mcu fans will see a snappy one-liner, ask "is anybody gonna quote that into oblivion?", and not wait for an answer

romaโ

if i look back, i am lost
tumblr dot com

โ
AnasAbdin
No title available

No title available

No title available
sheepfilms
will byers stan first human second
I'd rather be in outer space ๐ธ
Cosmic Funnies
Cosimo Galluzzi

JBB: An Artblog!

titsay
Acquired Stardust
todays bird
๐ชผ

โ
"I'm Dorothy Gale from Kansas"

seen from Netherlands
seen from Hong Kong SAR China

seen from Australia
seen from Australia
seen from T1

seen from Malaysia
seen from Germany
seen from France

seen from United States
seen from United States
seen from Tรผrkiye
seen from United States
seen from Sweden

seen from Germany
seen from United States

seen from United States
seen from United Kingdom
seen from Brazil
seen from United States
seen from Germany
@jupiterwupiterblupiter
mcu fans will see a snappy one-liner, ask "is anybody gonna quote that into oblivion?", and not wait for an answer
live footage of me getting you ๐น
no...... how could you do this to me...................... i thought we were friends................................
hello! i'm writing an mcu fanfiction and wanted to incorporate judaism into some of the characters' lives, because it really bothers me how they have a history of brushing aside the jewish aspect of characters who clearly are. i was googling if certain characters (namely peter and wanda) are jewish, and stumbled across your blog in the search results. all of this to say, i was trying to research foods typically eaten on hanukkah, because all i know of is latkes and jelly doughnuts, but the websites i found just reiterate that. so i thought i'd ask, are those really the only two foods eaten, or are there more?
Sorry for not answering (this ask is from August). I hope the fanfic writing was/is going well. I've been trying to distance myself from jumblr. It's important to me to iterate that there's more to Jewish culture than food, and Hanukkah is not the most important holiday in the Jewish calendar, although it is plenty fun. That said. Latkes (both cheese and potato) and sufganiyot are in fact the two main foods eaten on Hanukkah, but any fried food (especially deep fried) is appropriate and common.
reblogging so i can save for reference because this is super helpful, thank you! the only reason i chose hanukkah for the characters to celebrate is because the fic is taking place late nov/early dec, but i might include some others.
"harry had to go live with aunt petunia in order to keep lily's protection alive" cool. there are also ways to do that without leaving him to rot in an abusive household for 10 years, including:
- mcgonagall returns to the dursleys' house when harry is 6ish and explains the truth if the wizarding world, so if nothing else, he's not living in the dark.
- sirius is given a trial where they prove his innocence (between veritaserum and legilimency, it shouldn't be very difficult) and he's allowed to be a proper godfather. whether it's taking harry out for a quick lunch or having him sleep over at sirius's place for the weekend, sirius is breaking harry out of the muggle monotony.
- remus and the dursleys are given joint custody of harry.
- sirius is given a trial to prove his innocence and he and the dursleys are given joint custody of harry.
- sirius is given a trial to prove his innocence and he and the dursleys are given joint custody of harry AGAIN except this time sirius and remus get married so it's gay and harry has two people who love him at his second home.
- modify the dursleys' memories so they forget that they hate magic.
- assign somebody (an auror, hagrid, mcgonagall, whoever) to watch over the dursleys' household and ensure that harry is safe. similar to what happened at the end of ootp, when mad-eye threatened vernon that he'd come to investigate if he and the others didn't hear from harry for three days in a row, except the protection is set up from the beginning to ensure harry has a good childhood.
- use a time turner to go back, warn lily and james that peter is the spy, get them to choose sirius or remus as their secret-keeper, and generally just avoid the whole mess to begin with. dumbledore can do the horcrux hunt and kill voldemort on his own without passing on the burden to a 16-year-old.
