the details of his medical condition at the moment, and please reblog this post so that more people are able to see and donate.
Understand, I am always trying to figure out
what the soul is,
and where hidden,
and what shape
and so, last week,
when I found on the beach
the ear bone
of a pilot whale that may have died
hundreds of years ago, I thought
maybe I was close
to discovering something
for the ear bone
2.
is the portion that lasts longest
in any of us, man or whale; shaped
like a squat spoon
with a pink scoop where
once, in the lively swimmer’s head,
it joined its two sisters
in the house of hearing,
it was only
two inches long
and thought: the soul
might be like this
so hard, so necessary
3.
yet almost nothing.
Beside me
the gray sea
was opening and shutting its wave-doors,
unfolding over and over
its time-ridiculing roar;
I looked but I couldn’t see anything
through its dark-knit glare;
yet don’t we all know, the golden sand
is there at the bottom,
though our eyes have never seen it,
nor can our hands ever catch it
4.
lest we would sift it down
into fractions, and facts
certainties
and what the soul is, also
I believe I will never quite know.
Though I play at the edges of knowing,
truly I know
our part is not knowing,
but looking, and touching, and loving,
which is the way I walked on,
softly,
through the pale-pink morning light.
Tips for writing those gala scenes, from someone who goes to them occasionally:
Generally you unbutton and re-button a suit coat when you sit down and stand up.
You’re supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.
When rich/important people forget your name and they’re drunk, they usually just tell you that they don’t remember or completely skip over any opportunity to use your name so they don’t look silly.
A good way to indicate you don’t want to shake someone’s hand at an event is to hold a drink in your right hand (and if you’re a woman, a purse in the other so you definitely can’t shift the glass to another hand and then shake)
Americans who still kiss cheeks as a welcome generally don’t press lips to cheeks, it’s more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a woman’s makeup)
The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of men’s clothing.
Open bars / cash bars at events usually carry limited options. They’re meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.
Members of the press generally aren’t allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.
As someone who spent over a decade catering luxury events, let me add some back of house info:
These events are almost always open bar. They're not trying to make their money back on alcohol. They want you to drink and eat and donate generously.
If there are cocktails, there will be at most two on offer, pre-made in large tubs. You cannot order a different version, it is what it is.
There are two types of events: cocktail style or seated. The first includes roaming hors d'oeuvres or a fancy buffet with tiny plates called a grazing station. For a long night, the roaming food will get a little bigger throughout the evening and have a 'main' at some point based around a protein.
A seated event will usually be more structured and may include multiple courses. Silver service is not in vogue anymore. You are likely to get either alternating meals brought to you like at a wedding, or served banquet style. A good caterer can get a plate to everyone in a 300 person event in about three minutes.
Drunk people are the same no matter how expensive their suits. They still laugh too loud, spill their drinks and slip on the dance floor. They are usually less embarrassed about doing coke in the bathrooms.
A full scale event that starts at 6pm will have staff arriving at noon to begin setup. Earlier if there's a light show or pyrotechnics. Typically venues don't just have 30 tables and three hundred chairs lying around, let alone table cloths, chair covers, etc. It's all rented and brought in on the day. Bands and DJs will be running audio tests in the background throughout.
Most heritage buildings that host these things, like museums and manor houses, aren't really designed for them. They might put down mats so you're not walking in stilettos over two hundred year old wooden floors, the kitchens are weirdly far away, and there are not enough taps. There is never anywhere for staff to sit, so if you open the wrong door you might find half a dozen waiters sitting on upturned milk crates in a room full of million dollar paintings, eating the left over bread.
Really old buildings don't have enough bathrooms, which means the staff will be sharing with the guests.
Clean up starts the second the event ends, if not sooner. Unattended glasses will start to disappear first, then table decorations. When the timer ticks over, the lights come back on and exhausted staff strip the tables, pack up dirty glasses and unopened wine bottles and have to Tetris it all into the back of a van. The venue is booked for that day only, so everything has to be gone before anyone can go home. A large event that finishes at midnight might take until 3am to be cleared away.
These are very long and physically demanding nights for anyone working them. The staff all get to know each other, and will absolutely notice someone trying to sneak in wearing a borrowed uniform. They are not being paid enough to care.
One year before I knew
I was sick, I was twenty-one
and one week late, I squatted over
a stick bought down the street
from my first apartment, my first
live-in boyfriend stationed in the doorway
gnawing at his cuticles, both of us
nodding, dazed, as I wiped away
piss from my shaking hands, saying
if yes, then yes, meaning okay and being okay
with it, waiting and waiting and only realizing after
the apparition—no—we might have been half hoping for it,
and so,
a year later, when I am sick and squatting and feel
something slip from me
so big, I scream—(I am sure I have lost
an unbearable thing)—
but when he runs in to find me
howling, hysterical,
in the bowl there is nothing
but blood, a gelatinous clot
enormous enough to fill it, my body
throbbing, me wailing Oh God, Oh
God, I thought it was—
my face in my hands as the hour
passed slowly and I
waited, emptying, still something
like empty.
(Arabic) beginner; one who sees blood for the first time.
And indeed, appointed over you are keepers, Noble and
recording;
They know whatever you do.
the Holy Qur’an, 82:10–12
Hidden in a dim stall as the muezzin called
all worshippers to prayer, I touched privately
the indelible stain. And watched, with a nascent sense
of kinship, the women washing
through the interstice of the door,
their veils slipping off like water, water
spotting their clothes like rain.
