Susanne Ussing, I Drivhuset, installed at Ordrupgaardsamlingen, Denmark, 1980, wood, newspaper, metal chimney vents
"I'm Dorothy Gale from Kansas"
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Susanne Ussing, I Drivhuset, installed at Ordrupgaardsamlingen, Denmark, 1980, wood, newspaper, metal chimney vents
not sure if anyone is interested in this but here is a list of the most joyfully vital poems I know :)
You're the Top by Ellen Bass
Grand Fugue by Peter E. Murphy
Our Beautiful Life When It's Filled with Shrieks by Christopher Citro
Everything Is Waiting For You by David Whyte
Lawrence Ferlinghetti Is Alive! by Emily Sernaker
Instructions for Assembling the Miracle by Peter Cooley
Barton Springs by Tony Hoagland
Footnote to Howl by Allen Ginsberg
Song of the Open Road by Walt Whitman
Tomorrow, No, Tomorrower by Bradley Trumpfheller
At Last the New Arriving by Gabrielle Calvocoressi
To a Self-Proclaimed Manic Depressive Ex-Stripper Poet, After a Reading by Jeannine Hall Gailey
In the Presence of Absence by Richard Widerkehr
Chillary Clinton Said 'We Have to Bring Them to Heal' by Cortney Lamar Charleston
Midsummer by Charles Simic
Today by Frank O'Hara
Naturally by Stephen Dunn
Life is Slightly Different Than You Think It Is by Arthur Vogelsang
Ode to My Husband, Who Brings the Music by Zeina Hashem Beck
The Imaginal Stage by D.A. Powell
Lucky Life by Gerald Stern
Beginner's Lesson by Malcolm Alexander
Presidential Poetry Briefing by Albert Haley
A Poem for Uncertainties by Mark Terrill
On Coming Home by Lisa Summe
G-9 by Tim Dlugos
Five Haiku by Billy Collins
The Fates by David Kirby
Upon Receiving My Inheritance by William Fargason
Variation on a Theme by W. S. Merwin
Easy as Falling Down Stairs by Dean Young
Psalm 150 by Jericho Brown
Pantoum for Sabbouha by Zeina Hashem Beck
ASMR by Corey Van Landingham
A Welcome by Joanna Klink
From Blossoms by Li-Young Lee
At Church, I Tell My Mom She’s Singing Off-Key and She Says, by Michael Frazier
Eric Carle inspired collage 2day 🐛
thinking of summer
Illustrations from Stories from Hans Christian Andersen by Edmund Dulac (1911)
Syrian sweets, like baklava and honey pastries, are displayed in a bakery in the 1950s.
PHOTOGRAPH BY DAVID BOYER, NAT GEO IMAGE COLLECTION.
William Shatner, Nichelle Nichols and DeForest Kelley on the set of Star Trek (1967)
what happened
Saying that a 36 year old group has an “ancient desire” to do anything makes it like.. abundantly clear that he’s not actually talking about Hamas, but instead is using the word much in the way genocidal Israeli officials use it as a stand-in for Gazans/Palestinians as a whole if not as a stand in for Arabs/Muslims in general, and as justification for their mass-slaughter. Biden is not simply some passive enabler of this genocide, he is an active participant on the consent-manufacturing propaganda frontlines and actively funding the carrying out of it. Joe Biden is a rabid dog etc.
