today's warm up: when you leave such a fine and blessed sword hanging around, you can't expect someone not to try their hand Also im reallly proud of the atmostpheric vibes here!
Sade Olutola

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Kiana Khansmith

Kaledo Art
Claire Keane

❣ Chile in a Photography ❣
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DEAR READER

Andulka
Cosimo Galluzzi

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JBB: An Artblog!
cherry valley forever
ojovivo
I'd rather be in outer space 🛸
we're not kids anymore.
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Cosmic Funnies
Lint Roller? I Barely Know Her
KIROKAZE
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@junomoons
today's warm up: when you leave such a fine and blessed sword hanging around, you can't expect someone not to try their hand Also im reallly proud of the atmostpheric vibes here!
Huckleberry
“I know it wasn’t easy, thank you for putting up with me all these years”
“Kremy, I was never looking for easy”
“I know, thats what I like about you, Gid”
I keep thinking about that attempt I made to characterize people I get along with, a few days ago. There’s a specific thing there but I’m just not sure how to phrase it.
It’s like a sort of … feeling that the world is bigger than you, and very complicated, and filled with things you’d never expect. It’s not exactly “skepticism,” and not exactly “humility.” It’s compatible with having a high view of oneself or one’s intellect, though not with certain versions of those things. It’s compatible with strong and numerous opinions, too, though not with certain ways of having strong and numerous opinions.
It’s having your most instinctive response to the world be “this is billions of distinct things; this is jeweled chaos; this is a buzzing, blooming confusion.” And then you make models and concepts to try to make some sense of it. Sometimes you become quite attached to them. Sometimes maybe too attached. But if you become too attached it’s not because you think your concepts are reality. It’s because you feel you’ll be so terribly lost without them.
When I try to think of the opposite of this temperament I think of those sorts of political or culture bloggers who are never surprised by anything, who always respond to every news story with “oh, look, more of the thing I know about, doing the things I know it does.” It’s not that these people are too political, or too certain. It’s that their politics and certainty doesn’t feel like a lifeboat they’re clinging to in a vast roiling ocean. They give off the impression of not seeing the ocean.
And lots of things follow from this. You have to find ways of living with this ever-present sense – sometimes dulled, but never gone – that reality is too large, grotesquely large, that you’ll never find your way in it. So you learn to revel in it a bit, to become an eclectic, an amateur, collecting and admiring little bits of jeweled chaos. You collect #quotes. You learn to laugh when you see something you don’t understand, so that you don’t instead despair.
You feel wary about systems, you feel wary about things that are top-down and a priori. You like data. But not in the sense of “the data is in”; not in the sense that we have measured, so now we know, and now no one can ever question again. But you are always worrying that you are missing the forest for the trees, because there are so many trees, too many, too many. You distrust the single event, the dramatic example, because you know that reality has room for everything, because you have enough such specimens pinned and mounted in your collection to prove any claim or its negation. You want the species, not the specimen – but you feel deep down that that has to be hubris, because all you see are specimens, and the great whirling confusion laughs at your taxonomies.
You come to observation, to experimentation, to something like science, even to something like positivism, not out of a zeal for the general but because you know the particular will wash over you and crush you. When the concepts are stripped away everything is laughter and awe and horror and you bring the concepts back, not to perfect life, but simply to bear it. And you tend to your collection.
Cows are big because they are full of love.
I'm gonna miss the Starlight <3 have my farewell to her,
somnophillia is super funny like im honk shoo honk shoo having a good nights sleep and now you must pass the ultimate test of fucking me without waking me by knocking something over or stepping on a crisp packet i've left on my floor. can you finish your mission while my pet geckos judge you from their tanks? because they're not leaving the room okay the geckos stay in here. also the markiplier fnaf playlist stays on. i sleep better when he's screaming.
all kink stuff is playing pretend but with somno you're not playing pretend you're locked in you're comfy cozy you're snug as a bug in a rug and your partner is playing pretend instead
and like. if you're the one awake you're playing pretend so hard right now like ouuuuhhh look at me i'm a scary evil intruder or a demon or vampire or whatever we're doing tonight and now i just have to uhhhh okay shimmy the duvet off and shhh dontfucking breathe so loud and okayyyyy alright now. ah shit they're sleeping in the family guy death pose how the fuck do i get in there how. how do i. help. why are these geckos looking at me.
