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@justemeraldsworld
No one is good or bad, but if you want, I'm the bad one.
Possession (1981) dir. Andrzej Zulawski
Richard Rameriz birth certificate with February 28, 1960 and not February 29th. This birth date makes him ubp moon and not revati moon. Are we going to go against the birth certificate? 1960 was a leap year but he was documented on paper as the 28th, not the 29th.
Possession (1981) dir. Andrzej Żuławski
Linda Hamilton as Sarah Connor in The Terminator (1984)
“Come on. Do I look like the mother of the future? I mean, am I tough? Organized? I can’t even balance my checkbook!”
READY OR NOT 2: HERE I COME (2026) dir. Matt Bettinelli-Olpin & Tyler Gillett
🪐Shravana Male Appearance🌙
Shravana men tend to appeal strongly to the female gaze because they have a polished, seductive presence. They are charming without seeming desperate for attention, and they often treat women with a noticeable level of respect and attentiveness other men don’t. Their energy feels more like a man involved in secret courtship than someone trying to dominate a room. They know how to create intrigue without forcing it, but when they don’t get what they want they can be incredibly needy in seeking the approval of others.
They are very aware of how other people perceive them. Many are chronic people pleasers who want to be admired, and that shows in their appearance. Even when they aim for a rough or rebellious aesthetic, there is usually clear effort underneath it. The clothes are coordinated, the grooming is maintained, and the overall image still feels polished. They rarely look genuinely careless or rugged because the presentation is too curated. It’s more like a fantasy version of the vibe they want to portray.
Shravana men tend to have deeper, darker features overall. Their hair is usually dark brown, finer in texture, but abundant and naturally wavy or slightly tousled in a way that still looks messy but intentionally messy. Compared to most men, they often prefer a bit longer hair, especially when they have loose curls or texture they can emphasize.
Their eyebrows are one of their most noticeable features. They are usually thick, dark, and expressive, giving them a look that can seem inquisitive or flirtatious without trying. The shape of their brows tends to sharpen small expressions, especially around the eyes. When they groom them, they often straighten the shape slightly to make their expressions look more intense, but naturally they just curve around the shape of the eye and look soft and unintimidating.
Even when they are not speaking, their appearance makes them come across as self-assured and sexually driven, and it’s hard to describe exactly why. People often describe them as sultry, charming, or the type of man who always looks like he knows more than he is saying. They put off the energy of being profoundly insightful and devotional yet simultaneously nonchalant.
Shravana men tend to have rectangular or diamond-shaped faces. Although they usually have strong dimorphism overall, there is still a softness to their features that makes them appear approachable. Their appearance gives off competence and confidence without making them seem threatening. They often have long, broad foreheads that contribute to an intelligent or thoughtful look, along with a longer midface that gives them a trustworthy impression. Their chins also tend to be prominent, adding a sense of strength and authority to their appearance. Their eyes are usually one of their strongest features. They often look intense while still looking dreamy or slightly melancholic, which makes people want to keep looking at them.
Their lips and mouth shape also tend to stand out. Compared to most men, they usually have fuller lips and wider smiles that come across as confident and self-assured. Their resting expression has a slight upward pull around the mouth, which makes them seem friendly and easy to talk to.
Their skin is often olive-toned or carries warmer undertones, and many lean into darker color palettes when dressing. Black, brown, beige, and muted earth tones are especially common because they complement their features well and reinforce the composed, refined image they tend to cultivate.
Their eyes are usually neutral in tilt with a slight downward slant at rest, though they lift noticeably when smiling. The spacing is balanced, and the eyes themselves are often somewhat round but narrow with expression. Heavy eyelids are common, but they compensate with expressive brows, squinting, and subtle facial movements that constantly change how they come across to others.
Their noses tend to be larger but proportional to the face. They are often long with a defined bridge, sometimes featuring a slight bump or a subtly downturned tip when smiling. The bridge usually narrows higher up and widens toward the end, giving the nose a strong but balanced shape that adds to their overall presence.
Shravana men also tend to place a lot of emphasis on their physique and usually like showing it off when they have the opportunity. While they often receive attention for their faces, their bodies are usually what people notice first and remember most. Their appeal tends to come from their overall presence rather than from having one especially striking facial feature. Like the other Capricorn nakshatras, they often have larger frames and naturally commanding builds. They are usually tall, and they tend to be athletic or muscular. A narrower waist combined with broader shoulders and a long torso gives them a strong silhouette that stands out easily. A lot of the admiration they receive comes from their body and sexual appeal, and people often idolize them for it.
They are usually clean-shaven or kept with very light facial hair, and even when they do grow it out, it tends to be carefully shaped rather than left to grow in a rough or uneven way. There is still a sense of control in their grooming, where nothing looks accidental or neglected.