- get literally ANYBODY ELSE except dumbledore to be in charge of the plans.
lily and james were probably soooo furious with dumbledore when he got to the afterlife like: "whAT THE FUCK DO YOU MEAN YOU LEFT SIRIUS TO ROT IN AZKABAN FOR 12 YEARS AND LEFT REMUS TO FEND FOR HIMSELF THINKING SIRIUS BETRAYED ME AND PETER????" "you left MY SON WITH MY RELATIVES KNOWING FULL WELL HOW ABUSIVE THEY'D BE TO HIM???????"
james and snape have exactly one thing in common and it's that they both murdered albus dumbledore
Wanted to try drawing @occudo's fantasy AU in my style for a while now, their designs are just so damn good.
I don't know what sort of flower language is in this universe, but I'm sure it'll go right over Jon's head regardless. These two are clueless, lol.
HEY.
HEY YALL.
USAMERICAN DEMOCRATS SUCCESSFULLY REMOVED EVERY ANTITRANS RIDER FROM EVERY FUNDING BILL
Spread the fucking word because LORD knows democrats fucking suck at spreading it themselves and will fail once again to inform their base
But just in case youโre sitting there going โthe Dems arenโt doing anything,โ THEY ARE
IT IS JUST SLOW
AND MOSTLY INVISIBLE
BUT THEY ARE
actually i lied. put your clothes back on. let's talk about how becoming trendy was one of the worst things that could have happened to stranger things, because instead of being a niche project for the outcasts like it was supposed to be, it's now a mainstream show that everybody and their mother has heard of, and is consumed by the very people it was created to offer refuge from, who are infiltrating the fandom and trying to twist the show's narrative in spite of what logic has shown the arcs to be because they can't see themselves in the characters they were never supposed to, and they can't handle the fact that for once, they're the ones being swept under the rug to highlight minorities/outcasts instead of the other way around like most other mainstream media.
coming back to this in the wake of the duffel bag brothers spitting in the face of their "show for outcasts" tagline and alienating the people who cared about the characters, theorized, wrote fanfiction, drew fanart, and loved the show with their whole soul just to gain a couple more brownie points from the ga.
at some point some of y'all are going to have to stop using "i'm concerned about your health" as an excuse and just admit you're fatphobic
reason why representation is important #18396929: i'm at california adventure and went to one of the grab-and-go restaurants, and while checking out, the cashier noticed my sister and my's spider-man shirts. he asked who our favorite spider-man is, and while we both said peter parker, he told us his is miguel o'hara, both because he likes a spider-man that's darker and grittier than peter parker, and because mexicans "don't get a lot of representation, so it's a win whenever we do." it was a brief interaction, but he was clearly so happy that there was not only a mexican spider-man, but one with a character he liked. and just, idk. i think the white film execs need to keep this kind of guy when wondering if their next film lead should be poc or the ten millionth White Maleโข๏ธ.
dustin is the token straight of the party but the duffers aren't ready for the conversation
Okay yes but there is also something so gender about him
hold. you might be onto something
dustin is the token straight of the party but the duffers aren't ready for the conversation
i bring a sort of "a show for outcasts should feature a queer slowburn between two central characters ending in the characters falling in love, not rejection" vibe to the party that the duffer brothers don't really like
My heart is genuinely breaking for the HHS announcements about putting FDA regulations on binders. Fucked up to the core
What the actual fuck. This is bullshit.