Looting material culture after the Nakba
[Image description 1: Excerpt that reads: "Before the war in 1948, the Department of Antiquities that had been established by the British Mandate was shared between the Mandatory territories of Palestine and Jordan. British, Arab and Jewish employees of the Department worked together on instituting archeological research in the Palestine area. After 1948, Jordan gained control over the Palestine Archaeological Museum in Jerusalem and the Department of Antiquities headquarters, and Israel, which could no longer access these archaeological institutions, founded a new Department of Antiquities and Museums. In 1967, the Six-Day War between Israel, Palestine, Egypt, Jordan, and Syria ended with Israel gaining control over more territory, including Gaza, the West Bank and Jerusalem. Israeli troops entered the Palestinian Archaeological Museum without military reason, and held Arab curators and employees at gunpoint. The museum was taken by the Israeli government and renamed the Rockefeller Museum. The Israeli Department of Antiquities headquarters was reinstated there. The Palestine Museum, also in Jerusalem, was taken and renamed the Israel Museum. This Israeli seizure of the museum, and all the material in it, violated the 1954 Hague Convention which stated that "seizure of an enemy's property is forbidden during war". The famous Dead Sea Scrolls were removed from the Palestinian Archeological Museum and moved to the Israel Museum. The Scrolls traveled to Toronto for an exhibition at the Royal Ontario Museum in 2009, and Palestine and Syria petitioned for them to be seized under disputed international law. This petition was dismissed and the exhibition continued, although a later exhibition in Germany was cancelled. The Israeli seizure of Palestinian museums and cultural sites prevents Palestinian financial gain from tourism, a major industry in the Holy Land. The renaming of significant museums and historical sites as "Israeli" seeks to remove Palestine from the historical record. A major example of this is the Umayyad Dynasty site of Hisham's Palace in Jericho, an extremely valuable site for Islamic archaeology. Its large-scale floor mosaics and figural sculpture are unique in Islamic art. Archaeological material and architectural sculpture from the site was displayed at the Palestine Archaeological Museum until this was taken and renamed the Rockefeller Museum in 1967. The Islamic sculptures, reliefs and other material are now under the illegal ownership of Israel. The Ibrahimi Mosque in Hebron is another of many Islamic cultural sites officially recognized as an Israeli national historic site. While this title could be read as inclusive of Arab history in the Israeli historical narrative, it does this in a way that misidentifies significant sites of Palestinian heritage as Israeli, and restricts Arab access to these sites that are deemed Israeli national property. Limiting Arab Muslims' passage to significant Islamic sites like this one prevents knowledge of Palestinian Islamic history, manipulating interest and understanding about Arab history. Young" The excerpt ends.]
[Image Description 2: Excerpt that reads: "In 1948, while Jewish settlers flooded in, 90% of Palestinian Arab Muslims and Christians were exiled and forced to leave their homes and most belongings behind. Refugees fled to Gaza and the West Bank, or to Egypt, Jordan, Syria, Lebanon and other countries. The Absentee's Property Law of 1950 empowered Israeli authorities to "seize all the movable and immovable property of Arab or Palestinian residents of the occupied areas". "Abandoned" homes and properties were taken along with their contents, including personal objects like clothing and family heirlooms. Villages were destroyed and covered by pine forests by the Jewish National Fund, as pine trees were reminiscent of the forests of Europe. New Jewish settlements were built and are still being built on stolen Palestinian land, and Palestinian homes were taken over by Jewish settlers.
Under the law permitting Israeli authorities to seize all property of Palestinian "absentees", generations of Palestinian heritage was looted and destroyed. Palestinian textiles, which were handmade by local women, were deeply personal and individual to the maker. Palestinian embroidered "tatreez" dresses (thobs) were carefully made by women over several years starting in late childhood to prepare for married life. The tatreez style of embroidery is thought to have begun around the 3rd millennium BCE with the Canaanites. Dresses were different in each region, and elements of personal identity could be read from the embroidery, colours, fabrics, and motifs used. Women made these garments for their own personal wear and for their families, and almost never sold them. In 1948, most Palestinians were forced to leave behind personal belonging and bring only essentials with them. Photographs of Israeli settlers wearing Palestinian traditional clothing after 1948 show off the appropriation of Palestinian dress as "Israeli traditional clothing". Many thobs and other handmade textiles were sold or stolen, and a great number of Palestinian textiles have ended up in the British Museum collections, most of them having been acquired in the years just prior to or following the 1967 war. For example, a thob from Bethlehem in the British Museum collections was acquired in 1966 from the Church Missionary Society. Another example of a tatreez chest panel from a thob was acquired in 2010 but was purchased from an Israeli who bought it in East Jerusalem in 1967. Tareez was never meant to be produced for sale and would likely not have been willingly sold or gifted unless in times of duress. Tatreez is now done by women in refugee camps and sold in Israeli souvenir stores in order to generate some income for displaced Palestinian women. After the Nakba, the regionally specific colours and patterns that had indicated one's village of origin began to be used by all Palestinian embroiders regardless of hometown, as the displacement of Palestinians joined people from all over the country together in concentrated refugee camps. Thobs are a" The excerpt ends.]
