sorry but look how silly drunk gaang is

Love Begins
RMH
let's talk about Bridgerton tea, my ask is open

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Sweet Seals For You, Always
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"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
Mike Driver
YOU ARE THE REASON

★
Keni
ojovivo
Not today Justin
2025 on Tumblr: Trends That Defined the Year

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occasionally subtle

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@ionica01
sorry but look how silly drunk gaang is
Mustang when the Elrics drag him into trouble for the 10k time.
I love how whenever ATLA recognizes Sokka is smart enough to solve a problem but it’d be too fast they just stick him in some kind of situation. Like he COULD’VE stopped jet from drowning a town so they tied him up and dumped him in a forest. He COULD’VE figured out what that spirits deal was so they lost him in the spirit world for 24 hours.
One time they just stuck him in a hole in the ground for a whole episode.
This is how writers should deal with characters who are too smart for the arc instead of making them suddenly dumber for no apparent reason.
If you frequently find yourself in random situations while your friends happen to be experiencing problems maybe you, too, are too smart for the narrative.
🎶Stick him in a hole, then! Last Airbender!🎵
Selected Correspondence of Fire Lord Zuko
As preserved by the Royal Archives
1.
My good hotman Zuko,
It's Aang! Sokka let me borrow Hawky. Please feed him before sending him back.
I'm writing to ask if it's okay for me to drop by. Except I'll probably be there by the time you get this, because Appa flies faster than Hawky. Still, it's polite to ask!
Write back (or don't.)
Hot regards
Your friend Aang
-
Revered Avatar Aang
Hawky arrived two hours after you left. Never send me "hot regards" again. Like I keep telling you, language has changed in the past 100 years. It doesn't mean what you think. Future historians will think we were having an affair.
It's always okay to drop by. Hawky has been fed.
May your inner fire warm you (write that down somewhere)
Fire Lord Zuko
2.
Hi
need 3 fire benders (zappy) + few construction workers + a lot of copper
Delivr to harbor
sokka
✨ FMA x WHA AU ✨
Still really love this guy! ^^ Ghostblade my beloved~
X sees a random dog that's kinda chill and decides to show him the truth of the universe the fabric of reality between dimensions and secrets lost to history this man is beyond unserious
Standee I made of this handsome man~ I just love him lots XD
thank you for 5 seconds of screentime king
Ghostblade is THE character of all time. He has no hobbies. He spends his entire free time stalking his daughter. He had no tragic reason for becoming an assassin and his job doesn't bother him in the slightest, he just likes people shutting up because he's autistic. He fell in love at first sight. He manages to be a boyfailure despite being a middle aged man. His main method of contacting his boss is via phone call even though he is mute. He doesn't turn the lights on in his own home. He still thinks the name "ghostblade" is the coolest. He's a trained assassin but gets noticed repeatedly by his citizen daughter. He never once thought to send her a letter. His wife left him for reasons totally unrelated to his job as a killer. He's incredibly hot.
peace at last.
Adolescence Review (by someone who used to work in child protection)
Recently watched Netflix's Adolescence and it was probably the best TV series I've seen. It's superbly acted (how was this Owen Cooper's first role?), fascinatingly filmed (every single episode is shot in one take), and brimming with empathy and nuance.
It also resonates personally with me. Once upon a time, I worked in child protection for a year. I've worked with kids like the main subject of the series, Jamie Miller. I can't and won't give details, but this series probably captures the heart-wrenching, soul-crushing reality of what it's like to work with kids who do horrific crimes.
Episode 1 is an excruciatingly detailed account of the dehumanization of arrest and imprisonment, and that's even with everyone doing their best to be kind to Jamie because he's a child (13, but looks younger). I guarantee you most cops don't try to be nice to most intakes.
There's really only one moment where a cop is cruel until the interrogation, and that's when Jamie's being strip-searched. The man conducting the search tells his father, who asks, in essence, "how would you feel if you were thirteen and strangers wanted to do this to you?" that "I was never accused of a crime." Well, bully for you, jerk-face.
Yet the viewer also understands the cruel necessity of having to conduct such a search, while also wanting to throw up. I do think a lot of the discourse around juvenile criminals resorts to "throw away the key" without considering what that means, and what humiliation and abuse kids go through when they're arrested (rightfully or wrongfully). The show following each and every motion and forcing the viewer to observe the father's face rather than the actual search forces the viewer to face their own thoughts on juvenile justice (especially because, at this point, you don't know whether Jamie did it).
But at the same time as Jamie is dehumanized in this way, you're confronted with the reality of how much he's dehumanized his victim at the end of the episode, when you see that he absolutely, 100% did do it. This thread of how Jamie dehumanizes women in particular continues in Episode 3.
Episode 2 is easily the weakest of the series. It's still great and offers, via a chaotic school with checked-out adults who can't care anymore and adults who do care completely overwhelmed and limited by their own humanity, a symbolic picture of what teenagers face. How can they learn when they aren't willing to listen? At the same time, how can they learn when no one is teaching? How can people teach when they are drowning themselves?
My criticism here is that the school appeared not exactly unrealistic, but also slightly hyperbolized. I think they could have stressed the struggles of trying to care when there's too much to care for even more than they did via an additional episode, an episode I think the second one almost introduced and then left dangling--one that focused on Katie's loved ones.
We hear about Katie's mom, and we meet Jade and see her rage over losing her best friend. We even see one detective voice how frustrating it is that Jamie will be remembered but Katie won't be. I wouldn't quite call this lip service because I do think the aim of the show isn't quite about this, but I do think the show should have spent an episode on Jade and/or Katie's family.
We know Katie isn't perfect as a victim, but that doesn't mean in any way that she deserved to be stabbed to death (or to have her pictures leaked). In fact, the show makes this emphatically clear. But I still think they missed a chance to make her more human, to show the loss through her loved ones.
