Izzy : Okay, you've been observing Stede Bonnet for 48 hours now. What have you discovered?
Ed : People fall in love with him very easily.
Izzy : ... An example?
Ed, holding back tears : Me.
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@jum-aca
Izzy : Okay, you've been observing Stede Bonnet for 48 hours now. What have you discovered?
Ed : People fall in love with him very easily.
Izzy : ... An example?
Ed, holding back tears : Me.
I’m not even being dramatic when I say the writing for Perfect Crown is a rare find in the romance genre. The emotional logic is actually earned. You can criticize the show all you want, but I’m standing by my original take: this is one of the best romance scripts I’ve ever seen. And I have the receipts to prove exactly why.
The standout scene has to be Hui-ju’s confession. I thought the Grand Prince's confession was well-written, but this dialogue is on another level. It treats both characters like intelligent, emotionally mature adults who are completely in sync. The writer doesn’t resort to cheap, manufactured misunderstandings just to drag out the plot. That one line, "I know you’re not confused" is the absolute heart of their dynamic.
In most rom-coms, that scene would devolve into the typical "you don’t understand" back-and-forth, with the characters frozen in place for a dramatic pan-out and cut. It usually leaves the audience hanging with unresolved tension. But here, Hui-ju refuses to play into the "misunderstanding" trope. She identifies his emotional state better than he can articulate it himself. When he claims he’s confused, she immediately reframes it: "No. You understand perfectly. You’re hurt." It’s such a psychologically intimate moment. She bypasses the surface level to name the core wound. Real intimacy looks exactly like this, not explaining facts, but recognizing motives. The Prince isn’t angry because he doubts her feelings; he’s angry because he understands them perfectly.
Also, notice how her sacrificing herself to protect him wasn’t dismissed as random martyrdom. The show has already established her as strategic, proud, and deeply practical in her love. Because of that consistency, everyone (the Prince and the court included) immediately understands: "If she’s doing this, it’s for him." That’s excellent character continuity. You can see how disciplined the writing is because the conflict doesn't rely on the "idiot plot" where characters lose their brain cells to preserve the drama. The audience, the Prince, and the court all read the room correctly. The drama stems from the meaning of her sacrifice, not a misunderstanding of the facts. Peak romance writing, honestly.
Honestly? The kiss only lands because the silence before it does so much heavy lifting.
When she asks, "Don’t you want this?" she isn't questioning their physical chemistry. They both know the answer to that. She’s actually asking: "Are you going to keep punishing me even though you know why I did it?" His response is equally heavy: "I want this, but I’m confused." That basically translates to: "I love you, but I don't know how to reconcile that with the fact that you shut me out." It grounds the scene and keeps it from feeling like a typical soap opera. When she tells him he's only mad because he knows she likes him, it’s devastating. It's not just drama for the sake of drama. Hui-ju knows he’s only this angry because he’s actually vulnerable. It’s not about his ego, it’s about his heart.
He’s hurt because she carried the burden alone: she underestimated him and chose self-sacrifice over partnership. This is how you write "power couples" properly. Instead of falling back on tired tropes like noble idiocy, the show keeps the tension rooted in their psychological profiles. They feel like autonomous people rather than puppets doing the writer's bidding. Their choices are a direct result of their personalities and emotional baggage, which is why their dialogue feels almost uncomfortably real. The writer actually respects the audience enough to use subtext. The characters are allowed to actually read each other instead of spelling every little thing out.
Even the transition into sex afterward makes perfect narrative sense because it isn’t framed as some cliché "passion took over" moment. It’s reconciliation through mutual recognition. They finally arrive at the same emotional truth: he wants to protect with her, not from her, and she’s finally done pretending she’s in this alone. The intimacy feels like an extension of that emotional clarity rather than just a "reward" scene for the audience. That’s what makes it feel so adult.
So many romances infantilize intimacy just to artificially prolong the tension, but this show gets that being emotionally guarded isn't the same as being sexually naïve. It’s a nuance most writers miss.