🚨 Students at Harvard University launched an encampment in support of Gaza in Harvard Yard moments ago, calling for an end to Harvard's moral and material complicity in the ongoing genocide of the Palestinian people.
Harvard has invested over $200 million of its over $51 billion endowment in companies with ties to zionist settlements in the West Bank, while most of its investments to the zionist entity are kept secret.
The students are demanding financial transparency regarding investments related to the zionist entity, as well as genocide and occupation in Palestine; divestment from these investments and reinvestment in Palestine; and dropping all charges against student activists.
The University has suppressed student voices in support of Palestine time and time again, suspending the Palestine Solidarity Committee just this week on baseless grounds. They have also enabled attacks on pro-Palestinian students from the media and politicians. Today, the students say enough is enough, and that they will no longer tolerate their institution's support for genocide.
This brings the number of ongoing encampments to 19, with more to come.
I got a job at a Ukrainian museum.
On the first day someone asks me if I have any Ukrainian heritage. I say I had ancestors from Odesa, but they were Jewish, so they weren’t considered Ukrainian, and they wouldn’t have considered themselves Ukrainian. My job is every day I go through boxes of Ukrainian textiles and I write a physical description, take measurements, take photographs, and upload everything into the database. I look up “Jewish” in the database and there is no result.
Some objects have no context at all, some come with handwritten notes or related documents. I look at thick hand-spun, hand-woven linen heavy with embroidery. Embroidery they say can take a year or more. I think of someone dressed for a wedding in their best clothes they made with their own hands. Some shirts were donated with photographs of the original owners dressed in them, for a dance at the Ukrainian Labour Temple, in 1935. I handle the pieces carefully, looking at how they fit the men in the photos, and how they look almost a hundred years later packed in acid-free tissue. One of the men died a few years later, in the war. He was younger than I am now. The military archive has more photographs of him with his mother, his father, his fiancé. I take care in writing the catalogue entry, breathing in the history, getting tearful.
I imagine people dressed in their best shirts at Easter, going around town in their best shirts burning the houses of Jews, in their best shirts, killing Jews. A shirt with dense embroidery all over the sleeves and chest has a note that says it is from Husiatyn. I look it up and find that it was largely a Jewish town, and Ukrainians lived in the outskirts. There is a fortress synagogue from the Renaissance period, now abandoned.
When my partner Aaron visits I take him to an event at the museum where a man shows his collection of over fifty musical instruments from Ukraine, and he plays each one. Children are seated on the floor at the front. We’re standing in a corner, the room full of Ukrainians, very aware that we look like Jews, but not sure if anyone recognizes what that looks like anymore. Aaron gets emotional over a song played on the bandura.
A note with a dress says it came from the Buchach region. I find a story of Jewish life in Buchach in the early twentieth century, preparing to flee as the Nazis take over. I cry over this.
I’m cataloguing a set of commemorative ribbons that were placed on the grave of a Ukrainian Nationalist leader, Yevhen Konovalets, after he was assassinated. The ribbons were collected and stored by another Nationalist, Andriy Melnyk, who took over leadership after Konovalets’ death. The ribbons are painted or embroidered with messages honouring the dead politician. I start to recognize the word for “leader”, the Cyrillic letters which make up the name of the colonel, the letters “OYH” which stand for Organization of Ukrainian Nationalists (OUN in English). The OUN played a big part in the Lviv pogroms in 1941, I learn. The Wikipedia article has a black and white image of a woman in her underwear, running in terror from a man and a young boy carrying a stick of wood. The woman’s face is dark, her nose may be bleeding. Her underwear is torn, her breast exposed. I’m measuring, photographing, recording the stains and loose threads in the banners that honour men who would have done this to me.
