❣ Chile in a Photography ❣
occasionally subtle
No title available
Kiana Khansmith
NASA
Alisa U Zemlji Chuda
Not today Justin
i don't do bad sauce passes
almost home
Cosmic Funnies
Xuebing Du
Misplaced Lens Cap
izzy's playlists!
noise dept.
I'd rather be in outer space 🛸
blake kathryn
Product Placement
Show & Tell
No title available
Three Goblin Art
seen from Australia
seen from United States
seen from Colombia
seen from United States
seen from Hong Kong SAR China
seen from Spain
seen from Malaysia
seen from Ireland
seen from India
seen from Malaysia
seen from United States
seen from Malaysia
seen from Malaysia
seen from Brazil
seen from China
seen from Ireland
seen from United States
seen from United States
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@lateshasbf
This album right here? This one? K.O.D? This is a GEM!
Personally I think it’s his best album yet, J Cole mastered what he’s been doing since 2014 F.H.D and blessed everyone with this mastapiece. I love how he dropped in on 4/20 too cause he’s preaching the opposite of what people do on 4/20, low-key dissing the whole concept.
K.O.D:10/10 would smoke again
p.s I kinda wanna review the whole album song by song but idk yet
P.ss I almost forgot, MEDITATE NOT MEDICATE
It’s think it’s safe to say April fools day and Easter being in the same day is a bad combination... watch out 👀
Resources For Describing Emotion
Emotions
Without Making Your Character Feel Too Self Aware
Showing Emotion Without Telling About It
Emotions Associated With Body Language
Telling Readers What The Character Doesn’t Want To Show
Hiding Emotions
Expressing Cardinal Emotions: Masculine vs. Feminine
Writing Extreme Emotion Without Melodrama
Specific Emotions
Conveying Shock
Conveying Embarrassment
Conveying Disappointment
Conveying Love/Attraction
Conveying Annoyance
Conveying Relief
Conveying Uncertainty
Conveying Impatience
Conveying Shame
Conveying Resentment
Conveying Panic
Conveying Guilt
Conveying Desperation
Conveying Sarcasm & Verbal Disrespect
Conveying Confusion
Conveying Stubbornness
Conveying Frustration
Conveying Indifference
Conveying Indignation
Conveying Confidence & Pride
Conveying Smugness
Conveying Enthusiasm
Conveying Curiosity
Conveying Hopefulness
Conveying Unease
Conveying Reluctance
Conveying Worry
Conveying Humility & Meekness
Conveying Happiness & Joy
Conveying Amusement
Conveying Disgust
Conveying Resignation
Conveying Jealousy
Conveying Anticipation
Conveying Contentment
Conveying Defeat
Conveying Excitement
Conveying Fear
Conveying Hatred
Conveying Hurt
Conveying Being Overwhelmed
Conveying Sadness & Grief
Conveying Satisfaction
Conveying Somberness
Conveying Sympathy & Empathy
Conveying Wariness
Conveying Defensiveness
Conveying Desire
Conveying Doubt
Conveying Energy
Conveying Exhaustion
Conveying Hunger
Conveying Loneliness
Conveying Physical Pain
Emotional Wounds
A Role Model Who Disappoints
A Sibling’s Betrayal
A Speech Impediment
Becoming a Caregiver at an Early Age
Being Bullied
Being Fired or Laid Off
Being Held Captive
Being Mugged
Being Publicly Humiliated
Being Raised by Neglectful Parents
Being Raised by Overprotective Parents
Being So Beautiful It’s All People See
Being the Victim of a Vicious Rumor
Being Stalked
Being Trapped in a Collapsed Building
Being Unfairly Blamed For The Death of Another
Childhood Sexual Abuse (by a family member or known person)
Discovering One’s Parent is a Monster
Discovering One’s Sibling was Abused
Experiencing a Miscarriage or Stillbirth
Failing At School
Failing To Do The Right Thing
Financial Ruin Due To A Spouse’s Irresponsibility
Finding Out One’s Child Was Abused
Finding Out One Was Adopted
Getting Lost In a Natural Environment
Growing Up In A Cult
Growing Up in a Dangerous Neighborhood
Growing Up In Foster Care
Growing Up In The Public Eye
Growing Up In The Shadow of a Successful Sibling
Growing Up with a Sibling Who Has a Chronic Disability or Illness
Having Parents Who Favored One Child Over Another
Having To Kill Another Person To Survive
Infertility
Infidelity (emotional or physical)
Losing a Limb
Losing a Loved One To A Random Act of Violence
Making a Very Public Mistake
Overly Critical or Strict Parents
Physical Disfigurement
Rejection By One’s Peers
Telling The Truth But Not Being Believed
The Death of a Child On One’s Watch
Victimization via Identity Theft
Watching A Loved One Die
Wrongful Imprisonment
Spending Time In Jail
Suffering From a Learning Disability
Motivation
Achieving Spiritual Enlightenment
Avoiding Certain Death
Avoiding Financial Ruin
Beating a Diagnosis or Condition
Being Acknowledged and Appreciated by Family
Being a Leader of Others
Being the Best At Something
Caring for an Aging Parent
Carrying on a Legacy
Catching The Bad Guy or Girl
Coming To Grips With Mental Illness
Discovering One’s True Self
Escaping a Dangerous Life one Doesn’t Want
Escaping a Killer
Escaping a Widespread Disaster
Escaping Confinement
Escaping Homelessness
Escaping Invaders
Finding Friendship or Companionship
