
tannertan36
Aqua Utopia|海の底で記憶を紡ぐ

Janaina Medeiros
Alisa U Zemlji Chuda
DEAR READER

titsay
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always
Mike Driver
Monterey Bay Aquarium
taylor price
Peter Solarz

No title available

if i look back, i am lost

Kaledo Art

oozey mess

pixel skylines
d e v o n

Discoholic 🪩
seen from Chile

seen from Türkiye
seen from United States

seen from United States

seen from Malaysia
seen from United States
seen from United States
seen from Germany
seen from Türkiye
seen from Brazil
seen from United States
seen from United States
seen from United States
seen from Malaysia
seen from Lithuania
seen from Germany
seen from Greece
seen from United States
seen from Russia
seen from United States
@kalecrisis
— Albert Camus, from Notebooks, 1951-1959
Jean-Jacques Sempé, Reading Group (2018)
“People are always worried about the fate of the genius. I never worried about the genius: genius takes care of the genius in a man. My concern was always for the nobody, the man who is lost in the shuffle, the man who is so common, so ordinary, that his presence is not even noticed.”
— Henry Miller, The Rosy Crucifixion
Magdalene Afterwards by Marie Howe
me vs me vs me vs me vs me
kathy acker (1971-1975) unpublished early writings
Palestinian children were prevented from going to school by razor wire and israeli soldiers — so they sat down and studied right in front of them (via AndreyX)
11 year old Huda, April 26, 2026, via CNN
Nick Cave, The Sick Bag Song
Wildness Before Something Sublime Leila Chatti
James Tate, Teaching The Ape To Write Poems
Beautiful early ‘70s editions by Simone de Beauvoir
snoopy of the day
— Rachel Mennies, from The Naomi Letters "April 18, 2017" (via lunamonchtuna)
— Patrick Ness, The Knife of Never Letting Go
“You notice it first as April ends and May begins, a change in the season, not exactly a warming—in fact not at all a warming—yet suddenly summer seems near, a possibility, even a promise. You pass a window, you walk to Central Park, you find yourself swimming in the colour blue: the actual light is blue, and over the course of an hour or so this blue deepens, becomes more intense even as it darkens and fades, approximates finally the blue of the glass on a clear day at Chartres, or that of the Cerenkov radiation thrown off by the fuel rods in the pools of nuclear reactors. The French called this time of day “l’heure bleue.” To the English it was “the gloaming.” The very word “gloaming” reverberates, echoes— the gloaming, the glimmer, the glitter, the glisten, the glamour—carrying in its consonants the images of houses shuttering, gardens darkening, grass-lined rivers slipping through the shadows.”
— Joan Didion, Blue Nights
SUCCESSION 1.03 — Lifeboats 1.10 — Nobody Is Ever Missing