Every day I can’t stop looking at my phone, looking up the news from Gaza, tapping through Instagram stories that show what the news won’t. Half my family won’t talk to the other half, after I share an article by a scholar of Holocaust and genocide studies, who says Israel is committing a genocide. My dad makes a comment that compares Gaza to the Warsaw Ghetto. This gets him in trouble. My aunt says I must have learned this antisemitism at university, but there is no excuse for my dad.
This morning I see images from Israeli attacks in the West Bank, where they are not at war. There are naked bodies on the dusty ground. I’m not sure if they are alive. This is what I think of when I see the image from the Lviv pogrom. If what it means for Jews to be safe from oppression is to become the oppressor, I don’t want safety. I don’t want to speak about Jews as if we are one People, because I have so little in common with those in green uniforms and tanks. I am called a self-hating Jew but I think I am a self-reflecting Jew.
I don’t know how to articulate how it feels to be handling objects which remind me of Jewish traumas I inherited only from history classes and books. Textiles hold evidence of the bodies that made them and used them. I measure the waist of a skirt and notice that it is the same as my waist size. I think of clothing and textiles that were looted from Jewish homes during pogroms. I think of clothing and textiles that were looted from Palestinian homes during the ongoing Nakba. Clothes hold the shape of the body that once dressed in them. Sometimes there are tears, mends, stains. I am rummaging through personal belongings in my nitrile gloves.
I am hands-on learning about the violence caused by Ukrainian Nationalism while more than nine thousand Palestinians have been killed by the State of Israel in three weeks, not to mention all those who have been killed in the last seventy-five years of occupation, in the name of the Jewish Nation, the Jewish People — me? If we (and I am hesitant to say “we”) learned anything from the centuries of being killed, it was how to kill. This should not have been the lesson learned. Zionism wants us to feel constantly like the victims, like we need to defend ourself, like violence is necessary, inevitable. I need community that believes in freedom for all, not just our own People. I need the half of my family who believes in this necessary “self-defence” to remember our history, and not just the one that ends happily ever after with the creation of the State of Israel. Genocide should not be this controversial. We should not be okay with this.
Tomorrow I will go to work and keep cataloguing banners that honour the leader of an organization which led pogroms. I will keep checking the news, crying into my phone, coordinating with organizers about our next actions, grappling with how we can be a tiny part in ending this genocide that the world won’t acknowledge, out of guilt over the ones it ignored long ago.
As a major humanitarian catastrophe unfolds, worst-case projections say the country could see 10,000 daily deaths in the coming months
Deaths in Sudan could reach 10,000 per day in the coming months if the mass displacement of people caused by a year-long civil war sparks famine. The dire projection, which represents a worst case scenario and would put the conflict on a par with the worst days of the Battle of the Somme, was being urgently debated by Western envoys and diplomats this week. Other actors, including the World Food Programme, say the estimates are exaggerated but accept that a major humanitarian catastrophe is unfolding.
It is already the world’s biggest single displacement crisis, with up to 11 million people, including four million children, forced from their homes and farms. Millions of refugees have fled into neighbouring Chad and South Sudan. And, across the region, some 25 million people are now unable to feed themselves properly, with at least five million on the cusp of famine, according to the United Nations.
So I’ve been teaching 6th grade since January, and one thing about my female students which made me upset to realize is how many of them are obsessed with skincare. I've heard the girls in my class discussing the EYE CREAM they use. Like tf you mean eye cream? You're ELEVEN!!! I'm a decade older than you and have never even touched eye cream!! The most skincare a middle schooler needs is cleanser and moisturizer, maybe some acne cream. Who tf is selling you all this other stuff? Who tf told you you needed all this?