plus you have to not get too scared when freddy fazbear jumpscares you or else you're waking them up with your screams
oh great and this guy's here in the cuck box wondering if the screaming is me waking up or markiplier dying or toy bonnie throwing a tantrum
schrödinger's flirting. i mean it as much as you do
i dont know what spamtenna does to me i have never rendered like this in my life
tumblr is for putting your stuff somewhere that's not secret but also not for anyone particular to see so it's true neutral in a really nice way
As an adult I think me and all my friends should all have matching schedules and work like 20 hours a week and also everyone lives within 15 minutes of each other why is that so much to ask
black mackerel tabby with high white spotting
smirking bastard with grievous grin
Please, Gromit.
Do u ever read a friend’s fic and it’s like holy shit how do you consider me qualified to talk to you?
No
Y’all need better self-esteem
Alright I have been enabled so I’m gonna say somethings.
Fatalistic sarcasm is a thing, however, it usually hides deep feelings of insecurity, and whether you consciously recognize this or not, it validates them. Seriously, I used to constantly make jokes about how other people’s work was better than mine, and it did nothing for my self-esteem, it was a tool to deflect from my own feelings of inferiority and it actively worked against me thinking critically about my own and other people’s work. If it was a joke I could put myself down instead of analyzing why someone’s work was better and trying to incorporate that into my own
As someone who took creative writing courses I was constantly surrounded by other brilliant people, if I hung my head in shame every time I read something as good or better than mine I never would have lifted it.
As someone who has watched a lot of writers with very good idea’s crash and burn I mean it when I say you either develop a healthy sense of respect for your own work or you stop writing.
There’s three things I really wish more people consider
1. Do you think their work is better because it’s a different style, one that you like? There’s an element to ‘the grass is greener on the other side’, I have seen people work in some amazing styles that I wished to god I could replicate, some I managed, some I never did, but there’s nothing wrong with either. having a different style Is Not the same as having a bad style, each has their own strengths and you can admire one without putting yours down
2. Knowing someone who is a better writer is a blessing and if they knew you were using their work to bring yourself down they would not be happy, mooch off that friend, analyze their work, ask them to edit your shit, as long as you’re not annoying them be shameless about it. the best thing creative writing did for me was give me the confidence to ask people to critic my work and shamelessly better each other for that sharing
3. People need to normalize being confident in their work, the quality of your work has literally nothing to do with your worth as a person, the quality of your work has nothing to do with your worth as a writer. You can write something really shitty and the only thing I’d say to you is that your trying and I respect you for that
Literally every writer I know needs to read this.
The entire reason I started writing fic was because I was too sick to be anxious about it, and after that, whenever I would get down on myself my work would stagnate, so I learned to follow sick Magpie’s lead and just say fuck it.
I write because I enjoy it. I write because I love it. And I write because I want to share a piece of myself with the world and say this is me, take it or leave it.
Learn to give yourself grace. Learn to get better at writing because you love it, not because you hate what you create. And most of all, learn that no one is able to write exactly like you do, and that is amazing.
<3
Are we gonna pass on the fire bit at the bottom?
My brain socialist
My heart anarchist
My eyes pacifist
My blood revolutionary
My tits: OUT
My teeth SOMEONE ELSE'S
I had to look this up (here's my source), so here's the short version:
In 1990 Alastair's girlfriend asked him to take pictures of the poll tax riots for a movie she was making. He went off and did so. At some point during the protests, he saw a cop start choking someone out in a way that could kill really fast. He yelled at the cop for doing this.
In response, two more cops pinned him against a nearby shop window and one of them choked him unconscious. He was then arrested and charged with assaulting the cops.
During the trial, one of the cops said that Alastair had bitten him. A dental expert took a mold of his teeth and determined this was very unlikely, and it was suggested that the cop actually bit himself! Despite this and several witnesses corroborating Alastair's testimony, he was convicted and sentenced to prison.
This conviction led to him helping found an organization to provide legal services to those arrested during the protests.
The conviction was overturned three years later, and he won £40,000 in 1997 in a civil suit against the cops, which he used to help pay for his getting a legal degree.
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