p’haps @jairaz - Tumblr Blog

first time drawing for a while lmao! procreate is certainly better than windows paint

pretty proud of his face i think

#tma #the magnus archive fanart #the magnus archives #jon sims #jonathan sims #smirkes 14 #gif

If I had Josh Dun looking at me with those beautiful brown eyes, I would simply not become a bishop. RIP to Clancy but I'm different.

indigonite

If only things could stay like this forever…

13personalities

my dearest love (ao3) has befallen a great tragedy (is down for maintenance) so i must pine alone in my lonely tower (i could do something productive but i think not)

autistic-af

One of my favourite pop culture useless pieces of information that I know is the fact that trends in horror movies can tell you about the general fears of the world at any given time in cinematic history.

autistic-af

Sorta!

1940s - You have people still alive that remember Jack the Ripper, you have the Axeman of New Orleans and two world wars. The classics are being made for shock escapism and dark stalkers are also popular (usually trusting people turning out to be the enemy).

1950s - post-nuclear bomb. Giant monsters, or unknown blobs are the trend.

1970s/1980s - modern era begins, and serial killers are becoming known and prominent. Slasher films are the trend. The Cold War also drives the fear of invasion, so a few alien films come out in this time.

1990s - a horror movie lull, and lull in wars and disturbances.

2000s - fear of invasions and biological warfare. Zombie movies become the trend.

autistic-af

Here you go! It’s just a random article, but it’s a fun starting point. It outlines the ideas better than what I did above. Fears, politics etc all play a role.

Film has always been a reflection of our society. When world events occur or certain beliefs become widespread, they naturally shape our per

boogerwookiesugarcookie

I literally did a 100k PhD thesis on this. I can recommend you a different scholarly book for every decade of American horror.

headspace-hotel

Also true of monstrous elements in folklore, and extensively written about

countesspetofi

Zombie movies are all about class conflict. I mean, these people will literally not stay in their place.

goryhorroor

What are essay videos of horror movie you watch

oh my god yes, i have like an entire collection of them on youtube

how media scares us: the work of junji ito

what are we afraid of? societal fears reflected in film

the art of texas chainsaw massacre: making daylight scary

the importance of horror (why horror movies don't suck)

the grunge & ringu: what makes japanese horror creepy?

the vvitch - art of terror

how horror movies for kids dominated in the 90s

the shining analysis - tension, atompshere & mystery

creating suspence in a horror films

the art of scream: horror logic done right

wolf creek: australia's most infamous horror movie

why cosmic horror is hard to make

color theory in horror movies

society and queer horror

horror theory: the uncanny valley

the childhood horror of coraline

control, anatomy, and the legacy of the haunted house

elements of horror - don't look

the girlboss-ification of the horror genre

elements of horror - how eyes are used in horror movies

thai horror is so underrated

the history of insane asylums and horror movies

slender man (2018): misunderstanding ten years of the internet

the true history that inspired folk horror (part 1)

the true history that inspired folk horror (part 2)

the true history that inspired folk horror (part 3)

the history and evolution of jump scares

the complete history of horror movies

leslaras-art

Made fanart of StarSparrow84’s fic (Piano) Hammers and Heartstrings on Ao3 because it made me feel so much

An Archive of Our Own, a project of the Organization for Transformative Works

desolationlesbian

I want to play Fallen London again but the problem with Fallen London is that while you're playing it's all perfectly simple and ingrained but the moment you step away for like, a month, then when you come back suddenly the entire game is like "If you really want to continue this storyline you'll have to get 9 Whispers of a Lovelorn Dream and sell them to an authoritarian rabbit in the 87.2th circle of hell where it'll bestow on you the Token of an Inadequate Perfume-Maker, but first you'll need to buy the Indefatigable Jetski from the Fulminating Dowager at Watchmaker's Hill by collecting enough Pieces of the Flayed Corpse of God and converting them into Baptized Rat Kings." and I'm like wow I cannot believe how recently I understood what all of that meant. but now I. do not.

thegreatyin

,,,,,,,,,,,,,,,why is this so homoerotic.

retroactivebakeries

the opera was great, thanks for asking

ysaona

sosaysdean

yo it’s literally november 3rd. what’s next the 4th? and then. no it can’t be.

mag-notta

wip comic based off a tumblr post i saw the other day

sealbatross

for The Sacrifice of Stanford Pines, Chapter 16: In which sometimes the world is gentle by @littleoptimist. Thank you for the journey. And congratulations on the completion of this wonderful work!