*Boogie Street* Shakes - Disco Elysium comic

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*Boogie Street* Shakes - Disco Elysium comic
back from holidays
Guess who participated on a 100+ people 3 day long larp set on disco elysium? This guy.
I have been left emotionally devastated. It was great.
Suddenly struck with a need to explain to you how boat pronouns work (I work in the marine industry).
When you're talking about the design of the boat, you say "it".
When the boat is still being built, your say "it".
When the boat is nearing completion, you can say "it" or "she".
When the boat is floating in the water you probably say "she", unless there is still a lot of work to be done (e.g. no engine yet) then you say "it".
When the boat is officially launched and operating, you say "she". If you continue to say "it" at this point you are not incorrect but suspiciously untraditional. You are not playing the game.
If you are referring to a boat you don't really know anything about you may say "it" ("there's a big boat, it's coming this way"). But if you know its name, it's probably "she" ("there's the Waverley, she's on her way to Greenock").
If you are talking about boats in general, you say "it" ("when a boat is hit by a wave it heels over")
If you speak about a boat in complimentary terms, it's "she" ("she's a grand boat"). If you are being disparaging it may be it, but not necessarily ("it's as ugly as sin", "she's a grotty old tub").
If she has a boy's name, she's still she. "Boy James", "King Edward", "Sir David Attenborough"? The pronoun is she.
If it's a dumb barge (no engine), you say it. But if it's a rowing boat (no engine), you say she.
I hope this has cleared things up so that you may not be in danger of misgendering floating objects.
Hit "view post" and lost it
Pokémon emerald (2004)
July 27, 1914: Kafka struggles to eat a peach
Ate rice à la Trautmannsdorf and a peach. A man drinking wine watched my attempts to cut the unripe little peach with my knife. I couldn’t. Stricken with shame under the old man’s eyes, I let the peach go completely and ten times leafed through Die Fliegenden Blätter. I waited to see if he wouldn’t at last turn away. Finally I collected all my strength and in defiance of him bit into the completely juiceless and expensive peach.
its been 105 years since kafka ate this terrible peach
here’s to 107 years of awful peaches
108 years of juiceless, expensive peaches
we can’t keep letting him get away with this
Gooseworx getting banned is absolute bullshit, no matter what you think of her show, because a show is not a reason to harass a trans woman. Or anyone, for that matter.
if anyone who follows this blog was part of the group that mass reported her, I suggest you grow up and separate fiction from reality, or just unfollow my blog.
Trans people, ESPECIALLY trans women deserve to be on this app, despite @staff banning them for nonsensical reasons. Gooseworx did not break TOS. Neither did a majority of the other trans women that have been banned recently. It's a clear targeted movement and it's so sad to see on this site that's allegedly the "safe space" for queer people.
Anyways not blog related but I wanted to say something anyways. Trans women deserve to be here. I love you all.
this is fucking killing me bro. computah, show me more hot hockey firefighters whaling on cops
i can't believe berdly literally references this lmao
I have no video editing knowledge but this joke would not leave my head
I'm still thinking about the guy who saw me realize my wheelchair wouldn't fit in the elevator because he (also a wheelchair user) was already inside it and immediately quipped, "This elevator ain't accessible enough for the both of us."
Entertainment in a medieval book
The margins of a medieval book are usually empty. This is handy, because it means you can place notes in them, or fill them with doodles, like here. In this particular case the reader decided to add spectacular illustrations to the margins. Not only do they show us snapshots of medieval individuals living their lives, which is special enough, the images are often also quite funny. Humour is not an unusual occurrence in such old books, as I showed here. However, to have this much fun in the margins is not very common.
Pics: Oxford, Bodleian Library, MS Bodley 264 (14th c). Browse the entire manuscript here and start enjoying dozens more images.
she’s so tired
inspired by a tiktok audio in fact you can find the funnier video version on instagram
‘Thoth and the Chief Magician’, 1925. Evelyn Pau
I love tumblr. I fucking love tumblr. Where else am I going to find shit like this
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.