In summary, the FDA is saying that chest binders are ONLY for those recovering from mastectomies and that it is predatory and unsafe for them to be marketed to trans youth (ignoring the fact that they were originally invented for cis men with conditions like gynecomastia). (The specific brands called out are: TransGuy Supply, the Fluxion, GenderBender, ShapeShifter Apparel, Marli Washington Design, TomboyX, FLAVNT Streetwear, Early to Bed, TOMSCOUT, For Them, and UNTAG (according to Advocate))
So what does this mean for you:
It will be harder to find binders marked as for trans people (especially the by trans for trans brands)
But that does not mean they will not serve the same purpose
This will probably lead to more underground binders that are unsafe (like the many Amazon binders)
This will put small binder companies out of business (and harm larger ones)
Obviously demonizing gender affirming devices
This DOES NOT mean you cannot get a binder (many trans organizations and even other trans people will donate binders and give them away for free. See if there are any places local to you or online where you can get one. Also, there are companies who are not affected by this yet (as much as they suck now, GC2B isn't on the list, and spectrum outfitters I've heard is really good and I personally have a Wivov one that is great)
You have other methods if a binder is out of the question (trans tape is the biggest one, but I have seen many YouTube videos where people who can sew made their own binder, as well as you have the double sports bra (make sure if you do this one you have on one forward and one backwards to evenly distribute pressure) and tights method (although any form of DIY binder is risky so please fully research what you are doing before you do it and listen to your body!!))
You (if possible) should raise awareness about this. Tell people how this will cause more people to end up in the hospital due to unsafe binding practices. Or worse, dysphoria ruining their mental health.
This is not the end. We will persevere. We will come out of this stronger.
Please, whether you are binding or not, be safe. โค๏ธ
actually i lied. put your clothes back on. let's talk about how becoming trendy was one of the worst things that could have happened to stranger things, because instead of being a niche project for the outcasts like it was supposed to be, it's now a mainstream show that everybody and their mother has heard of, and is consumed by the very people it was created to offer refuge from, who are infiltrating the fandom and trying to twist the show's narrative in spite of what logic has shown the arcs to be because they can't see themselves in the characters they were never supposed to, and they can't handle the fact that for once, they're the ones being swept under the rug to highlight minorities/outcasts instead of the other way around like most other mainstream media.
so whipped for the avengers: doomsday trailer as if it isn't going to be an establishing shot of the watchtower, an Aesthetic Image of nonspecific mutants at xavier's school for gifted youngsters, and a blurry shot of the fantastic four with some vague captain america-esque voiceover of sam going "this is our duty" before it cuts to black because if the marketing team reveals anything more, the next marvel headline will be about how kevin feige sniped them all
Byler is Narrative Destiny:
Decoding Mike and Willโs (rather obvious) love story
Alternative title: Subtext My Ass
Just an unapologetically nerdy breakdown of Mike and Will through colour psychology, symbolism, and Jungian Archetypes to eviscerate any remaining Byler doubt that may be out there. Mike and Will have been (quite literally) written for each other. Let me prove it.
The psychological significance of red, yellow and blue:
Let's start with the basics.
Mike's representative colour is blue, and Will's colour is yellow.
Blue is the colour of Mike's bedroom and most of the clothing he wears features various shades of blue, as well as green and teal (which are secondary and tertiary colours from blue).
And, although I wouldn't die on this hill, I do think Mike's palette could function as subtle queer-coding as it resembles the gay flag.
Yellow is the colour of Will's bedrooms in both Hawkins and Lenora. He often wears yellow and pairs it with red.
(Interestingly, the only season where Will does not wear these colours as often is season 2, when he is possessed by the Mind Flayer).
And of course, potential queer-coding with red and yellow both being 2 of 3 primary colours featured on the generic rainbow pride flag. Will's wardrobe in general is very colourful.
Unlike Mike's palette which features secondary and tertiary colours, Will's red and yellow are both primary colours. They are very distinct and especially striking when paired together.
Therefore, red should be given equal focus to yellow when we analyze Will's character design and the associated psychology of his character.
I argue that red is Will's other representative colour, because he is psychologically split.
Will having two distinct representative colours makes a lot of sense when we remember that he is constantly associated with split imagery.
This split imagery is usually portrayed using rods or other phallic-shaped objects.
The show is telling us visually that there are two sides to Will Byers, and because the imagery is phallic, it likely has something to do with his sexuality.
When I see rods, I'm reminded of the Suit of Wands in Tarot.