Finding a Lifelong Partner
Having a Child
Helping a Loved One See They Are Hurting Themselves and Others
Obtaining Shelter From The Elements
Overcoming Abuse and Learning To Trust
Overcoming Addiction
Protecting One’s Home or Property
Pursuing Justice For Oneself or Others
Realizing a Dream
Reconciling with an Estranged Family Member
Rescuing a Loved One From a Captor
Restoring A Name or Reputation
Righting a Deep Wrong
Seeking Out One’s Biological Roots
Stopping an Event From Happening
Trying Again When One Has Previously Failed
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The end of the f***ing world...
Damn that was some crazy ass movie... but it was so good.... James was the the apple to Alyssa’s Oranges.....
my bf a freak …..
I’m nasty
Let’s not forget that “outro” is just the chopped and screwed version of “Gave your love away” by Majid Jordan everyone. Never forget.
How do the tumblies know I was watching this...
Tell me why I thought Planet K was a tire shop for the longest time...
Happy 40th post!
Its about get to get serious baby!
The Emotions of Horror
In order to successfully write horror, you must first understand fear. Fortunately, fear is a universal experience, and likely something you have intimate first-hand knowledge of - the key is learning to harness your fears so they can be translated for the page.
First, recognize that different techniques and approaches will work better in different media. What works well in a horror movie may not translate well to a written story, and vice versa. Understanding your medium and your goals will help you work to the strengths of the medium and provide the most effective approach.
Second, remember that horror, perhaps more than any other genre, is at its core interactive. Even a linear story told through writing or visual cues invites participation from the reader: You need them to engage so that they will bring their own fears to the table. Simply seeing characters interact with frightening things isn’t enough; you need to invoke fear in the reader by inviting them to experience the things that you describe. That’s something I’ll delve into in greater detail in a later post, but for now, keep it in the back of your mind.
Two Main Types of Horror
There are two primary types of horror reactions you can create in a reader: Visceral horror, and cerebral horror.
Visceral horror is felt in the gut. It preys upon the lizard brain and taps into basic primal fears. Visceral emotions include disgust and shock. It is most effective in visual media, where a viewer sees images and responds to them before their brain has a chance to process them, but you can still invoke these feelings through the careful use of description. More on that in a minute.
Cerebral horror is felt in the brain. It’s the type of horror that you think about hours or days or years later, the kind of disturbing ideas that implant themselves in there and become more frightening the more you consider them. These are rooted in anxiety rather than the primal lizard brain. Cerebral horror includes fridge horror and dread. A tightly crafted story will beat a movie every time when it comes to cerebral horror, because written media is more intimate. Use that to your advantage.
The Emotions of Horror Stories
Let’s talk in a little more detail about the emotions that you should work to create in your reader when crafting a horror story. In order of most-difficult to most-natural for the written medium, try experimenting with:
Shock: Films and video games can fall back on the “jump scare,” a tactic wherein you rapidly break suspense with a sudden visual cue, almost always accompanied by a loud noise. If you need an example for some reason, turn to the nearest Five Nights At Freddy’s game.
Jump scares work by temporarily startling the viewer, short-circuiting their conscious brains and tapping directly into their oldest and most primal reflex. Newborns startle when they are exposed to too much sensory input - it’s literally their first line of defense. When you jerk, scream, or flail, you are tapping in to the newborn infant part of your brain.
Can you do a jump scare in a novel? Probably not. For one, there is no sound, and sound is extremely important to a successful jump scare. For another, reading involves conscious interaction with text; you can’t really bypass their thought processes enough to invoke a jump scare response (except for the occasionally really susceptible reader).
But you can still shock them, and that’s just as good.
Shock occurs when a reader is totally blind-sided by new information. They think they know what’s going on, but in reality, the truth is something unexpected (and perhaps far more sinister). They think a certain character is safe, only for them to be suddenly and brutally murdered. They think they’ve solved the puzzle, but the rabbit hole actually goes much deeper. I’ll talk about shock in greater length in another post, because it is so difficult to do well and requires a lot more attention.