If Episode 2 is the slightly-less-than-the-others episode, Episode 3 is the standout. The psychologist examines Jamie and he vacillates between inappropriately flirting with the psychologist to childishly requesting more hot chocolate to terrifyingly screaming in rage to sobbing in fear like a child in a nightmare to condescendingly mocking her like a rabid fan of Elon's would to desperately trying to wrench away the reality of what he did and trying to talk himself out of facing reality. And Owen Cooper, the child actor, makes all of this believable.
The reality is that the cruelty of what Jamie's done sinks in during Episode 3. He tells his psychologist that most other guys who have assaulted their victim, but he didn't, so he's better, right? And then he screams and sobs minutes later begging for someone to tell him that they like him, anyone. I found myself wanting to grab the psychologist and beg her to say that she "cared" (something I said in a similar moment during my work doing child protection). But I also understand why she didn't--not just professionally, but in terms of Jamie having to realize that he can't be entitled to people liking him when he's so cruel to women.
The psychologist also asks Jamie if he understands what death is. While he says all the right words to show he does, everyone over the age of 20 knows that he doesn't, and the show knows it too. I genuinely think that, until you get older, you cannot fully understand what it means for someone to be gone from this earth.
And therein lies the paradox of the show: Jamie doesn't fully understand what he's done. At the same time, what he's done has permanent, gruesome, irreversible consequences for everyone around him--and beyond that, because of the internet's influence beyond local boundaries.
Episode 4 is an episode I would call beautiful in a lot of ways, despite the fact that it's jagged and raw. We follow Jamie's family (dad, mom, and older sister) as they try to celebrate the dad's birthday about a year after the crime. We see how they're wrestling with the fallout and agony of knowing they raised Jamie--but they also raised Lisa, who is kind of an awesome kid.
And while Episode 1 actually has detectives musing that the parents might be abusive and that might explain it, this episode removes any doubts: Eddie and Amanda, Jamie's parents, are good parents. They are not perfect. Eddie has a temper. Amanda should have monitored his computer use more. But also? No parents are perfect. Arguably, the detective who interacts with his son in Episode 2 is a worse parent than they are. Yet his son is great, and Lisa is great.
There simply isn't a good explanation. Jamie was hurting, yes, but his pain can't be pinned down to a singular cause. The internet hurt him and gave him messages about masculinity that were harmful to say the least. But he also got those messages at school, even if he wasn't on the internet. And he got love at home, as well as some flawed interactions with his parents.
So who is responsible for Jamie's actions? Jamie himself. He chose.
Yet, the series also acknowledges that Jamie is a child, and he is not just "born bad." We see how other kids, like Jade punching Ryan, and Ryan loaning Jamie the knife, and Tommy joking around, and the bully leaking Katie's pictures--they have no comprehension of the extreme ramifications of their actions... but some of them also don't appear to care to learn. Normally, society would demand they care to learn, but that's not happening.
So then what? If society creates these kids, then what does society owe them? That's a question the series wants viewers to walk away contemplating, rather than giving a simple answer.
And there is some hope: Jamie deciding to plead guilty and accept responsibility. In that, we see how kids are supposed to be able to make mistakes and learn and grow. Yet Jamie's "mistake" is so shattering that Katie will never get to grow beyond it because of him, and to what degree Jamie can after pleading guilty isn't clear either. And in an era where their every action is captured online, can they ever really grow beyond?
I don't know that I have an answer to that. I've seen some kids I worked with grow up to be awesome. And I've lost touch with others, particularly those whose cases were more serious. There is no agony like seeing a child who has done something horrific and is suffering themselves and knowing you can't save them, and not knowing what the future holds for them. All you're left with is being able to hope that they'll learn to accept responsibility and grow, but in a system and society that makes that really impossible, is that even much of a hope?
what i love about adolescence (the show) was the creative decision to make the family "normal" and yet their young son still committed a violent crime, and we see them trying to navigate their life after what has happened. the show didn't have dramatic plot points because the purpose of the show is to understand why and and what could have been done to prevent this crime. not only from the family, but the education system, the social media sites that allow misogyny to spread, laws that aren't caught up. the story told is heartbreaking, and delivered so beautifully with the decision to film in one continuous shot
Adolescence (2025) - Episode #1.4
Episode 3 as a whole is a punch to the gut, but I believe one of the most important parts of it to me was the way they perfectly portrayed how violent men and boys will take advantage of “not perfect” victims to try and rid themselves of any responsibility for their violence.
Even at 13, Jamie is aware of that, subconsciously or not. He uses words like “bitch” and “slut” to refer to a 13 year old girl—a child he killed. He brings up her leaked photos again and again, talks about her comments and her treatment of him as if any of that should exempt him from his crime.
He already knows he has an advantage, for being a boy and having hurt a girl who’s not perfect and “pure”. The show drives this point home when that store’s employee tells Jamie’s dad he suports his son and talks badly about Katie. He says there’s more people who agree with him.
Because there are. The whole time, Jamie brings up “Katie was flat”, “she took nude pictures”, “she rejected me”, “she bullied me”. He still tries to paint her as the villain when he was the one who admitted he only pursued her because she was fragile and he wanted to take advantage of that.
He even claps himself in the back because he didn’t sexually assault her after he murdered her, as if that makes him a good person. (When he did in fact commit a sexual crime by looking at her naked pictures without her consent).
I think that’s the most vital part of the show. The way Jamie can’t comprehend what he did was wrong because he doesn’t view Katie as a person, not even in death. That’s his understanding.
maomao when every important figure in the empire keeps asking for her help