seancerpgâ:
THE FENCE
Name: Kavi Nayan Fekim Age: 39 Pronouns: They / Them Gender: Nonbinary Sexuality: Pansexual FC: Mahesh Jadu
TW: Sex mentions/references, Poverty, Robbery, and Indentured ServitudeÂ
BIOGRAPHY
Theyâve always been attracted to pretty, sparkly things, coveting them in their magpie-like fashion. Theyâve always loved the oddities of life too, the little curiosities that by their very nature are utterly unique. Theyâve known what it is to have very little, and theyâre determined never to go back to that sort of life. It is a wonder, with their tendency to hoard all that they get their hands on, that they have managed to gain the reputation they have. When you want something moved, quietly, with no questions asked, it is The Fence you go to, visiting their little antique shop on Commercial Street. Their web stretches far, from the paupers of Whitechapel through to the very richest men in Westminster. They arenât picky about their clientele, nor are they choosy about the goods they choose to sell on. Their finderâs fee alone would be enough to keep them living comfortably, but they like their little shop. If nothing else, itâs a marvelous way to keep their ear to the ground, and hide their more unscrupulous dealings behind a pretense of respectability.
THE GHOST
It watches them, always watches them. It is the eyes in the painting that follows them around the room, the doll that seems to move on itâs own. It has no form of itâs own, but itâs long since learned that it doesnât need one to cause fear or pain. The Fence hasnât noticed it yet, chalking itâs movements down to their own absent mindedness. Part of that irks it, for it thrives on the attention, but another part of it is grateful. They wonât see it coming until it is too late.Â
With all the goods, both ancient and ill obtained, that make their way through their shop, it is almost more of a surprise that there has never been a spirit haunting the shop before. They make their business in the old and the stolen and sometimes the old and stolen take issue with that. This spirit that lurks in corners, waiting for the shopkeep to turn their back before moving another item out of place, it is old. It came in with one of the few true artifacts in the store, traded away wordlessly time and again for all of the mysterious things that happen in its presence that are somehow always left out of the provenance.Â
It has found its home here, among the clutter, the things both new and old, the things harkening back closer to its time of existence, when its presence was so closely tied to an object. Though much of what the fence peddles is fakeâsomething that angers it greatlyâthere are just as many that are real. And those true old things, having aged hundreds of years, touched by dozens of humans, stolen from homes and graves, they all carry their own energy. Energy the spirit can feed off of, growing its own strength. The longer it stays, the more power it gains.
It has never been quite as powerful as it is now, and even then, it has been capable of doing all sorts of things to madden its beholders. Now it wants to do more. This person who deals in dirty deeds, who bargains with thieves, who falsifies goods and tales for profit, they are not worthy of this shop. No, with time, this shop will belong to the spirit. It only needs to buy its time, sending the quietest of signals for its plan to the owner, until it can have everything it ever wanted.
CONNECTIONS
THE PAINTER: Sheâs been spending increasing amounts of time in the shop, and theyâve come to learn she is their favourite type of rich - the type who seems to have very little clue what to do with their immense wealth. Theyâve identified a sort of naivety in her, despite her bravado, and it is that which has made her their target. They welcome her in with smiles, all the while gathering all the information they can to send thieves to her door to make off with everything they can carry.Â
THE THIEF: Heâs their oldest business associated, and their most trusted, bringing countless items to their door. Theyâve made a handsome sum off of his endeavours, and they wouldnât give that up for anything. Though their reasoning is selfish, theyâll pull all the strings they can to keep him as a friend, going far above and beyond for him than for anybody else. Â
THE CURATOR: They might call her their best customer, if she wasnât such a thorn in their side. She asks too many questions, caring far too much about authenticity and legalities for their liking. Luckily, they are a skilled forger, a necessity in their line of work, and their false documentation seems to appease her, but they have no doubt should she look a little closer, she wonât be able to deny the truth, and theyâre wary of the trouble she will bring to their door should this ever occur.Â
THE BARMAID: They think sheâs delightful, with an undeniable charisma that would be fantastic for their business. Sheâs wasted in The Britannia, but so far, attempts to persuade her to take up employment in their shop have been for nothing. Still, they persevere. It would benefit them greatly should she accept, allowing them to focus on more pressing matters.Â
HERRITAGE
Writerâs note on below indentured servitude :Â This came about from me researching Mauritius, particularly its Indian population, which is Mahesh Jaduâs personal heritage. It was based genuine historical context of the time period, where there was an influx of Indian indentured servants in the mid-1800s to early 1900s, when Kaviâs parents would have been working age and having him (sources 1, 2, and 3). If the inclusion of this part of Kaviâs heritage is something you find offensive, uncomfortable or not suitable for the group, please reach out to myself or the admins and I will have it removed from Kaviâs history.
Until age 8, Kavi was raised in Mauritius. Their mother was born in the country and their father was 18 when he came to the island nation as one of the slew of Indian indentured servants brought to Mauritius. Their father was able to work through his contract and, against reasonable odds, met a woman he fell completely in love with who was worth staying for. Though there was an abundance of love in their home, there wasnât of anything else, so the family set off for a better life in London. The idea of that now is almost laughable. Their life in England was far from better. The family had spent what tiny savings they had on the move and work was not as easily found as their parents would have thought. Kavi grew up in the slums of the city, always moving from house to house (or none at all) when the money wasnât there for rent, always making do with stale bread and bone soups for meals. They hold a bit of resentment toward their parents for the life they had growing up. And now that they have found a bit of money and success, there is nothing they would not do to avoid returning to that poverty. They cling to their life and belongings they have now because they will not be going back to having nothing.