Disgust: Gore and “splatterpunk” relies on the visceral response of disgust. We are naturally repulsed by certain things, and that too may be hardwired into our DNA (although it’s also partly based on nurture and cultural factors). But basically, disgust exists to keep us away from things that may hurt us, like diseased things.
Triggering disgust in your reader will mostly fall to writing effective descriptions. Word choice matters a lot when it comes to writing gore. Some words just feel gross (think “moist”), and some invoke really icky mental images. I’ll write a whole thing on tricks to writing gore at a future point, but for now a word of caution: Horror cannot rely on gross-out scenes alone. You might invoke a kind of sick fascination in the reader, but you won’t really scare them.
Dread: Suspense and dread are vital ingredients to horror in any medium. They work by drawing the reader into the story, enticing them to think ahead - but stripping away their certainty about what will happen. A really good story will alternate between shock and dread, building up tension before twisting the narrative in an unexpected direction.
I wrote a little bit about invoking dread here, and I’ll delve into the topic at greater length later. But for now, remember: Suspense lies in giving the reader the pieces to a puzzle, but withholding context. It forces the reader to think ahead, to try and make sense of what they’re seeing, and to imagine terrible conclusions. It encourages the reader to think “what if…?” or “something terrible is going to happen but when? how? what?”
This is something you can only do well if the reader is invested in the characters and truly cares about them. Fortunately, because writing is so intimate, it’s easier to delve into a character’s mind and forge a strong connection between them and the reader.
Fridge horror: Fridge horror is basically when something becomes creepier or more disturbing the longer you think about it. It’s when the implications of something are more horrifying than what you see on the surface. It’s the part of the story the reader takes with them, the part that makes them question their own beliefs or world-view or even reality.
It is a cerebral horror, and it’s the thing that written stories can really excel at. I will - you guessed it - write a whole post on the topic in the near future, but until then, realize that fridge horror relies in part on logic (”oh god, this means THAT!”) and part empathy (”can you imagine what it must be like….?”)
The best fridge horror moments will be pulled from your own personal experiences and fears. While anyone can tap into primal fears (the dark, the unknown, disgusting things), fridge horror is often deeply personal and oddly specific. It’s raising a question and leading the reader to think “Oh god, I never thought of that, but it is terrible.”
I’ve rambled on a long time now, and I have many things to come back to and explain in more detail - but for now, hopefully this gives you something to think about! Until next time, stay scared :)
Not a horror writer myself, but still found this super interesting!
Must read
Issa Dog Norman
Just learned about garden path sentences.
They’re basically a literary prank– the sentence starts out in such a way that you think you know where it’s going, but the way it ends completely changes the meaning while still being a complete and logical sentence. Usually it deals with double meanings, or with words that can be multiple parts of speech, like nouns and verbs or nouns and adjectives.
So we get gems like
The old man the boat. (The old people are manning the boat)
The complex houses married and single soldiers and their families. (The apartment complex is home to both married and single soldiers, plus their families)
The prime number few. (People who are excellent are few in number.)
The cotton clothing is usually made of grows in Mississipi. (The cotton that clothing is made of)
The man who hunts ducks out on weekends. (As in he ducks out of his responsibilities)
We painted the wall with cracks. (The cracked wall is the one that was pained.)
truly a strange language
Thanks I hate it
What…
I got hit on by a baby momma today… she said she loved me…. and before that she was asking for my number…. but she never got my number… and she told someone else that she loved me… not actually me but still… she said it… and now my bae is saying she wants to play in my lil booty hole… The world is a wonderful place huh?
Poll: Did SmashMouth make Shrek what it is today, or did Shrek make Shrek what it is?
Hewwo…?
I was under the damn ass impression that hewwo came from how Georgie speaked on 2017’s “IT”. Specifically the line where he mutters “ Well, I gotta go now.” That’s the way I hear it when I see it and suddenly I’ve been told by my wonderful girlfriend that’s is a furry thing?? Like da duck?? Where was I??
Happy Halloween Everyone!
Start the movie. Watch the movie. Be amazed. AGAIN
Happy Death day is an awesome movie and has a good blend of both thriller and comedy, (more of the latter but that’s okay in my book) I would for sure add it to my lineup of movies to watch on Friday the 13th or on the days leading to Halloween, or even on Halloween itself. Solid entry and 8 out of 10 Death Cupcakes! ( I know they’re not cupcakes but I’m working with the emojis I got)
🎂🎂🎂🎂🎂🎂🎂🎂✖️✖️