"He was my friend"
Fuck you, Neil Gaiman.
All these people saying ‘shut up that joe and nicky didn’t kiss! Let gay relationships just be wholesome! I’m gay and you don’t need to see them tongue to know they’re in a relationship! stop objectifying gay characters!’ you don’t get it. Youre entitled to your opinion but I don't think you get it. It’s about the Vietnamese antagonist being demoted to henchman so a well-known white blonde actress can be the main antagonist (an original character) instead. It’s about another original character being introduced whose only contribution is to be the wise asian man trope. It’s about the toning down of the two most disgustingly romantic characters to the point where they barely touch eachother, when they were previously on screen spooning in bed, holding eachothers faces, and yes, kissing. Specifically kissing in a van surrounded by homophobes that they then murder in some pretty top tier comedy.
I’m not upset because i was wanting to get my rocks off. Im concerned because these were decisions that were made, and in the era of almost every movie needing corporate board approval, you need to question why these decisions are being made and who’s making them. Why can’t we show our two gay characters kissing in their only intentionally romantic scene together? Why can’t the vietnamese character be the main villain she was originally set up to be? Why has the new asian character presumably spent his immortality amassing knowledge, and not fighting like everyone else, with no explanation?
At the end of the day it was a bad movie. Plot holes everywhere, rough acting, Madame Webb style dubs. But I still think it’s important to acknowledge the slideback that’s happened here and it's okay to be upset about it.
I've been poking fun but this is still true. In particular because in the first one, Nikki and Joe make out and are very physically and emotionally intimate. The entire team is... they fight together in coordination, they protect each other's back even when in disagreement. It's important dynamic. Most of tog2 is spent pulling away. The dynamics are poorly illustrated.
Also, Bookers' death doesn't make sense. Booker is depressed and suicidal and feels purposeless, but we just established that he'll do anything for the rest of them. Even be alone for a hundred years. I understand Quhyn being angry and fighting them further. But not only do we get a blond as the villain but she's supposedly been sowing destruction and avoiding the rest of them for thousands of years? And what about the dreams being important.
It's thrown out all the good plot devices and left a few crumbs. It's annoying at my kindest.
the old guard 2 is so funny because the first two thirds are like "huh booker seems way less depressed, maybe exile was good for him" and then he jumps at the opportunity the SECOND tuah shows him a way to kill himself. never let your immortality stop you from being suicidal little french bastard (affectionate)
Me with every work of fiction I’ve ever read or watched that is dear to me.
Love Game in Eastern Fantasy (dir. Zhao Yi Long)
Two people meet at the Lantern Festival. And fall in love at first sight. The plot is too cliché, isn't it? I think it's quite realistic. The first time I found you a bit cute was at the Lantern Festival in Taicang County. At that time, the sky was also filled with lights.
LOVE GAME IN EASTERN FANTASY 永夜星河 dir. Zhao Yi Long, 2024.
Pete. Black Pete, what are you doing. That’s solid cherrywood. You probably should’ve toned down the boasting BEFORE the actual, real-life Blackbeard stepped onto the ship…
On the other hand, Ed is handling his new crush… well =3
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He's so cute I can't 🥺🥺🥺
Damn guess that means I have to watch OFMD once again to watch them fall in love once again
When you broke up with your situationship did you
A: become a dictator
B: start a cult
C: join an underground fighting ring
D: do drugs with your former teacher and his new student
The straights, the lesbians and the gays
if i had a nickel for every time a pink-haired villainess reincarnated and fell in love with the crown prince (or rather enchanted him at first sight), i’d have two nickels. which isn’t a lot, but it's weird that it happened twice.
when lilia realized she was the traveler and starting dealing the cards to herself and we saw how each card represented a character, thats when i knew.
this is hands down the best marvel show yet. argue with the wall.
me after agatha all along ep 7
also shout out to Billy's boyfriend who 1000% thought Billy was about to come out as trans and was being supportive and then STILL somehow managed to be supportive when Billy came out as a reddit conspiracy theorist instead
literally rio this episode