Though Kaviâs time in Mauritius was limited, the culture of the country, as well as their fatherâs homeland have left their impact on Kavi. Theyâve been multilingual since they could talk, speaking French, Mauritian Creole, and Hindi fluently since they were very young and adding English after they came to the UK. That fostered a love of language and an ease for learning them and they now have conversational Spanish and Egyptian (the latter coming in useful for work) and can manage pieces of Latin (almost exclusively due to work). Though they certainly do enjoy some of Englandâs fashion and dabble in it as well, they deeply enjoy wearing garments from Mauritius and India, being as they are with most things, prideful in their heritage. They also enjoy garments from other cultures and the same can be said for items the wind up both their personal collection and their shop. They enjoy culture as a whole in all its ways. Kavi was raised around the Hindu faith and though they do not practice it, they still have a deep respect for it and tend to honor Hindu holy days as holidays for their shop.
ODDITIESÂ
Kavi has a special place in their heart for things that fall under the idea of oddities and curiositiesâtaxidermy animals, glass eyeballs, witches' items, an old vampire hunting kit. They canât explain why, but they give them a particular delight. They have their own little shrine of it in their home and always keep a good stash of it in the shop (though it never sells well). Their most prized possession is a taxidermy raven posed on a ramâs head. It always sits upon the highest tower of their shop piles, looking over everything. A few customers have tried to buy it over the years, but when they ask the cost, Kavi will throw out some astronomical figure far more than itâs worth. Truthfully, they would never sell it and they know it, but it stays on the shop floor all the same.
RELATIONSHIPS
Kavi is unabashed when it comes to both their pansexuality and the amount of hook-ups or short term relationships they involve themselves in. In their book, love is love and pleasure is pleasure and they intend to enjoy pleasure in all its formats before their days are up. When it comes to deeper connection, that is something that is much more rare for Kavi. Even friendship is a hard-earned title given out to a precious fewâthose who have proven their worth over the years like Lucian. Their trust is hard to earn and if you have managed to, there is nothing Kavi will not do for you. But break it and you will see just how harsh a person they are capable of being and will go to the same great lengths to show you just what a mistake you have made in crossing them.Â
THE SHOP
Kavi always enjoyed collecting things. When they were young, it started simple, a coin found on the street, a loose button, the caps to every bottle opened in their small home. Their family had so little in England that every little thing felt like a treasure worth hoarding. Their father even started calling them Adhela, Hindi for magpie. That was exactly what they were, flitting about life, collecting anything they could get their tiny grubby hands on. As they got older, the collections changed and they grew a reputation for it. If you needed something, go ask the little human magpie, they probably had it tucked away in some corner of their room or would scour the city until they found it for you. By their teen years, they realized there was money to be had in this bartering and it was money their family desperately needed. They grew their stock, being more meticulous about what they kept in the limited space of their bedroom and the closets of their familyâs tiny flat.Â
They kept every penny they could spare and saved up to rent a storefront. It was small, truthfully not much more space than they had already, but it was theirs. It allowed them to bring in bigger items, like furniture, establish a name as an actual business, not some kid pedaling trinkets from their parentsâ apartment. Soon enough the connection to Lucian came about and the business was doing better than they could have hoped for. They expanded their shop, not just in size, but in offeringsânot that the general public knows about the latter. It started, as most things do, from necessity. Certain goods just donât move as quickly (or with as much profit) without some documentation behind it. So Kavi started making their own. When they got good, the information found its way into the right hands. Kavi can forge about any form of documentation you need done. They specialize in provenance documentation naturally, and have gotten notably good at identification documents, but given the right time (and of course the right fee), they can muster up something passable for almost anything youâd want. Theyâve even been known to, either themselves or with the help of a few select artists, create forgaries of painting and duplicates of ancient art works and pottery.Â
When they realized the business wouldnât be a temporary thing, but instead their way of life, they finally saved to buy their own storefront, moving into the shopâs location today. Itâs far from the largest store in the East End, but Kavi wouldnât have it any other way. Somewhere along the lines, the business became their home. They canât understand those who complain about work; at times, they feel more at home in their shop than they do in their own apartment. You can find anything from dressers to rings, divination bones to clocks, ancient artifacts to taxidermy animals. Their shop is known as the place you can find anything at least once and they love it. The collection is just as odd as they are, like a reflection of their insides manifested behind glass windows, stacked high with everything you could hope to find. To many, the things are just used junk, but to Kavi it is everything. It is what gave them a life. They continue to collect things in their little magpie ways, so that they will never be left with nothing again.
BREIF HEADCANONSÂ
Their store is named Fekimâs Furnishings and Fancifuls and is nearly always in a state of organized chaos (Think Mrs. Kimâs shop from Gilmore Girls)
They frequently call Lucian Lucy and Lulu. It annoys him, but really all the more reason to do it. Itâs all in good fun and earns a grin from Kavi to see their ability to get under the skin of their friendÂ
Kavi learned a few sleight of hand tricks when they were little and enjoy making use of them, whether to draw someoneâs attention to them or to pull a quick trick on some unwitting customerÂ
Theyâre somewhere between Eliot Waugh from The Magicians, Magnus Bane from Shadowhunter Chronicles, and Xenophilius Lovegood from Harry Potter. I wish I could expand further on this, but I canât.Â
Theyâre a plant momâą. They have far too many plants in their little apartment. If living in the modern day, they would almost certainly have a plant dedicated Instagram with the handle plantedparenthood (along with their instagrams for their shop, their personal day-to-day instagram, and of course their thirst trap/flirting insta)
They love wearing rings and typically wear multiple each day
Their birthday is June 5th, 1849, making them a Gemini


