It hurts me to see. Their brains are too young for these types of insecurities 😭 no 11 year old girl should be obsessed with wrinkles, I wanna beat tf out of whatever tiktoker made them believe they needed skin that perfect
Do you know how fucking miserable it is to watch a group of 11 year old girls obsessively check their skin on pocket mirrors? And hear them talk about how they need new products to fix “imperfections” created by tiktok?? I just taught them last week what the OCEAN TIDES are. I helped one of them spell the word “conduction” yesterday. They just learned what the atmosphere is. Who the fuck is telling these literal children that they need eye cream??!! When I catch you!!!
from "gender outlaws: the next generation"
image transcript:
Let me break it down this way: some lesbians and gays feel that their issues are more important than transgender issues, because transgender people are freaks. Some transgender people—often, but not only, transsexuals—view transsexual issues as more important than the issues of, say, cross-dressers. Some among the more genderqueer portions of our community look down upon those who opt to live in a more “normatively gendered” space. There are even groups that cross-dressers feel superior to: sissies, drag kings and queens, “little girls,” and so on. Yes, I’m sure that we could follow even each of these groups and find that, eventually, everyone has someone they view as a freak.
This is a human phenomenon, and one which occurs especially, it seems, among marginalized groups. Trekkers versus trekkies versus people in Klingon costumes, or furries versus fursuiters versus, oh, plushies. I’m sure if I looked at model railroaders, I’d probably find that HO gauge fans look down at N scale, or something like that. The taxonomies are endless, often circular, and are usually graded to a fineness that would be invisible to any outsider. We just want to identify the “real” freaks, so we can feel closer to normal. In reality, not a single one of us is so magically normative as to claim the right to separate out the freaks from everyone else. We are all freaks to someone. Maybe even—if we’re honest—to ourselves.
#(not the point but yes for all 5 of you wondering most HO scale model railroaders do think HO is the best scale#and N scale think HO is pretentious)
GENUINELY delighted to know this information
enterprise text posts: featuring starfleet’s most reluctant astronaut, hoshi <3
The thing that abled people who advocate for the disabled community don’t get is that there are times when disabilities/accommodations clash. Horribly.
Like I spent years having to come up with a solution to get therapy dogs into a series of residence halls. Why years? Because we had to decide who got to stay and who got to leave: the people who needed therapy dogs or the people with severe allergies to animals. Who got the alternative housing?
Things like fidget toys might seem great for some disabled people but having them in the room could be distracting/overstimulating for others. The same goes with stimming. It can’t be helped but neither can the anxiety that another person in the room feels as they watch/hear it. Additionally, something like a weighted blanket might immediately calm one kid down and send the other one into a panic attack due to the claustrophobia it causes. (*Points to myself*)
Every Metro bus in New York City has a series of seats at the front that can be lifted up to accommodate people in wheelchairs but if I’m in one of those spots then someone with a cane/walker has to journey even further to sit down.
The flashing lights of a fire alarm are there to help deaf/hearing impaired but if they’re not properly timed, they can also cause a person to have a seizure.
The worst part about all of these is that there is rarely a concrete solution that makes everyone happy/safe. And I’m not here to offer any because I don’t know them. I’m just here to remind you all that as you’re taking your education/health classes, as you’re reading your textbooks, as you’re preparing to go be an advocate, just remember that there is rarely ever such a thing as a one-size-fits-all solution to advocacy and that something you do that can help one disabled person might actually hinder another.
Food for thought.
I think about this all the time
I’m just so fucking pissed off man if they can surgically airstrike international volunteer food workers three consecutive times to ensure their operation is wiped out completely what the fuck is left for anyone to say
kill one group of aid workers with explicit intent so that all other potential or currently operating aid organizations pull out of the region to ensure gaza starves with no one willing to risk helping her people. deep sickness