General Vagaries.

Things that compel, inspire, empower. || Words, events, photos, art, commentary, memes, etc.. || Me: sober queer childless cat lady. A human, being.

[fantasiees]

“You never reply to messages” I am just one person okay I am understaffed

[maelwife]

Maybe one reason time seems to speed up in adult life is because when your full time job leaves you roughly 5 hours of free time a day plus two days off a week your life turns into a sort of monotony that makes the days blend together and creative pursuits move in slow motion as you can only get to them when other your commitments are done.

[maelwife]

When you look back and think damn 2019 wasn’t that long ago where did the time go? Job. Your Job took it.

[byjove]

I think about The Man of the Hole so often. 27 years alone. 27 years with no one to speak to but strangers to wave to. Survived a genocide, a massacre that killed everyone he had ever known and later, an assassination attempt. He still tried to warn researches about the traps he built. He was only about 60 when he died in 2022. The people who tormented him in life later desecrated his grave.

[byjove]

I do think it is important to share the stories of the Lone Woman of San Nicolas Island and Ishi and the countless other indigenous people who experienced the profound trauma of being the last survivor but it is important to remember that the last Aboriginal families in Australia to be contacted by Europeans were resettled in the 1980s and the Indian government has proposed a plan that will mean total genocide for the Shompen people. The total eradication of indigenous peoples, their cultures, their languages, their ways of life, is not something which occurred in a distant ugly past but an ongoing process.

[expressions-of-nature]

Cottongrass in Alaska by Wolfhorn

[oilpalette]

Where I Spend My Days, 2026 by Kate Lewis (American, b. 1977); Acrylic on canvas, 25 × 19

[a-visual-diary-for-tomorrow]

Geneva (Les Grottes), Switzerland, 2026

[nudityandnerdery]

Beautiful, no notes. (Found it on Facebook, tracked it back to Reddit)

[dozydawn]

nimble, a border collie-papillon mix, wins the 12” class in the 2024 masters agility championship. the first time a mixed breed has won at westminster ever.

[ch40s0w1]

context explaining why the announcer is screaming, this is supposed to take a high level competitive agility dog 40 seconds

[sandersstudies]

This video makes me cry every time it’s on my dash and I can’t even iterate why.

Like the dog doesn’t even know it’s a competition and she’s made history. She(?) just is happy and knows she made her owner happy too.

[solely-ashes]

The face of a being with only a wind storm between their ears, moments before unleashing it unto the world

[severeprincesheep]

always a pleasure to see this girl on my dashboard

[paper-wounds]

[thoughtkick]

“You cannot make everyone think and feel as deeply as you do. This is your tragedy … because you understand them, and they do not understand you.”

— Daniel Saint

[formlab]

Lights of New York City, Ernst Haas, 1970s

[miscellaneoussaves]

NYC lights

[patronsaintofweepingmothers]

"17th december 2013 view from the printer cupboard!" (2013), penny veitch

[huariqueje]

Cat on Yellow Wall II - Hun Adamoglu

Cypriot-British , b. 1975 -

Oil on linen , 50 x 40 cm.

[placeeee]

[anachrosims]

just in case anyone forgot how wildly colorful Georgian interiors could be, even among the working class to the wealthy:

[anachrosims]

and EVEN WHEN things were more muted/neutral, the neutrality was OFFSET by ACCENT COLORS and HIGH CONTRAST between the wood tones and everything ELSE

ALSO AMERICAN COLONIAL INTERIORS POPPED OFF, Y'ALL (IN TERMS OF COLOR/COZINESS)

PEOPLE USED WHITEWASH AND COLORFUL TRIM OR EVEN JUST COLORFUL FURNITURE IF THEY COULD AFFORD TO DO SO

AND DON'T GET ME STARTED ON FRENCH AND BRITISH AND AMERICAN WALLPAPERS

"ELIZABETH" YOU CRY, "WHY ARE YOU BEING SO EXTRA THIS MORNING?! IT'S MONDAY"

Because, my friend, my war on GREIGE will NEVER end.

Historic interiors were filled with LIFE and LIGHT and COLOR. ALWAYS HAVE BEEN.

Part of the reason we don't see a lot of textile art is because, frankly, textiles tend to degrade over time - especially ones that had utility! And yes, pigments and weaving and dying all boosted the expense of things, when we were finally reliably block-printing fabrics and broad reams of paper, it was no longer just the wealthy who could afford pretty patterns!

In the Americas, a far wider variety of pigments also became available because of the abundance of... well, a shitton of flora and minerals, some of which weren't as common in Europe.

WHY THE HIGHLIGHTER COLORS? you ask.

CANDLES.

Those colors reflect candlelight and natural sunlight REALLY WELL.

Humans LOVE bright colors, it's NOT just a thing for kids. We live in a brilliant, vibrant, multifaceted world. We ALWAYS have.

(STOP MAKING YOUR HISTORIC SIMS 4 BUILDS BE BLAND. STOP IT.)

[periodinteriors]

On the subject of Colonial America: don't forget, even if you couldn't afford wallpaper, wall stenciling might still be in reach!

(If ever you have the opportunity to visit the Stencil House at the Shelburne Museum in Vermont (pictured above at 3, 4, and 5), I highly recommend.)

And that's before you get into American painted murals:

Embrace the decorative arts, folks!

[clinging-to-decency]

[eggsaladstain]

GO OFF BESTIE

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