Tarot uses symbolism, semiotics and numerology to communicate meaning. The wands in tarot are rod-like and traditionally depicted as sticks or branches. They are phallic symbols; representing passion, lust, and vitality, as well as the element of fire.
These are all things we subconsiously associate with the colour red, too!
So, let's take a closer look at colour psychology, starting with red!
Red exudes passion: love, energy, excitement.
It makes sense.
Red is the colour Will used for Mike's heart emblem painted on his shield. (Accompanied by a yellow crown).
Red represents Will's passionate love for Mike.
Not innocent or platonic love, but a mature, sexual and romantic love. The kind a closeted gay teen in the 80s might be terrified of.
What's more interesting is that even though red and yellow are Willโs colors, he projects them onto Mike in this paiting. Likewise, blue is Mike's colour, but Will assigns it to himself through the spell he's casting. Figuratively, casting a spell refers to strongly attracting, enchanting or captivating someone.
The meaning here is twofold:
Mike is attracted to Will, and feels that he is a forbidden temptation or even a seducer (more on that later).
Will knows (or rather, feels) that the attraction is mutual on a subconscious level, even though he may logically believe this not to be true.
The imagery in Will's painting reminds me of the official artwork in which Will is casting a blue lightening bolt spell, which connects to Mike's shield featuring the red heart.
Red and blue are also the only colours depicted in this image. They are clearly significant when paired together. (Perhaps more significant than yellow and blue...)
Red also represents Will's latent manhood (and subverted masculinity).
We associate red with fire, and by extention, with gun-powder.
Will the Wise is a wizard, and wizards cast fireballsโbut he hesitates to cast it. Will also literally wields a gunโbut he never pulls the trigger.
(At least, he doesn't fire it in the canon of the show. Like the fireball however, Will may have eventually pulled the trigger, as depicted in the comics). When Will does shoot the gun in the comics, he does so while closing his eyes and looking away, meaning that it is unlike him or "feels wrong."
In a symbolic sense, the fireballs and gun (which is phallic) represent masculinity, aggression, and agency.
Will is hesitant to embrace them all.
And the thing is, Will's gentle and slightly more effeminate nature (at least by 80s standards) is a perfectly valid expression. There is a distinction between masculinty and manhood: Manhood is simply the sexual and psychological maturity of an adult man, as compared to that of a child (boyhood). Like how red represents Will's mature love for Mike, it could also be foreshadowing of his coming-of-age. There's no need for him to "toughen up" or act "manly" in order for him to step into his manhood. Rather, he will likely do so by reclaiming his agency.
Will is going to symbolically embrace his manhood by:
Accepting his sexuality and coming out (at least to people he trusts, because it's not everyone's business).
His emancipation from the influences of the Mind Flayer, Vecna and Lonnie (malevolent forces which represent shame, trauma and domination).
Now, let's move on to Will's (apparently) more dominant representative colour.
Yellow exudes innocence: creativity, happiness, optimism.
Will is often percieved as innocent and more child-like than the other party members, despite his advanced emotional maturity.
He wears a lot of yellow (and plaid) to represent this innocence and youthfulness.
Yellow represents Will's innocence.
According to the casting director, Will was casted to appear young and innocent, and also for his large, expressive eyes. Wide eyes (or doe eyes) are associated with innocence, children and prey animals. Will also visually resembles prey animals such as rabbits and deer.
Before he is abducted, Will appears as a metaphorical deer caught in headlights.
(The light is on him when it should be on the demogorgon. He is the prey here).
Yellow also represents Will's artistic sensibilities.
Even though some of the images depict violence, Will's drawings still exude childhood innocence and wonder: they are colouful, whimsical and fantastical.
They also represent optimism and friendship, which is very yellow-like. His drawings appear to be inspired by the antics of the party's campaigns, depicting triumph rather than tragedy.
(Mind Flayer and Zombie Boy drawings aside).
Yellow is associated with Will's halo imagery (and other religious symbolism).
