a three year old vs a six year old

oozey mess

@theartofmadeline

Origami Around
Claire Keane

Discoholic 🪩
Mike Driver

祝日 / Permanent Vacation
Monterey Bay Aquarium
Sweet Seals For You, Always

Love Begins
One Nice Bug Per Day

JVL

#extradirty
Three Goblin Art
Misplaced Lens Cap
Not today Justin
d e v o n

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izzy's playlists!

JBB: An Artblog!
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@kyuka-bse
a three year old vs a six year old
incredibly normal boy best friends
at the life aquatic afterparty according to getty images
wes and owen photodump bc i love them sm <33
Featuring a bashful Tim in the background. 😳
fuck it, wes and jason besties fancam
i like to look at pictures of wes anderson before he started dressing and grooming himself like a yugoslavian dowager
but i like the pictures from after he began doing this more...
(some of) the archives' videos of wes doing his own acting for the fmf and iod animatics
The alien in Asteroid City is a symbol of grief in its most mysterious and strangest form. The residents of Asteroid City react with confusion, fear, and awe, mirroring how people process grief, each trapped in their own emotional logic. In your average blockbuster, the alien would destroy the town, but in a Wes Anderson film, it destabilizes it. The arrival of the alien forces the characters to confront something they can’t rationalize, a cosmic intrusion into the small, rigid structures of their routines and lives. Like loss itself, the alien’s arrival is abrupt, inexplicable, and profoundly disruptive. It appears without reason, lingers just long enough to unnerve everyone, and vanishes before anyone can make sense of it. Like grief, the alien doesn’t explain itself. It just arrives, alters everything, and leaves behind a void that no one knows how to fill.
we haven't located us yet
Wes receiving the Fellini Award Rimini 2026
He's unironically so hot in that commercial
American Express Commercial 2004 — Wes Anderson
old sfw sketches dump then