and the shame was on the other side or something
Today's Document
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Jules of Nature
2025 on Tumblr: Trends That Defined the Year
occasionally subtle
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Cosimo Galluzzi
Keni
Three Goblin Art

pixel skylines
Not today Justin
I'd rather be in outer space 🛸

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he wasn't even looking at me and he found me
sheepfilms
will byers stan first human second

if i look back, i am lost
styofa doing anything

#extradirty

Love Begins
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@kale0017
and the shame was on the other side or something
cuties
Both of my thoughts watching this scene
sibling drawing lesson
they really shouldve just given holly's plotline to mike.
imagine the chaos of the madwheeler duo running rampant in vecnas mind.
imagine them being forced to see each others worst memories and recognising the real reason they butt heads so often is because they just cant stand how similar they really are.
imagine they fight because theyre still in denial about their similarities because theyre both self hating idiots, and/or they have some sort of disagreement, maybe about how to escape or maybe max confronts him about how he's treated el in the past.
imagine that right as tensions are highest, they stumble into another memory and max finds out that mikes big secret is that hes in love with will. and he expects her to berate him. to yell at him, say she just knew there was something wrong with him, but of course she doesn't. she just hugs him and tells him its okay. and he's so caught off guard that he doesn't even react at first, but then piece by piece he just starts to break down and cry into her shoulder, because its such a relief to finally just admit it to someone, and the fact that max, someone who isnt very fond of him on a good day, still accepts him honestly just makes her the perfect person to admit it to.
imagine she opens up to him about how it wasn't the music that saved her at all, it was her connection, her love for lucas, and that if he wants to escape he has to accept the same thing for himself. he has to realize what love really tethers him to this world.
max takes a gap year and bothers losermike about his very obvious crush on will
Watching the latter half of Season 5 made me realize just how good we’ve had it the past 4 seasons so here’s, imo, the best thing abt each one:
Season 1 had the best atmosphere. It was soo eerie, and the Upside Down was legitimately terrifying. Not to mention the iconic Christmas lights, like those are the best visual effects this entire show. It really encapsulated that mysterious, creepy atmosphere by hiding the monsters and allowing the characters to figure out the truth. It perfectly captured the small-town mystery/horror vibe and it was absolutely INCREDIBLE. (as a side note I think it also had the best characterization. Every single character was represented so perfectly and purely.)
Season 2 had the best character dynamics. It had a mix of the already-great dynamics from Season 1(The core four boys, Jonathan and Nancy, Will with his family) and also added even more: Lucas and Max, you can see how Mike cares for both Will and El(Mike in general is a GEM this season), Dustin and Steve’s bond forms, Jonathan and Nancy’s bond gets deeper…It’s a great mix that has a lot of the amazing character dynamics
Season 3 had the most fun. The colors were so bright and poppy, and Starcourt Mall was an amazing setting with how diverse and colorful it was. Not to mention we get epic character moments like Steve and Dustin’s handshake, El and Max’s shopping montage, and everything about Alexei. While re-watching the entire show, I laughed and grinned the hardest during this season.
Season 4 had the best representation of theme. Stranger Things has always been a show focused on friendship and love, but this season really doubled down on it. Vecna is a metaphor for isolation and depression, and everything about Max’s arc perfectly represents that theme of friendship over all else. When fighting Vecna, they’re not just fighting some supernatural horror, they’re fighting the symbol of isolation and depression. (As a side note I think it also had the best song usage-The Running Up That Hill remix, the Separate Ways remix)
And Season 5…oh boy…
tag urself, im aang
I've seen this at least once every day for the last three days, and every time, I absolutely lose it at Toph's "STAIRS"
Shared looks or whatever
max and lucas (circa 1990) taken by mike 📸