When we see Will from Mikeโs perspective, he is bathed in yellow light.
Itโs halo imageryโand it provides a stark contrast to the split phallic imagery we get from Will's own perspecitve.
(It's worth asking, since this is Will from Mike's perspective, does it really say much about Will's psyche? Or does it point more towards Mike's own psyche?)
Light signifies optimism, hope and clarity.
A halo specifically sybmolises holiness, purity and martyrdom.
This relates strongly to Will's role as cleric (a class who use divine magic gifted by deities, which is often depicted as golden or yellow). The thing is, Will the Wise is actually a wizard. It was Mike who determined Will was a cleric in season 2. Mike seemingly placed Will into this role, because it fits how he views him.
Additionally, Will's role as spy for Vecna and his "True Sight" can be associated to yellow.
When we see a single eye, it usually signifies the all-seeing eye, also called the Eye of Providence.
The Eye of Providence is typically depicted emanating golden yellow rays of light. It's more religious symbolism connected to Will.
But this is not a positive thing for Willโit's connected to his abduction, possession and subjugation.
Mike's halo-ifying of Will tells us that he views Will as something angelic: pure, divine and holy. But Will does not percieve himself this way at all. Will is less concerned with the religious symbolism and more concerned with the phallic. To put it bluntly, Will is not as innocent as he appears, and is thinking more about his sexuality and desire than people realize.
Finally, yellow is associated with Will's metaphorical death.
Will's funeral is littered with yellow roses, and through the liturgical prayer (more religious coding) he is again directly tied to innocence.
We now have an association between yellow, innocence, and death.
Let me decode this very simply:
Child = innocence Death = loss A child's death = the symbolic loss of innocence. So even though Will lives, he lost his childhood innocence when he metaphorically died.
I hope that I've been able to get the point across that although yellow fits many aspects of Will's personality, it also seems tied to his repression and stasis.
Psychologically and narratively, yellow does not indicate growth for Will's character, in the way that red does.
Now, let's move onto one of the most tragically misunderstood characters in the series and his representative colour.
Blue exudes sincerity: loyalty, stability and trust.
This is the absolute epitome of Mike.
Mike is incredibly loyal, often even to his own detriment. Everytime Mike does a wrong, he always strives to make a right. In fact, he's prone to taking ownership of things that aren't his actual fault or responsibility. He's also deeply compassionate and determined to do everything he can to help others.
Blue represents Mike's leadership capabilities.
In marketing, brands will often choose the colour blue to subliminally communicate that they are dependable, trustworthy, and leaders of industry.
Mike is also a natural leader: he has played as both Dungeon Master and paladin, he initiated the efforts to find Will among his friends, and he took El under his wing. And this is just in season 1 alone.
He continues to protect and guide his friends through-out the series, using his sharp wit and intelligence (over brute strength) to problem-solve.
Mike's leadership is not based in ego, it's a genuine psychological need. It's where he fits into the world: helping, protecting and guiding others. It's natural for him.
Once again I look to the Tarot, and this time the Suit of Cups.
This suit represents the element of water, representing the inner world, emotions and spirituality. The cups themselves are symbols of fulfillment: is the cup empty or full?
I think we should ask the same question when we look at Mike. Is he empty or full? What is it that he actually wants? Are his needs being met?
The colour blue is associated to water, symbolising the unconscious, emotion and hidden depths.
Blue represents Mike's hidden depths (and his unmet fulfillment).
Mike is associated with water, too. In a very literal sense. He jumped into the quarry to save his friend, likely knowing it would kill him.
(And note that his jacket matches the blue-green colour of the quarry water).
Why did he do this? Was it truly just to save Dustin, or is there more here hidden beneath the surface? Much like Will's experience in the Upside Down, Mike's jumping into the quarry is never explicitly addressed. He never talks about it, and it's never explained.
This implies repression, both emotional and psychological. There is a hidden pain and depth to Mike, that is beneath the surface. He's like still water.