I thought the thought only
children and the pious believe, that I was, just
like that, no longer
a girl: the blood my summons, blot like a seal, a scarlet membership
card slid from my innermost pocket. I was newly twelve and wise
enough to be frightened. I had read the Book and so understood
my own was now opening, alighting
onto my shoulders like some ethereal bird flapping
briefly immaculate
wings, and understood, too, that I myself engendered
the ink with which, on its pages, my sins would forever be
written (not literally, but
this was how I imagined it, metaphor, as the blood brought
God’s recorders like sharks to me, menarche a bright flare, a matador’s crimson cape)
—I had not been good
all my life but until this first vermilion drip
I lived unobserved, my sins not sins
because no one looked. And now,
above like a lamp suddenly
ablaze, God’s reproachful
eye turned my way, a searchlight eternally
searching, and seeing and seeing—
I was as good as I would ever be. In the dark, the ruddy
iris stared back at me.
Subject : Collecting money for my mother's operation in her back
Current process:
USD 2,855 / $3,563
Vetted by @sar-soor
Vetted by @opencommunion
Vetted by @el-shab-hussein
I am raising funds to support my elderly parents who are currently living in extremely difficult condition… Mohammed H needs your support f
💔 My Mother’s Life Depends on Your Kindness
My mother is in Gaza, where every day is a struggle to survive. Some time ago, she was injured when shrapnel from nearby shelling struck her back. She tried to endure the pain for as long as she could, but now her condition has become critical.
She has now been admitted to the hospital, and her condition is very serious. She is suffering from unbearable back pain, extreme exhaustion, and every passing day brings more suffering. Watching my mother fight through this pain while I can do so little is heartbreaking.
The doctors told us that she urgently needs emergency back surgery. They warned us that the operation must be performed within the next 6 days to prevent her condition from deteriorating further.
The cost of this life-saving surgery is $1,000.
Thanks to the incredible kindness of compassionate people, we have raised $292 so far ($188 from our previous appeal and $104 from our latest one). We are deeply grateful for every donation.
However, we still need $708 to give my mother the surgery that could save her from worsening pain and complications.
I am begging you from the bottom of my heart: please don’t scroll past my mother’s suffering. Time is running out, and every hour matters.
Every donation, no matter how small, brings us one step closer to saving her. Even $5 or $10 can make a real difference when many people come together.
If you are unable to donate, please share this post with your friends, family, and community. Your share could reach someone who is able to help save my mother’s life.
Please help us raise the remaining $708 within the next 6 days. My mother’s condition is very serious, and she cannot wait any longer.
Thank you for your kindness, your prayers, and for standing with my family during the most difficult time of our lives. ❤️🙏
Thirty years from now, you might
hold this room in your hands.
So that you will not wonder:
the china cups are from Serbia
where a man filled them with plum
wine and one night talked
of his life with the partisans
and in prison, his life
as a poet, Slavko, his life
as if it could not have been otherwise.
The quilt was Anna’s.
There are swatches taken
from her own clothes, curtains
that hung in a kitchen in Prague,
aprons she never took off
in all her years in America.
Since her death, the stitches,
one scrap to another
have come loose.
The bundle of army letters
were sent from Southeast Asia
during ’67, kept near a bottle
of vodka drained by a woman
in that same year who wanted
only to sleep; the fatigues
were his, it is she
whom I now least resemble.
In the trunk, the white eyelet
and cheap lace of underthings,
a coat that may have belonged
to a woman who approached me
on a street in April
saying, as it was spring,
would I spare her a smoke?
Under the bed, a pouch of money:
pesetas, dinar, francs, the coins
of no value in any other place.
In the notebooks you will find
those places: the damp inner thighs,
the delicate rash left by kisses,
fingers on the tongue, a swallow
of brandy, a fire.
It is all there, the lies
told to myself because of Paris,
the stories I believed in Salvador
and Granada, and every so often
simply the words calling back
a basket of lemons and eggs,
a bowl of olives.
Wrapped in a tissue you will find
a bullet, as if from the rifle
on the wall, spooned from the flesh
of a friend who must have thought
it was worth something.
Latched to its shell, a lattice
of muscle. One regime
is like another said the face
of a doctor who slid
the bullet from the flat
of his blade to my hands saying
this one won’t live to the morning.
In the black cheese crock
are the ashes, flecked
with white slivers of bone,
that should have been scattered
years ago, but the thing
did not seem possible.
The rest of the room remains
a mystery, as it was
in the shutter of memory
that was 1936, when it belonged
to someone already dead, someone
who has no belongings.
………………………………………..
Carolyn Forche (born 1950)
The first photo is from 1956. It shows a Black woman watching members of the Ku Klux Klan (a terrorist, racist, far-right organization focused on white supremacy) walking along a sidewalk in Montgomery, Alabama (USA). I couldn't find the photo's author, but most sources state that it was taken in 1956.
The second photo shows members of the Patriot Front group (a white supremacist and nationalist group, formed in 2017, that openly advocates what they call "American Fascism") traveling on the subway during the 250th anniversary of the U.S. independence in Washington D.C., while a Black woman watches them. The photo is by photographer Cheney Orr, taken on July 4, 2026, 70 years after the first photo.