The gang is holed up in Mike Wheeler’s basement — again, for hours now almost. Heads are bent over maps, notebooks, and drawings, talking in circles and barking over each other to an unnecessary extent.
It’s getting to a point now where the basement is feeling far too warm, too tense, and Will is going to lose his mind if he has to listen to Mike stand up out of his seat and protest someone’s idea one more time.
Everyone’s exhausted, probably borderline malnourished now, and one wrong word said away from snapping. Mike’s been running on pure fumes for days, Will knows. Too little sleep, too much stress… and it’s catching up to him. Will doesn’t blame him.
“Dustin, that won’t even work if the generator isn’t–”
“Mike,” Lucas sighs. “You’ve said that three times.”
“Because none of you are listening!” Mike says, frustrated, standing up from the couch once again and splaying both hands on the table with a thud that sends a few pencils rolling down the map. His voice is too loud for how small the space is. “If we screw this up, we’re all going to be killed. What do you people not get–”
“Mike, sit down.” Nancy groans.
Robin mutters something under her breath as her and Max fiddle with a radio wire from across the table.
He’s talking over everyone, hands gesturing everywhere to the point where Will is almost smacked in the side of the head a few times, or stabbed with the pencil Mike had been holding. His temper flares, and he leans forward.
“Mike,” Will says, reaching a hand out and curling his fingers gently around Mike’s forearm. “Stop.”
It’s a gentle touch, even he himself almost didn’t notice it had slipped out. It’s careful. Mike’s voice dies out mid-word. His breath stutters, and for the first time in a while, he looks at Will.
Really looks. Searching.
Will can see it all. The exhaustion, the fear, the guilt in Mike’s face. He wonders if Mike notices it in him too.
The touch is hot, even over the thick fabric of Mike’s jacket sleeve. Will’s looking up at him through his eyelashes, his gaze steady and impossibly gentle, with just the faintest hint of firmness behind his voice. Look at me.
There’s no anger. No annoyance or hostility. Just calm.
The air changes.
Everyone else goes silent, watching the way Mike’s posture unravels. The tension slips out of his shoulders almost instantly like Will’s touch just drained everything right out of him, all the fight he had left in him at this moment.
Mike’s breath stutters. He swallows, nodding once, his eyes not leaving Wills. No one speaks for a long moment — everyone just looks between them, uncertain and examining.
Lucas is the first to break the silence, murmuring “Damn, he does have an off switch,” to Dustin.
Mike exhales shakily, runs a hand over his face, and drops back into the couch cushion with a tired thud. All of the fight has left his face; he doesn’t try to argue again. He just sits there, gaze locked somewhere down at the table, eyes glassy and unfocused like he’s completely tuned everything and everyone out.
Conversation picks back up slowly around them after Jonathan dramatically clears his throat. Will is thankful for it.
Under the table, Will shifts closer. He reaches out, his hand finding Mike’s knee, tentative at first like he’s questioning if he’s even allowed to touch him again.
Mike doesn’t shift away or protest. So, Will drifts his thumb back and forth: once, twice, slow and gentle across the fabric of Mike’s jeans. I’m here. I care. It’s okay.
Mike doesn’t look up, but his breathing evens out and his shoulders ease, motivating Will further.
A couple of seconds pass before Mike’s hand — slow and incredibly uncertain, slides down beside his own. His fingers graze the top of Will’s hand.
Will’s heart nearly jumps out of his chest with a sharp, dizzy rush flooding through him before he can take another breath.
Their pinkies find each other without thought, sliding and hooking together, an unspoken language the two of them had always been fluent in.
Neither of them look up. They don’t risk it. They don’t have to.
Will gives one last stroke of his thumb before he withdraws his hand, folding it in his lap. They both stare forward. No one seems to notice.
And though nothing's said, it’s written all over the space lingering between them. The trust and the tether, the way it’s always Will who brings him back.
apocalypse boyssss
mike not getting vecna’d has to be one of the greatest television fumbles in recent history like the set up was right there
the paladin and the sorcerer
for @andiwriteordie’s birthday!!
thinking about: the miwi/byler height difference
Miwi ✨
(I'm delusional and happy)