In both Jungian and Freudian psychology, water is associated with the unconscious. And in Stranger Things, water facilitates the transition from unconscious to conscious.
When El has to recover her repressed memories of Hawkins Laboratory, she does so while floating in water. In fact, she uses water to infiltrate other people's consciousness, too: entering their private memories. When Heather begs El for help (though she was already possessed by the Mind Flayer) she is also submerged in water. This was a message from her subconscious, which was repressed by the Mind Flayer.
Mike never becomes submerged into the water, however. In the literal sense this is a relief. But metaphorically, it's a problem. Like Will's metaphorical death at the quarry, Mike is also in a state of stasis.
Mike needs to transition his unconscious to the conscious in order to be emotionally and psychologically fulfilled.
There is no wonder why people often find Mike's character to be confusing or amorphous: he has been intentionally written to be this way.
We as the audience are supposed to experience his struggle with identity, purpose and fulfillment along with him. We're meant to feel his confusion. The story of Stranger Things is (largely) told from Mike's perspectiveโhe's a writer and storyteller after allโand he's hiding the things about himself he does not yet want us to know, because he still needs to deal with them himself.
Okay, I hope you're still with me, because we're getting to the crux of it now.
The Jungian Archetypes:
Now that we've explored how Mike and Will's representative colours (and associated symbolism) reflect their inner worlds and personalities, we have enough information to identify their most prominent Jungian Archetypes (including their shadows).
Jungian Archetypes are often referred to as Character Archetypes or Literary Archetypes. Sometimes, this is why an ending feels โrightโ or inevitable. When we understand the characters, we already know on a gut level what kind of ending they will get. In way, it's a form of predictive modelling for storytelling.
Will as the Lover archetype:
If red represents Will's passion, love, and lust, then that makes him the Lover.
The Lover archetype is passionate, romantic, and driven by a desire for deep connection. Alongside the Everyman, the Lover belongs to a trio of archetypes that seek belonging above all else. Specifically, the Lover seeks both emotional and physical intimacy.
They are empathetic and sensual, and I think this relates to Will's deep appreciation for music and art. He's also very in-tune with his own (and other's) emotions, especially Mike's.
(This is the deep, sensuous gaze of the Lover. There's nothing "innocent" about it. He is drinking Mike in, and he's not shy about it).
Again, I reiterate that Will is not as innocent as he appears. When we are placed in his perspective, it's love and intimacy that he most craves. It's phallic imagery that we see. He's no longer a doe-eyed child; he's a young man with emotional needs.
It's worth noting that based off his characterization (sensitive, romantic, selfless and handsome), Will would probably be portrayed as a romantic leading man if he were straight. The one who "gets the girl."
He's Colonel Brandon (Sense and Sensibility). He's Jack Dawson (Titanic).
The Lover's Shadow
The Lover's Shadow-self may be referred to as the Addict or the Seducer.
The Addict or Seducer is hedonistic: They prioritize external validation over genuine connection, and crave temporary gratification. Will is not portrayed as hedonistic, meaning he is sitting quite firmly in the light aspect of his archetype rather than the shadow.
It suits him. It's his endgame.
However, the Seducer certainly invokes the imagery of Will being a spell-caster: one who can enchant others, even against their will.
Perhaps this is Mike's subconscious perspective: Mike feels that Will is tempting him and seducing him into queerness. Was Will Mike's sexual/ gay awakening? It's very possible.
Alternatively, this could represent Will's own subconscious fear regarding his sexuality, considering the attitudes towards gay men at the time: Will fears that he will become a sexual deviant, that his love is impure, and will lead Mike down a path of sin.
Very compelling stuff. Let's take a look at Will's other Jungian Archetype.
Will as the Innocent archetype:
The Innocent is pure, optimistic and hopeful. What they seek most is harmony and safety, and they choose to see the goodness in others.
