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@katiepenguin
My Star Trek friends, reblog with your favourite most ‘out of context’ Star Trek image
I’ll start:
here ya go
Oh my time has COME >:D
Excellent post everyone
Oh WOW this post got better!!
this photo set gets me every single time. The absolute chaotic narrative of if all. The feral expression of sheer blissful abandon. How much did they already EAT to get so much gooey crumb mess on their face. What even is the PHYSIQUE of this cat?? Spindly slenderman of a creature must, can, and WILL have pink frosting at all costs
Elmo takes yet another victim
One day I hope I am the girl that walks into a room and all eyes are on her.
The trick is to get a really big hat and then scream
Get that fucking salad out of my face, Jessica
(Wake me up) Wake me up inside (I can’t wake up) Wake me up inside (Save me)
Why is this the way I have to find out
@punchworm I know how you feel… :c
do you think they…
Oh no..
[source]
this is so bad this is the worst thing
This is by far the most cursed thing I’ve seen in my fucking life
Thank fucking GOD
how the FUCK did they make that penguin from wallace and gromit look so evil like it’s literally just a plasticine penguin but it somehow radiates Pure Malice look at it
truly character design at its finest
Part of the reason that Wallace and Gromit is so successful is that every single character is just so expressive. The people’s lips move like half a foot every frame. Gromit has basically only his eyebrows, and he has more personality than two average real people. The Moon Machine was up there with the rest of them, and it didn’t even have a face.
The penguin, on the other hand, never expressed anything at all. It’s designed almost explicitly with purpose of not expressing anything. It’s practically featureless, with only the bare minimum of detail necessary to tell you it’s a penguin. It has a face, but it never uses it. It has no sclera, meaning it stares straight ahead at all times. It actively repels most attempts to ascribe any emotion to it – at best, you can feel that it is coldly satisfied, perhaps detachedly frustrated. I’d say it’s like a robot wearing the skin of an animal, but that’s literally the villain of A Close Shave, and he was pretty expressive.
It’s like Aardman found a tiny crack in the likability curve, far away from the uncanny valley but a hell of a lot deeper, and decided to build a penguin there.