Their bone structure is a big part of their appeal. They often have noticeable jawlines that stay defined even when their face is relaxed, and their cheekbones tend to sit higher and give their face more structure. This combination creates a sharp but balanced look, especially in profile. It adds to the impression of symmetry and makes their expressions read more strongly, whether they are serious, smiling, or just observing.
There is a contrast to the way they present themselves. Their skin, teeth, hair, and grooming often make them look polished or even privileged, yet the way they dress and carry themselves leans more rebellious or unconventional in a cliche way.
Their skin is usually smooth and clear, which gives them a youthful look that lasts well into adulthood. Even as they age, they tend to keep a fresh appearance that makes them look younger than they actually are.
Mrigashira is linked to Prajapati pursuing Rohini in disguise as a deer, only to flee when exposed and pursued by Rudra. Parajapti’s severed deer’s head is the symbol for Mrigashira. I think this is seen in how Mrigahsiras sometimes have a “throw the rock and hide the hand” approach. They will avoid direct confrontation, yet still provoke or come at people indirectly while trying to avoid accountability or consequences afterwards. The deer symbolism is important here. It’s not a predator that dominates openly but nervous as evasive creatures that survives through avoidance and retreat. There’s an obvious power imbalance between Parajapti as the fleeing deer and Rudra’s direct, destructive power. That contrast mirrors why some Mrigashiras avoid open confrontation altogether. There is an underlying awareness that direct conflict could expose vulnerabilities or result in overwhelming retaliation. I think thats another reason why their lowest expression can be weak loyalty, where self preservation overrides solidarity, even allowing others to absorb blame or fallout so they themselves remain unharmed.
Sorry, I can’t be friends with them. I just cant deal with this flaky energy in my vicinity. I need to be sure that you’re able to hold your own and be mature enough to take accountability and face the consequences of your own actions. I’m not fighting your battles but I have no problem defending a friend. I’m just saying that I’m nobody’s bodyguard because they’re avoiding accountability and want to use me as a shield from their consequences.
But for their love, they were willing to risk life itself.
THE MUMMY (1999) dir. Stephen Sommers
released 27 years ago today (May 4, 1999)
Gogo may be young, but what she lacks in age, she makes up for in madness.
KILL BILL: VOL. 1 (2003) dir. Quentin Tarantino
SUSPIRIA (1977) dir. Dario Argento
THE BLACK WIDOW
Anuradha Nakshaktra Example
Claire Nakti connected Anuradha to the black widow trope. Female Black widows are known for killing and then consuming their mates after copulation. Claire Nakti tied the two symbols together through the Marvel characters Black Widow and Madam Web and Iggy Azalea and Rita Ora’s song Black Widow. All of which feature Anuradha natives (Iggy Azalea, Rita Ora, Scarlett Johansson, Dakota Johnson, and Sidney Sweeney). I watched the film the House of Gucci and I felt like it showcased a real world example of the Black Widow Anuradha archetype.
Patrizia Reggiani (Anuradha Asc, Jyestha Sun, Mula moon) was the wife of Maurizio Gucci, the heir to the Gucci empire. She hired a hitman to kill him after he divorced her. Before his death the Gucci family lost control over the business. No member of the family currently runs the company.
The way Patrizia fixated on Maurizio demonstrated Anuradha or Scorpio’s (she is Jyestha Sun) main dilemma. She pursued him, raised him to his pinnacle of success, and then dragged him down when she was no longer able to control him.
This is another example of the danger of Scorpio misplacing its devotion, and discharging all of its energy and gifts into another person instead of allowing it to fuel their own growth and empowerment.
Funnily enough, I felt like the most Scorpio part of the movie was the way the director spliced a scene of Patrizia taking a bath with Maurizio’s assassination. Claire Nakti has tied the 8th house and Scorpio to shedding blood, or shedding old and dead things as well as to individuation and separating yourself from unwanted links. In a way, Patrizia was unconsciously cleansing herself when she killed her husband. It was an externalized attempt to shed a link that was tormenting her and that she internally and externally had no control over.
TENEBRE (1982) Tenebrae dir. Dario Argento
WHAT WE DO IN THE SHADOWS
2014, dir. Taika Waititi & Jemaine Clement
Rohinis are really smart, like these are some knowledgeable groups of people.
Beauty and brains is such a lethal combo.
Saraswati was born from Brahma’s body as embodiment of knowledge, wisdom and learning not just for the sake of it but as reflection of his own knowledge and wisdom too.
A NIGHTMARE ON ELM STREET
1984, dir. Wes Craven
A NIGHTMARE ON ELM STREET
1984, dir. Wes Craven