They represent the desire to return to childhood. It makes sense that a character who had his childhood stolen from him due to trauma, and who has sexual identity issues, would project as the Innocent archetype. However, I think the Light aspect of the Innocent archetype fits better with younger Will (seasons 1-2), than with teenaged Will.
This is why I think Will uses the Innocent as his Persona (projection).
The Innocent's Shadow
The Innocent's Shadow-self is the Victim.
They are naive, vulnerable and easily-manipulated. The Victim embodies the feelings of powerlessness and helplessness.
It's certainly reminiscent of Will's continual misfortune.
From his father's abuse, his abduction and possession, to his "unrequited" love for Mike, Will has been perpetually victimized through-out Stranger Things.
As far as the Innocent goes, Will is sitting more firmly in it's shadow than in it's light.
But Will is not naive, and he's too "wise" to be easily-manipulated. I think Will has partially out-grown his innocent image, or rather, the version of innocence he is attached to (sexless, childish and victimized). Will is going evolve into a more mature (and self-possessed) version of the Innocent: optimistic, wise, and hopeful. He'll achieve this by leaning more into his Lover archetype, which will facilitate his coming-of-age.
Mike as the Everyman archetype:
The Everyman is the protagonist. They are relatable and down-to-earth. They donโt display any outward powers or extraordinary gifts, but they are humble, compassionate, and kind.ย
Alongside the Lover, they seek belonging above all else. For the Everyman specifically, this belonging centres around community (friendship).
Mike is certainly the Everyman.
There is nothing more important to him than his friends.
His role as the Everyman also makes sense when we remember he's the primary narrator of the story. He's the ordinary boy who is thrust into extraordinary circumstances.
He's constantly in awe of those around him: El's superpowers, Will's light and "innocence." The Everyman often mistakenly believes they are unimportant. They are too normal, while the other characters around them appear so much more distinct and larger than life.
Because the Everyman is usually so caught up in trying to figure everybody else out, they tend to neglect their own sense of self.
But the Everyman is an extremely important character: they ground the story in reality, bring people together and find common ground.
The Everyman is the heart of the story.
The Everyman's Shadow
The Everyman's shadow is the Conformist or the Nobody.
Oh, yeah. We're going there Wheeler.
The Conformist possesses a fear of standing out or taking risks, and assumes socially acceptable identities because they're afraid to dissapoint or subvert expectations. In simple terms, they are repressed.
(Would anyone like a serving of compulsary heterosexuality? Mike's teeming with it).
Speaking of Mike's repressed perspective and subconscious state: Remember his simultaneous halo-ifying of Will and characterization of him as a seducer?
That's deeply psychological too.
This is what his halo-ifying of Will reveals about his pscyhe:
Mike's tendency to place others above himself
Mike's repressed sexuality: viewing Will as something both untouchable and unattainable.
He has decided to view Will as fully Innocent (to the most spiritual degree) as a means of rationalizing his sexual repression. You can't get with the guy who wears a literal halo! That would beโฆ sacrilegious! The religious symbolism surrounding Will may actually stem from Mike's unreliable narration and conflicted feelings about queerness.
This is what Mike's view of Will as a spell-caster/ seducer reveals:
Mike feels that heโs been enchanted or bewitched by him.
He frames his desire as something external to himself. Something being done to him, because acknowledging that it originates within would mean facing his own queerness.
Mike is in his Conformist mode, and he's going to break out of it by the end of season 5.
That's not all though, there's also the Nobody.
The Nobody feels invisible and insignificant. They often lack ambition, and have feelings of inadequacy and low self-esteem.
This also sounds familiar.
And yeah, the fact that when Mike is in his shadow he chooses to confide in Will, and Will is the one who helps him step into his light should not be lost on us.
Will sees Mike's worth as the Everyman: the heart of the story.
He is the Everyman's Lover.
There's more to Mike, though. Like Will, he embodies a secondary archetype.
