Horror art by Stefan Koidl
todays bird

#extradirty
Cosmic Funnies
No title available
hello vonnie
"I'm Dorothy Gale from Kansas"

@theartofmadeline

★
ojovivo
Lint Roller? I Barely Know Her
cherry valley forever

tannertan36

Andulka

PR's Tumblrdome
noise dept.

No title available

oozey mess
2025 on Tumblr: Trends That Defined the Year

Origami Around

Janaina Medeiros
seen from Austria

seen from United States
seen from United States

seen from Malaysia
seen from China
seen from Germany

seen from Germany
seen from United States
seen from United States
seen from United States
seen from United States
seen from Egypt
seen from United States

seen from Philippines
seen from Malaysia
seen from United States

seen from United Kingdom
seen from United States
seen from United States

seen from South Korea
@k-frances
Horror art by Stefan Koidl
The World of Interiors, April 2001. Photo - Antony Crolla
--(x)
🍽One of the most beautiful dining rooms I‘ve ever photographed, thanks to @kungligaslotten . (My other two favorites are Petit Trianon one at @chateauversailles and @chateaumalmaison one). - 📌Dining Room, Haga Pavilion. -Apollo bust, late 18th century, from Italy. -Serving tables by Jean-Louis Desprez (1791). -Chairs by Eric Öhmark. (en Gustav III:s paviljong) https://www.instagram.com/p/Bp7sw6wA6DL/?utm_source=ig_tumblr_share&igshid=l9hgp71vhppw
--(x)
Edited version of ‘my weight in gold is worth more than me, all I have to give is worth less than me’
Q&A: Antagonistic Heroes
So, I’m trying to write a horror/physiological book but the main character is the antagonist. I’ve seen many people saying the main character has to be relatable and I’m not sure what to do about it?
So, there’s a catch here, I need to point out. Having your main character as an antagonist, in the strictest sense, isn’t necessarily that out there, but it’s also not what you’re thinking of.
So the antagonist is the character who works against your heroes. It doesn’t matter who they are, and there are entire genres built around stories where the main character is also their own worst enemy.
Technically, you can break this apart. Usually it’s aspects of the character working against themselves. For example: and alcoholic character’s antagonist could easily be their own alcoholism. In that sense, your main character would be both the protagonist and the antagonist.
A specific example would be The Gambler, with Mark Wahlberg. The main character is a compulsive gambler. It’s part of who he is, and that aspect is the film’s main antagonist. So, the main character is the antagonist.
Now, there is another side to this, and I suspect this what you were thinking of to begin with. You can tell stories where the protagonist is the villain. The immediate example that comes to mind there are the Ripley novels by Patricia Highsmith. These can be, reductively, described as a series of mystery novels where the killer gets away. Your protagonist can be the villain.
Making a character relatable helps, but what you need is a protagonist that’s compelling. One that grabs the audience and holds their attention. Being someone the audience identifies with can help getting there, but that’s not the real goal. It’s mistaking the shortcut for the destination, understandable, but potentially deceptive.
Also remember, most villains should have compelling, plausible, motivations driving them. The trick to getting an audience to side with your villain is digging into that motivation. There are many villainous or borderline villainous characters that audiences are quite happy to excuse their behavior, because they look at their behavior makes sense.
So, you can a villain who’s getting revenge for whatever, or working to defend their home. You can present a scenario like this, where your protagonist is the bad guy. Not even, the least bad, but straight up the villain.
There’s also plenty of room for protagonists who are evil, but principled. Such as an inquisitor for an evil empire. Even a corrupt cop can make for a compelling protagonist.
Ironically, a couple Nicholas Cage films come to mind immediately, including Lord of War (where he plays an arms dealer) and Bad Lieutenant: Port of Call New Orleans (which is both a very long title, and an equally bizarre film where Cage plays a corrupt cop.) Seriously, Bad Lieutenant is a really strange trip of a film; if you haven’t seen it, it’s worth a watch. (Also, a film where the protagonist pulls double duty as the primary antagonist.)
In some ways, all you really need for a villainous protagonist is a character who doesn’t care about social norms, ethics, morality, or any other pesky distractions on their path towards getting what they want. This can persist even if their goals are laudable.
Some long-form examples of heroic villains include, Michael Chiklis’s Vic Mackey in The Shield, or Kiefer Sutherland’s Jack Bauer in 24. In both cases, we have characters who are presented as heroes, but are willing to “do whatever it takes” to achieve their goals, justifying it to themselves that they only people they really harm are deserving of their fate. This can be a seductive mindset, but it’s also worth remembering these characters are doing some pretty horrific things. That said, The Shield put this conflict at the front of the series as a major theme, while 24 had a hard time admitting Jack wasn’t a good person.
Your villain needs to have a coherent plan. Then they just need to look for the most efficient path to their goals. Note: this does not mean they need to create an unnecessary bodycount to get their message across. There’s no value in killing everyone in your path if you only need to kill one person. Of course, if other people try to get in your way, that’s their funerals. I’m not saying your character can’t be a sadist, just that they don’t need to be one.
-Starke
This blog is supported through Patreon. If you enjoy our content, please consider becoming a Patron. Every contribution helps keep us online, and writing. If you already are a Patron, thank you.
Q&A: Antagonistic Heroes was originally published on How to Fight Write.
And then the Angel of Death took Dad away, leaving only the husk of his body and a single wing feather behind.
Jane Yolen, from “Wrestling with Angels” (via the-final-sentence)
From that time we visited Narnia.
@tylorreimer on Instagram
Some witchy aesthetics
One of the most beautiful village Location : Mishima-machi, Fukushima
–Visceral Definitions by K-frances
--(x)
The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.
Douglas Adams (via writeontheedge)
Fantasy Guide: Common battle wounds and how to fix them
Arrow wounds: Now if the lung, heart, kidney, other major organ is hit, there may be little to do. The kidney has a back up, so maybe a skilled surgeon could save him, not exactly sure however. If hit by an arrow and not hit dangerously in an organ or artery, we can help. Firstly, DO NOT REMOVE arrow by yanking. Arrow must be worked from the skin by skilled hands. Once arrow is out, wash would with clean water/alchohol/herbal remedies. To heal slow, sew up wound and wrap in bandages. To speed it up, cauterise the wound with fire. It will hurt and patient pay pass out but now the arrow wound can heal faster. This works for crossbow bolts as well. On the gross side, arrows may be smeared with dirt or shit, so sepsis is a danger. This is how the great Richard the Lionheart died. Sometimes the mighty lion is killed by a shit arrow. But hey, shit happens. Arrow wounds take a couple of weeks to heal.
Sword slashes: if shallow, wash and bind up. May require stitches. If deeper, repeat process with more stitches and more bandages. Even if shallow, the cut must be washed using alcohol or clean water. May take a few days to weeks to heal depending on wound depth and severity.
Stab wound: Again don’t remove knife or object. If already removed, wash would and sew it up. You may need to cauterise. If guts, organs, brain, is falling out, there is nothing to do. This may take a couple of weeks to months to heal depending on wound.
Broken Bones: A break must be splinted with a board of wood and bandages. Slings can support arms and wrists. If your character breaks a leg, it may be worse. Breaks don’t heal great without modern medicine. Your character may have a limp or leg pain. In you’re are living in a hot climate, you’re pretty much fucked because infection sets in fast. These may take months to heal.
For @maslovianwench
Reblogging for future reference.
hurm some thoughts