Mike as the Caregiver archetype:
The Caregiver is characterized byย compassion, generosity, and a deep-seated desire to help others.ย Driven by a need to nurture and protect, they often prioritize the needs of others above their own.ย
They are motivated by structure and order; wanting to maintain the status quo, safety and familiarity.
Mike shows up as the Caregiver frequently. He is always protecting, comforting and safeguarding others, particularly those he sees as most vulnerable or in need of his service: Will and El.
While the Everyman pairs nicely with Mike's role as the narrator and protagonist, the Caregiver pairs with his role as leader. He's not a ruler; authorative, noble and intimidating. That's not his style of leadership. Instead, he's something softer. He leads by example: protecting, healing and serving.
The Caregiver's Shadow
The Caregiver's shadow may be called the Slave or the Enabler.
This emerges when when caregiving becomes self-sacrificing to an unhealthy degree, or when it's rooted in control, guilt, or dependency.
It's the incessant need to be needed, to any end.
Mike needlessly makes a promise to El that he will fix a problem he has no control over, and he breaks that promise because El fixed it herself.
Why does he do this?
Because he feels that it has to be his responsibility, even though he understands that El does not "need" him. This fills him with feelings of guilt and inadequacy, and validates his insecurities. It's very different to Mike's emotional support and compassion which he shows El in the earlier seasons. When Mike and El are dating, his Caregiver self is placed in the shadow: making him insecure, needy, and guilt-ridden.
Now, we approach the climax: Byler's compatibility.
Compatability:
Mike and Will are narratively (and psychologically) compatible, according to their individual character arcs and archetypes.
The Lover and the Everyman
The Lover enchants the Everyman: making them feel special, and convincing them to embrace their emotional and romantic needs, which inspires them to be active and bold instead of hesitant or repressed. The Everyman grounds the Lover: providing them clarity, stability, and a love which is based in sincerity and deep understanding, rather than physical or sexual validation.
Will enchants Mike by making him feel special and worthy of love, and Mike literally brings Will back to reality through his sincerity.
The Innocent and the Caregiver
Is this one not obvious?
The Innocent inspires the Caregiver: reminding them that there is good in the world worth protecting, making their servitude meaningful, rather than sacrificial. (Hello lotr reference! Mike and Will are extremely Samwise and Frodo coded). The Caregiver protects the Innocent: validating their optimism and sharing in their desire for safety, never making them feel stupid or burdensome.
Mike is inspired into action by Will's goodness, and Will confides in Mike as he trusts him to understand and validate him.
Finally, we've reached the conclusion!
The (predictive) endgames:
If characters have archetypical personalities and motivations, then they also have archetypical narratives. That is to say, we can predict the end of their story so long as we just pay attention.
Let me make something clear:
You don't depict someone as the Lover, and have them pine, without giving them their satisfying love story.
You don't depcit someone as the Innocent, and have them continually suffer, without giving them their peaceful ending.
You don't depict someone as the Everyman, who conforms and retreats into shadows, without having them surprise and subvert audience expectations.
You don't depict someone as the Caregiver, who sacrifices and gives, without having their efforts be appreciated and acknowledged.
Some stories do have sad endings, and our protagonists don't always get what they want, or end the story fulfilled. But allow me to remind you:
Stranger Things is a hopeful story about unlikely heroes (outcasts, rejects and non-conformists) beating the odds.
The characters don't just fight literal monsters, they fight metaphorical monsters that represent bullies, abusers and bigots.
The ending of the show may be bittersweet, but Will and Mike are sympathetic characters with good hearts, who deserve their happy endings.
My prediction is simple:
Will the Lover is destined for romantic union with his beloved, Mike. Mike the Everyman is on a path to embracing his true, authentic self. Will the Innocent will finally find safety, and freedom from represison and abuse. Mike the Caregiver will lead and protect with his greatest asset: his heart.
Mike is not just the narrator of this story, he's the heart of it.
And Will just so happens to be his heart.
It all comes down to them, and the show already foreshadowed it:
[fin].